La vie d'Adèle change lorsqu'elle rencontre Emma, une jeune femme aux cheveux bleus qui lui permettra de découvrir le désir et de s'affirmer en tant que femme et en tant qu'adulte.La vie d'Adèle change lorsqu'elle rencontre Emma, une jeune femme aux cheveux bleus qui lui permettra de découvrir le désir et de s'affirmer en tant que femme et en tant qu'adulte.La vie d'Adèle change lorsqu'elle rencontre Emma, une jeune femme aux cheveux bleus qui lui permettra de découvrir le désir et de s'affirmer en tant que femme et en tant qu'adulte.
- Director
- Writers
- Stars
- Nominé pour le prix 1 BAFTA Award
- 87 victoires et 106 nominations au total
Avis en vedette
I certainly blinked when I found out this movie was 3 hours long, especially considering that it won the Palm d'Or where many winners have a slow and painful plot. This movie on the other hand does a great job keeping every scene riveting through great dialog and riveting emotions. I would compare many of the scenes in this movie to Tarantino scenes where scenes take on a life of their own. Cleverness and awkwardness were dispersed in a way to make it seem real and ultimately human. I felt wonderfully disappointed when certain scenes ended. The actresses held nothing back in their body language and added much to the moment-to-moment importance of their character development.
Of the two competition films I saw in Cannes, this was luckily one of them. If you enjoy foreign cinema at all you will likely find this mesmerizing. I'm a straight male but I couldn't help but feel strongly for the two women during this unconventional love story.
I'll go ahead and let you know that the sex scenes are incredibly graphic (though some have claimed they are unrealistic) and VERY long. I didn't clock any of them but I'm pretty sure one of them is 15 minutes. So, fair warning.
I'd recommend BItWC to anyone who didn't like Transformers 3 or Pirates F-ing 17. Great acting. Great direction. Strong Story. Plus, it's the Palm d'Or.
I'll go ahead and let you know that the sex scenes are incredibly graphic (though some have claimed they are unrealistic) and VERY long. I didn't clock any of them but I'm pretty sure one of them is 15 minutes. So, fair warning.
I'd recommend BItWC to anyone who didn't like Transformers 3 or Pirates F-ing 17. Great acting. Great direction. Strong Story. Plus, it's the Palm d'Or.
10nootch23
I saw this film on the last night it was playing at my local theater and I jumped on the opportunity. Once it was over I realized how smart of a decision it was. I read a review of the film that said something along the lines of, "the trouble with this film being 3 hours is that you want to watch it for several more." I couldn't agree more with that statement. The story, along with its characters, moves the film along to the point where it didn't feel like 3 hours.
This film was probably the most emotionally intense and powerful movie I've seen in a very long time. You believed everything you were seeing and it forced you to feel it along with the characters. As much that has been written about this film, the acting can not be overstated. These two actresses are a revelation in this movie.
It seems that whenever the topic of homosexuality is covered by a film it usually contains some sort of hate crime or bias against homosexuality somewhere in the story that the film's characters have to face and overcome. What's refreshing about this film is that there is a dash of that but its in the beginning of the film and never becomes the focus of the conflict with the characters. The film acknowledges that bias is there but brushes it aside to say that there is something bigger and more important at play with the characters. Really nice to see that in a film.
This movie ranks as one of the best films I've seen this year and am so happy I had a chance to see it.
This film was probably the most emotionally intense and powerful movie I've seen in a very long time. You believed everything you were seeing and it forced you to feel it along with the characters. As much that has been written about this film, the acting can not be overstated. These two actresses are a revelation in this movie.
It seems that whenever the topic of homosexuality is covered by a film it usually contains some sort of hate crime or bias against homosexuality somewhere in the story that the film's characters have to face and overcome. What's refreshing about this film is that there is a dash of that but its in the beginning of the film and never becomes the focus of the conflict with the characters. The film acknowledges that bias is there but brushes it aside to say that there is something bigger and more important at play with the characters. Really nice to see that in a film.
This movie ranks as one of the best films I've seen this year and am so happy I had a chance to see it.
Seldom will you find, such adoration, unrefined, as a beautiful romance, takes us with it on its dance, though the rocks that taunt us all, cascade, descend, to cover all, but the passion and desire, leave you breathless and on fire!!!
