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Sunset Song

  • 2015
  • R
  • 2h 15m
ÉVALUATION IMDb
6,4/10
4,2 k
MA NOTE
Agyness Deyn in Sunset Song (2015)
The daughter of a Scottish farmer comes of age in the early 1900s.
Liretrailer2 min 03 s
2 vidéos
81 photos
Period DramaDrama

La fille d'un fermier écossais atteint l'âge adulte au début du 20e siècle.La fille d'un fermier écossais atteint l'âge adulte au début du 20e siècle.La fille d'un fermier écossais atteint l'âge adulte au début du 20e siècle.

  • Director
    • Terence Davies
  • Writers
    • Lewis Grassic Gibbon
    • Terence Davies
  • Stars
    • Ken Blackburn
    • Mark Bonnar
    • Stuart Bowman
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,4/10
    4,2 k
    MA NOTE
    • Director
      • Terence Davies
    • Writers
      • Lewis Grassic Gibbon
      • Terence Davies
    • Stars
      • Ken Blackburn
      • Mark Bonnar
      • Stuart Bowman
    • 53Commentaires d'utilisateurs
    • 101Commentaires de critiques
    • 73Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 2 victoires et 16 nominations au total

    Vidéos2

    Official Trailer
    Trailer 2:03
    Official Trailer
    'Sunset Song': Enlisted
    Clip 1:55
    'Sunset Song': Enlisted
    'Sunset Song': Enlisted
    Clip 1:55
    'Sunset Song': Enlisted

    Photos80

    Voir l’affiche
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    + 75
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    Rôles principaux40

    Modifier
    Ken Blackburn
    • Galt
    Mark Bonnar
    Mark Bonnar
    • Reverend Gibbon
    Stuart Bowman
    Stuart Bowman
    • Alex Mutch
    Emily-Jane Boyle
    • Christine
    • (as Emily Jane Boyle)
    Ewan Comes
    • Newborn Guthrie Twin
    Maelly Comes
    • Newborn Guthrie Twin
    Ann Overstall Comfort
    • Mrs Hemans
    • (as Ann Comfort)
    Callum Adams
    • Alec Guthrie
    • (as Callum Davies)
    Agyness Deyn
    Agyness Deyn
    • Chris Guthrie
    Ron Donachie
    Ron Donachie
    • Uncle Tam
    Tom Duncan
    Tom Duncan
    • McIvor
    David Ganly
    David Ganly
    • Tink
    Niall Greig Fulton
    Niall Greig Fulton
    • John Brigson
    Caelan Fyfe
    • Toddler Ewan
    Jack Greenlees
    Jack Greenlees
    • Will Guthrie
    Gav Guilfoyle
    • 2nd Government Man
    Linda Duncan McLaughlin
    • Auntie Janet
    Kevin Guthrie
    Kevin Guthrie
    • Ewan Tavendale
    • Director
      • Terence Davies
    • Writers
      • Lewis Grassic Gibbon
      • Terence Davies
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs53

    6,44.1K
    1
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    9
    10

    Avis en vedette

    6jromanbaker

    Is this a masterpiece ?

    Is this a masterpiece ? I really have no idea, but I sense that it might be. The filming is perfect, and the lead actress incredibly good. I have not read the book upon which it is based, and to be honest I have no desire to do so. Davies is a masterly director, but then again I have not much of a desire to see his films. ' The House of Mirth ' is I think his best film, and from the works I have seen of his ' The Deep Blue Sea ' is his worst. During the first half of ' Sunset Song ' I endured the cruelty of the world he was depicting, but towards the end I thought enough is enough. Overall he presents a dour view of life, shot through with a sparse amount of happiness. His vision maybe true and I have seen many depressing films that I have considered great, but as this film reached its ending I had endured enough of what I had seen. Some will unreservedly give it a 10, and there again I am not sure it does not merit that. I can only repeat; is this a masterpiece ? I do not think that I want to know simply because the physical pain and mental pain is too much to bear.
    6Sergeant_Tibbs

    Suffers under Davies' jumbled approach, but Deyn's performance redeems it.

