Sand Castles

Set in rural Indiana, Sand Castles tells of the impoverished Daly family continually haunted by a tragedy that occurred more than a decade ago. It's a nightmare that never ends. After a family trip to the beach, little Lauren Daly mysteriously disappeared, snatched by a stranger.

The devastation felt by the remaining family members understandably causes their lives to spiral down, out of control, resulting with dad taking his life while mom (an outstanding Saxon Trainor) drowns in a world of cigarettes and booze, leaving their son Noah (Jordon Hodges) to basically fend for himself.

Then, a decade later, the unimaginable occurs. "There's no easy way to say this," a cop tells the family. "We found Lauren."

Somehow, the little girl, now a teenager, has escaped from the confines of wherever she was held captive, but the trauma of the past ten years or so has resulted in a complete shutdown: she doesn't speak. The only potential clue to what might have happened to her is a well-worn copy of the Charles Dickens classic Great Expectations. The significance of the novel and why the young girl appears to read and re-read the book is later revealed, but to the frustration of the social worker assigned to the case, Alison Paige (Daniella Grace), Lauren refuses to allow anyone to touch her dog-eared copy. In an attempt to break through the young girl's silence and hopefully open up a channel of communication with her, Alison buys her own copy of the book and even takes both Lauren and Noah to a local community theatre production of the novel.

Sand Castles - a title referring not only to that fateful day at the beach but also the fragility of an existence that can be swept away by a single wave in one, brief, unexpected moment – is an impressive debut from Jordon Hodges, who here does triple duty as actor, writer and co-producer. There's little wonder as to why the film has already collected a number of festival awards; Sand Castles has its flaws, but the overall impression you're left with as you leave the theatre is one of immense satisfaction, the result of witnessing an ambitious story well told and the introduction to a new talent; Jordon Hodges.

As writer, Hodges uses only slight reveals to illustrate important key moments. It's up to us, the audience, to recognize the clues. Imagine trying to fit pieces of a jig-saw into place but without the aid of the picture on the box. Flashbacks occur, but they're brief; they flash on the screen in the same way a thought may suddenly spring to mind, lasting just a few seconds, often shorter. With an economy of dialog, feelings are often illustrated by the briefest of glances or an accusatory look. When ex-cop and close family member, Tommy Daly (Randy Spence) buys Lauren her own, small fridge - the kind a student may have for convenience in the dorm - the young girl unexpectedly runs forward and hugs her uncle, burying her head in his chest. It's a touching and genuinely heartfelt family moment made all the more effective due to the simple absence of dialog. But occasionally there are the odd missteps.

The scene where Tommy's ex-partner, now detective (Scott Jemison) angrily berates Lauren out of frustration for her continual silence develops into something unnecessarily overwrought and not particularly well-played, plus the sudden romance between Noah and the attractive social worker occurs completely out of nowhere. The moment when Alison suddenly kisses Noah is meant to surprise, which it certainly does, but up until that moment there has been no indication whatsoever of the social worker's attraction to Lauren's big brother. The romance needs to happen in order for later events to occur, but somehow that initial moment feels both wrong and unnatural. There's also the appearance of an important, extra scene that runs in the middle of the closing credits. It's not an add-on; it's an integral part of the mystery and needs to be seen earlier rather than at the conclusion of the cast list.

However, backed by an outstanding, atmospheric score from musician Todd Maki and solid performances from Hodges, Trainor and Spence, plus an effective appearance from Clint Howard whose somewhat creepy presence only adds to the overall mystery of Lauren's kidnapper, director Clenet Verdi-Rose has delivered a feature that needs to venture further than the confines of the festival circuit. More importantly, it introduces us to Jordon Hodges. Remember the name.