Perfect, in almost every way.
Perfect, in almost every way.
This is a good movie. I liked very much the way in which it describes the birth, maturity and end of a love interest among two young and attractive humans. The scenes in the park and the interplay of sentiments and nuances between the two lovers are very emotional and engaging. The difference of characters is very well presented.
The other good point is the sometimes humoristic way in which the down to earth and pragmatic family and social environment of Adele is juxtaposed with the artistic, intellectual and avant guard family and friends of Emma. I think this is the best part of the movie when one compares the realism of Adele with the artistic license of Emma. The scenes where both eat with each others family and the ensuing dialogues are a treat.
And now what you are all waiting for: the sex scenes. They are long, hot and explicit. I can not pronounce with conviction whether they served the artistic purposes of the movie or not. If someone wanted to watch the full bloom of a lesbian love story, the scenes may be considered indispensable, if you just wanted to watch a human love story between two people that happen also to have the same sex without caring for so much carnal detail, the scenes could be shorter and more circumspect. The point nevertheless is that those scenes caused a sensation and created a furore and debate from which the movie profited in terms of advertisement. People may now blame or praise it for the wrong reasons.
Both actresses where very good in playing their roles. The portrayal by Exarchopoulos of Adele as a teacher in a kinder-garden reading to the children didactic stories with animals or of her abilities as a cook and her insistence that Emma should eat something while Emma is consumed by a telephone call in which she raves about her artistic personality, integrity and vision ignoring Adele and the immediate environment are superb. She is also an actress which made feel empathy for her character. Seydoux is also very credible as the pretentious modernistic and ultimately self-centered Emma. And to conclude with a personal view I liked Adele much more than Emma as a person...
The other good point is the sometimes humoristic way in which the down to earth and pragmatic family and social environment of Adele is juxtaposed with the artistic, intellectual and avant guard family and friends of Emma. I think this is the best part of the movie when one compares the realism of Adele with the artistic license of Emma. The scenes where both eat with each others family and the ensuing dialogues are a treat.
And now what you are all waiting for: the sex scenes. They are long, hot and explicit. I can not pronounce with conviction whether they served the artistic purposes of the movie or not. If someone wanted to watch the full bloom of a lesbian love story, the scenes may be considered indispensable, if you just wanted to watch a human love story between two people that happen also to have the same sex without caring for so much carnal detail, the scenes could be shorter and more circumspect. The point nevertheless is that those scenes caused a sensation and created a furore and debate from which the movie profited in terms of advertisement. People may now blame or praise it for the wrong reasons.
Both actresses where very good in playing their roles. The portrayal by Exarchopoulos of Adele as a teacher in a kinder-garden reading to the children didactic stories with animals or of her abilities as a cook and her insistence that Emma should eat something while Emma is consumed by a telephone call in which she raves about her artistic personality, integrity and vision ignoring Adele and the immediate environment are superb. She is also an actress which made feel empathy for her character. Seydoux is also very credible as the pretentious modernistic and ultimately self-centered Emma. And to conclude with a personal view I liked Adele much more than Emma as a person...
Le saviez-vous
- AnecdotesThe actresses only read the script once. Abdellatif Kechiche insisted that they forget what the script said line for line, and instead asked them to improvise their scenes and really let their actions and words come out naturally and as unforced as possible.
- GaffesWhen Adèle dresses up for Emma's vernissage, we see her painting her toe and finger nails red. In the next scene we see her walking to the vernissage, and when she adjusts her hair, her finger nails are not polished.
- Générique farfeluThere are no opening credits.
- Autres versionsThe Japanese Blu-ray release has mosaic over some of the nudity.
- ConnexionsEdited into La vie d'Adèle: Deleted Scenes (2014)
- Bandes originalesA Que Bueno
Written by Klaim
Performed by Klaim
© 2012 All Rights Reserved
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Blue Is the Warmest Colour
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 € (estimation)
- Brut – États-Unis et Canada
- 2 199 787 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 100 316 $ US
- 27 oct. 2013
- Brut – à l'échelle mondiale
- 19 796 489 $ US
- Durée3 heures
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the streaming release date of La vie d'Adèle: Chapitres 1 et 2 (2013) in Canada?
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