    Lewis Grassic Gibbon's 1932 novel Sunset Song is considered a classic of Scottish literature, and English director Terence Davies has spent 15 years bringing it to the screen. It's with a heavy heart that perhaps the sprawling and archaic epic may not translate to contemporary cinema. It's the story of Chris Guthrie in the early 20th century, a teenage girl (here played by Agyness Deyn) who suffers the changing rota of her family as they pass on or exit, ultimately leaving the farm to her tending. At first, it seems it's operating on a compelling contradiction that's rarely explored. While not only is a young woman's perspective in this time hardly considered on film, but it puts her in command, independent of a man's world while they were drafted to war. Unfortunately, it doesn't sing from that hymn sheet.

    The biggest problem is that it seems to lack thematic consistency, or at least develop them with interesting contrasts. Its strongest idea is initially the passage of womanhood, but instead it's interested in vicious cycles. The first third of Sunset Song is a series of examples of pure misery as Chris suffers with little relief. Peter Mullan stars as her abusive father, clearly channelling Pete Postlewaite in Distant Voices, but without the dimensions. Mullan is perfectly capable of dominating the film like he's offered here, but Davies needed to give him more layers. As sources of misery are picked off, the second third is, delightfully, pure joy. Despite some obstacles, Chris thrives on the farm and begins a seemingly happy marriage with her brother's gentle friend Ewan. However, it's void of irony of what came before and what's to come.

    The war comes. It whisks Ewan away despite his initial reluctance then his branding as a coward. With little prior hints, the film turns into a bleak anti-war film in how it destroys the fabric of families in spite of earlier strengths. Chris' brilliant triumphs as an independent woman do not overcome. A compassionate film would have left veins of bittersweetness within its rays of hope and despair, but instead it's simply flat, void of the expressionistic nostalgia that Davies has utilised before. Distant Voices, Still Lives – one of the finest British films I've ever seen – and The Long Day Closes, which I was less impressed with, both have exquisite photography, creating an ethereal atmosphere. The photography here is misjudged, being far too wide for an intimate film while its modern crispness makes it feel like actors playing dress- up in theatre. At least the locations lend themselves to the beauty when the camera is outside.

    Not to rob the film of its brightest shining attribute though. Agyness Deyn as Chris Guthrie is absolutely incredible, carrying the film squarely on her shoulders. She's raw, committed and deeply expressive. While her character certainly needed more work, she's never dragged down by the film's shortcomings and elevates the film where it falls. The supporting cast doesn't quite have the same potency, but that's mostly due to Davies' overly simple handling of the material. Kevin Guthrie as Ewan has two interesting sides to his character to explore, as he starts kind but transforms into a man like Chris' father, but they're put beside each other. Those facets are finally blended, but by that point it was too late to redeem. Perhaps it was more powerful when the book was written in the 30s at the dawn of another war. In Davies' direction, the film is often either conventional in its domestic dramas or its a meagre attempt at those conventions.

    Sunset Song does occasionally have ambitions beyond the grand struggles of the Scottish people in the early century. With Deyn's narration, it occasionally dips into profound ideas of her insignificance in the grand scheme of time. If delivered quicker, it could have made more of an impact. It also dips into the ideas of the relationship between people and the land as the land stays resilient while war takes people away. It contrasts Chris' own battered endurance with the land's bruises. As the film plays one note at a time, it's difficult to take anything pure away from it, but at least attempts are made and lifts it up from mediocrity. Perhaps this just wasn't the right source material for a film just over 2 hours long as it even suffers from its slow pacing. Davies has always focused on the past rather than the present, but perhaps his perspective is too ancient for cinema now.

    6/10
    6hugh_jaeger

    Good cinematography, but...

    Who were the "North Highland Regiment"? No "ladies from hell" that I've ever heard of. And why the Latin shoulder numerals "IXI"? That's not even a real or feasible Latin number.