• Valley Screen and Stage: David Appleford's Film and Theatre Reviews

davidappleford.com

For free with sub on the thing which is very nice! I watched this on 2023 a few years after it came out but that's no matter for art can live on forever! And that is what this thing is a well-thought nice canard that does its job and does it well! Very nice! I went through all the reviews on here and one in particular stands out because it brought up a scene which the viewer disliked. The one when the cop makes a house visit and breaks everyone something proper like. I was like this is my fav scene. They said it wasn't warranted and that there would be repurcussions. But I think it was warranted for it was explained very well and what reprucurssions if no one finds out. I thought it was warranted because the cop explained himself and we also understand his connection to the victims. But ultimately this thing worked and it worked well! I loved the writing best of all! I think the main actor did a heck of a job penning this thing he should be very proud of the breadth and trying to do something instead of just following some formula which this is most definitely not thank-god cause that's boring owing to that formula being so stale. But the best part was the ending and how he left the thing a beautiful silent mediation on the actions and what all it does. It was just a great great job all around! I've got another one of his flics on queue for free on youtube which is always very nice and I'm about ready to watch it, thanks for the effort and trying to do something with this medium, cool job!

Ten years ago, little Lauren Daly (Anne Winters; Wicked City) was abducted while on a family trip to the beach. Devastated, the remaining family members spend the next ten years battling against alcoholism, depression, and suicide. Sand Castles depicts a tragic story of a lost childhood and the lives affected by that loss.

Ten years on and Lauren's brother, Noah Daly (Jordon Hodges), is taking care of his now alcoholic mother with help from his uncle Tommy (Randy Spence). Quick flashbacks reveal why Noah's father is no longer in the picture; an event that also took its toll on their family. The household is squeaking out a type of existence although it is clear that Lauren's disappearance hit them hard. But then they get a visit from the detective who has been on the case since he was a rookie. He informs them that they have found Lauren alive and it throws their new world for a loop.

Now a teenager and unwilling and/or unable to speak, Lauren tries to reintegrate into her broken family with the detective and a case worker looking over their shoulders. The case worker does her best to help Lauren, including taking her to a play based on a worn out book she carries around. But the presence of alcohol does not help. Lauren's mysterious return also re-energizes the investigation into her disappearance. Clint Howard co-stars as an eye witness who believes he saw Lauren getting dropped off where she was found; an account that leads Tommy down a dark, potentially heart breaking path.

The use of flashbacks is nearly perfect in this film. They tended to be short little clips introducing characters or circumstances just when that information is most useful. For example, when the detective is introduced, they have a quick flashback to him as a rookie getting the call of a missing person (Lauren). It's not too drawn out, gets the exposition out of the way, and keeps the story flowing at a decent pace.

Overall, Sand Castles is an interesting, emotional roller coaster. The characters are (mostly) likable and the actors are very respectable in their parts. The plot is depressingly believable and shows that your world can change in an instant both for the worse and for the better. I would have preferred a bit more closure regarding Lauren's kidnapping, but stick around during the credits for a bonus scene that does wrap up a few last threads of that mystery.

• Bradley Smith, Red Carpet Crash

I do not write reviews, but I signed up because there is something special about this film. It's got an indie grittiness that you love in movies like Winter's Bone, but with a light, love and beauty (cinematography is amazing) that you would see in a Terrence Malick film. The story is full of nuance and things you "get" without being told, almost philosophical at times. I read a reviewer called it "Hauntingly poetic", which is a perfect term for it. But like most good movies, you either really love it or you really don't. I loved it. The cast is subtle and raw, the music is captivating, the story is complex and subtle (pay attention to the details, some I only picked up on 2nd watch)... and the cinematography is beautiful. The film won a lot of awards on the film festival circuit and for good reason. Bottom line: The movie made me feel different than most.

P.S. There is an important scene in the middle of the end credits, so stick around!

Look hey is it the worst movie I've seen.. not by any stretch. There was some potential there but, to me, they wasted it.

The acting does in fact leave something to be desired and while I enjoy subtlety in a movie this one does not really give you quite enough to know what really is/did happen... Really some guesswork without any answers that actually make sense. Sure you want to do a piece about human unpredictability fine but to me this is the writers being unpredictable not the story.

In some ways I do get that people liked it and you may as well, but from my perspective it was quite drawn out and mostly focused on family dynamics and sort of tried, unsuccessfully, to tie it into a 'neat little bow'.. that's not so neat.