Bhooter Bhabishyat
- 2012
- 2h 3m
ÉVALUATION IMDb
8,1/10
4,5 k
MA NOTE
Ajouter une intrigue dans votre langueA rib-tickling comedy about a group of spirits who, in their various idiosyncrasies, try and save their only haunt, their resting place, when some unscrupulous builders try and break it down... Tout lireA rib-tickling comedy about a group of spirits who, in their various idiosyncrasies, try and save their only haunt, their resting place, when some unscrupulous builders try and break it down to build a modern monstrosity.A rib-tickling comedy about a group of spirits who, in their various idiosyncrasies, try and save their only haunt, their resting place, when some unscrupulous builders try and break it down to build a modern monstrosity.
Paran Banerjee
- Darpo Narayan Chowdhury
- (as Paran Bandyopadhyay)
Mir Afsar Ali
- Ganesh Bhutoria
- (as Mir)
Kharaj Mukherjee
- Promod Podhan
- (as Kharaj Mukhopadhyay)
Sumit Samaddar
- Bhootnath Bhaduri
- (as Sumit Samadder)
Bibhu Bhattacharya
- Sudhirbabu
- (as Bibhu Bhattacharjee)
Udayshankar Pal
- Atmaram Paswan
- (as Udayshankar Paul)
Avis en vedette
This is very rare to watch satire bengali movies . Showing a good moral message , the movie is really Entertaining , Funny and Suspicious . Undoubtedly best creation of Anik Dutta. Everyone acted well in their roles . A must watch movie for all movie lovers. The songs ( actually the lyrics ) are also funny .
Oh my god! I have never seen a combination like this or nearer to this in Bengali films. I don't like comedy films. But it's representing a 100 year (nearly) history & a extraordinary combination of it beyond the comedie. It has screened 5-6 generation in the same screen. It's a sign which indicates that Bengali films are improving day by day. A very interesting & marvellous storyline. Excellent writing, thinking and direction by Anik Datta. Acting was also very perfect. Glad to see Shabyasaci, Parambrata, Poran, Mir, Saswata & Swastika in the same screen. I'm too late to watch this film 🙄
One stark difference between Ray and his two great contemporaries Mrinal Sen and Ritwik Ghatak is that Ray's movies, although being of the so-called art film genre, were as acceptable and entertaining to the masses as they appeal to the senses of the intelligentsia. Anik Dutta's directorial debut primarily catches that aspect of film-making where he was able to delve into Bangalis' thoughts and existence through generations across sections of the society via the multicoloured characterisations in this film. It is a wholesome entertainer which drives home pertinent points of modern and erstwhile Bengali society through comic relief to the masses. Read a full-blown article on the front page of a popular Bengali daily (which happened to publish the story the film is based on) and decided to watch this one, and it matched up to its review, a deservedly huge huge hit and a wonderful movie... 7/10
The 'chhaya (shadow) chhobi' by Anik Dutta overshadows ghost films of both Tollywood and Bollywood taken together in recent times. The synthetic, eery and blood-curdling horror is not the mainstay here; instead, the ghosts - from several strata and time periods - try means of survival from their live counterparts who are overtaken by an inhuman changeover resulting in unwittingly chasing out ghosts from haunted mansions. How the real ghosts - an endangered species now - will drive away the real-estate sharks is not the attractant of the film. Though the film is not an unplumbed one as regards the delivery of message, yet messages run over almost all the delivered dialogues, mostly laced with puns, and make the piece a unique experience, heretofore unmatched by and large, presenting the changing face of the city of Kolkata gradually being taken over by promoters and reality agents; thus changing Kolkata's heritage into Hertfordshire.
Dutta borrows directly, bathing in the light of his own interpretation, from Ray - his Gupi Bagha trilogy, his style of dialogues, his range of humour and so on - and Dutta does this in a rather grandiloquent and rarefied manner heaping loads of honour and expressing allegiance to Ray along the way unflinchingly.
Story, screenplay, lyrics and direction amalgamate into a homogeneous mixture of great cinema. Aveek Mukhopadhyay's cinematography calls for praise though there are still vestiges of development. Arghyakamal Mitra has, as always, shown his craft here piecing together the various time- frames. Indranil Ghosh's work is flawless like in most other films, too. Kanan Devi's nasal voice from the by-gone era tones up the pathos of one of the messages the film seamlessly delivers - practice of clandestine concubinage by some spoilt upstarts and the well-off of the time. Coming down to the characters, their engaging idiosyncrasies and their pathos to boot make this seriocomedy a psychotherapeutic exercise giving the right directions and at the same time parodying the state of affairs in Kolkata and elsewhere. What we have to remember is that branches of development must not turn deadwood in the end.
Dutta borrows directly, bathing in the light of his own interpretation, from Ray - his Gupi Bagha trilogy, his style of dialogues, his range of humour and so on - and Dutta does this in a rather grandiloquent and rarefied manner heaping loads of honour and expressing allegiance to Ray along the way unflinchingly.
Story, screenplay, lyrics and direction amalgamate into a homogeneous mixture of great cinema. Aveek Mukhopadhyay's cinematography calls for praise though there are still vestiges of development. Arghyakamal Mitra has, as always, shown his craft here piecing together the various time- frames. Indranil Ghosh's work is flawless like in most other films, too. Kanan Devi's nasal voice from the by-gone era tones up the pathos of one of the messages the film seamlessly delivers - practice of clandestine concubinage by some spoilt upstarts and the well-off of the time. Coming down to the characters, their engaging idiosyncrasies and their pathos to boot make this seriocomedy a psychotherapeutic exercise giving the right directions and at the same time parodying the state of affairs in Kolkata and elsewhere. What we have to remember is that branches of development must not turn deadwood in the end.
I recently watched this movie in a cinema hall and i felt it could be a spooky horror film but it was different and outstanding. This movie has all the elements that makes this two hour journey an absolute treat to watch. The plot is quite simple and it reaches to all section of masses.
The atmosphere,cinematography,lighting,acting,costumes,music are just brilliant but the most important aspect i feel are the dialogues that are quite intriguing and showcases the 'intelligent wit' of the film!!!
Nevertheless to say, the dialogues actually bring the flavor of comedy and you are bound to laugh at your seat. Good luck to Bengali Art films and kudos to the director Anik Dutta for presenting us such a film in his debut.
The atmosphere,cinematography,lighting,acting,costumes,music are just brilliant but the most important aspect i feel are the dialogues that are quite intriguing and showcases the 'intelligent wit' of the film!!!
Nevertheless to say, the dialogues actually bring the flavor of comedy and you are bound to laugh at your seat. Good luck to Bengali Art films and kudos to the director Anik Dutta for presenting us such a film in his debut.
Le saviez-vous
- AnecdotesSabyasachi Chakravarty, Parambrata Chatterjee and Bibhu Bhattacharya star in this film. The trio has also co-starred in iconic Feluda films with Sabyasachi playing the titular role, while Parambrata and Bibhu portray Topshe and Jatayu respectively.
- ConnexionsReferences Les aventures de Goopy et Bagha (1969)
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Détails
- Durée
- 2h 3m(123 min)
- Couleur
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