    Is my sight failing, or did the soldiers' shoulder insignia say "Brecknock"? Wasn't that a battalion of the South Wales Borderers, as in "wrong Celtic country"? Did someone just find a bundle of WW1 shoulder badges on a market stall and decide to use them, without bothering to Google what regiment or even what country they were from?

    Laura Hollins (let's use your real name, not your gibberish fantasy one) gives birth to a baby several months old. Next thing we know, the boy is a few years old but Laura looks exactly the same age. Other reviewers have already noted other discontinuities with which this film is riddled.

    The slow, linear narrative is likable enough. Whether Hollins' Doric is credible is for Scots to judge. But botching basic details breaks the spell. I don't feel cheated of my ticket money. Just disappointed that such basic authenticity was botched by lazy and ignorant prop-buying and film-making.
    Kirpianuscus

    beautiful

    I do not know the trilogy of Lewis Grassic Gibbon. But I love this film for the flavors, for landscapes, for memories about other Scotish novels atmosphere, for bitterness and beautiful seeds of hope. Good acting, powerful message, wise perspective about life, a gentle feminist manifesto and one of films like a cold tea cup. Beautiful.
    9Blue-Grotto

    Wedding dinner by candlelight, mist, the morning sun, . . .

    Firelight, swells of the North Sea, hayfields, rain, a wedding dinner by candlelight, mist, the morning sun, green mountains, Scottish song, clothing fashions from a hundred years ago and the writing of Lewis Grassic Gibbon, are brought to life. It is said that nothing but the land endures, yet there is something about each of these characters – good and bad - that endures too. Intriguing characters include a sensual, pretty and bright young woman who loves the landscape and dreams of a better life, a strict and abusive farm family patriarch in desperate need of an intervention and anger management classes, and a young man turned bitter and cowardly by war and violence. The story is told mostly through the eyes of the young woman, Chris, as she grows and experiences hardships as well as bliss. It is amazing to witness her transformations through the people she comes in contact with, the land and the emotions she feels. Kindness, love, nature and light endure when we let them. Anger, violence and hatred make them the lovelier for that.

    The director is obviously extremely experienced and capable at such historic United Kingdom stories. He invigorates the senses in sight and sound, and we even almost feel the emotions of the characters and smell the hay, mist and mud. I suppose this is the "memory realism" style I read about. Remarkably, and appropriately to the themes of the story, Davies does not shy away from the rawness of anger, sex, nudity and violence. He is equally adept at bringing out the beauty of the story as well as its darkness. There is exemplary acting here especially by the leads, yet with the exception of the one who played Ewan (each of his moods seemed the same to me). For those few who can differentiate between the sectors of Scotland, the film takes place in Northeast Scotland. The excitement of another "Florida premiere" was palpable (LOL!) at this 2016 Miami International Film Festival screening.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The exterior shots were shot on 70mm film while the interiors were captured on digital cameras.
    • Gaffes
      At about 55:50 minutes in, the main characters are standing talking in the high street as a flock of sheep moves past them. There are two of what appear to be large steel bollards on either side of the road. As the sheep progress through the scene, the left-hand bollard on screen wobbles as the sheep come into contact with it.
    • Connexions
      Featured in Film '72: Episode #44.12 (2015)
    • Bandes originales
      WAYFARING STRANGER
      (Traditional Ballad )

      Arranged and performed by Gast Waltzing

      Vocals by Jennifer John

      Licensed courtesy of Sunset Song Ltd.

      © 2016 Milan Records

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    FAQ

    • How long is Sunset Song?
      Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 décembre 2015 (United Kingdom)
    • Pays d’origine
      • United Kingdom
      • Luxembourg
    • Langues
      • Scots
      • English
      • French
    • Aussi connu sous le nom de
      • Sunset song
    • Lieux de tournage
      • Glen Tanar Estate, Aberdeenshire, Écosse, Royaume-Uni(Old schoolhouse where Chris is a pupil and hopes to become a teacher)
    • sociétés de production
      • Hurricane Films
      • Iris Productions
      • SellOutPictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 159 714 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 12 995 $ US
      • 15 mai 2016
    • Brut – à l'échelle mondiale
      • 1 302 482 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 15 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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