ÉVALUATION IMDb
7,4/10
6,8 k
MA NOTE
Un champion d'échecs néo-zélandais brillant mais troublé trouve un but en enseignant aux enfants défavorisés les règles des échecs et de la vie.Un champion d'échecs néo-zélandais brillant mais troublé trouve un but en enseignant aux enfants défavorisés les règles des échecs et de la vie.Un champion d'échecs néo-zélandais brillant mais troublé trouve un but en enseignant aux enfants défavorisés les règles des échecs et de la vie.
- Director
- Writer
- Stars
- Prix
- 26 victoires et 16 nominations au total
Avis en vedette
Spectacular. What can I say. I saw this film yesterday and I am still emotionally changed by it. Cliff Curtis' portrayal of the main character Genesis is incredible. Every facial movement, gaze and words contain such intent and delivery that it makes you imagine or see what is going on in his mind. The opening scene is stunning directing and DOP work and creates the mood for the entire film.
James Rolleston as Mana is excellent. Very powerful delivery and believable. Same can be said for Wayne Hapi who plays Mana's father Ariki. Kirk Torrance as Noble and the rest of the cast is great.
I also felt a close connection to this film because I grew up in a small town in Australia with people similar to the roles portrayed in this film so I can relate.
Great work, I will see again very soon and can't wait to own it when it is released.
James Rolleston as Mana is excellent. Very powerful delivery and believable. Same can be said for Wayne Hapi who plays Mana's father Ariki. Kirk Torrance as Noble and the rest of the cast is great.
I also felt a close connection to this film because I grew up in a small town in Australia with people similar to the roles portrayed in this film so I can relate.
Great work, I will see again very soon and can't wait to own it when it is released.
I had the chance to see this film on the opening night of the 2014 New Zealand International Film Festival. The advance reviews from critics had been so unanimously high that I went in with pretty strong expectations, which can easily backfire when a film is unable to live up to the hype. I really thought that might be the case with this.
But, literally, from the first frame of this incredible film (which silenced everyone around me, it's such a stunning opening shot), I forgot all of that, and became completely utterly wonderfully immersed in the story and performances and everything that unraveled before my eyes over the next two hours.
The way that this film deals with chess, Maori mythology, mental illness, gangs, kids... and weaves them all together, is just so compelling. The way that it moves from tragedy to comedy, without it ever feeling forced... the performances from people that apparently have never acted before in their lives... It's really hard to believe and so impressive.
The reaction around me was also hard to believe. Throughout the film, people all over the theatre (myself included) were literally laughing, crying, applauding, gasping, cheering, weeping... And then at the end after the ENTIRE credits had rolled without anyone moving, there was a standing ovation from the ENTIRE audience - almost 2,500 people! Incredible. I haven't been part of something quite like that before.
The emotion of this film is so powerful, the craft on display is so strong, the directing, writing, acting, music, cinematography. Just sublime. I really was floored.
The person I attended with told me after wards they thought this could be the greatest NZ film they've ever seen. I recently heard the National Radio Review say a similar thing when they were reviewing it.
I would have to agree.
Simply stunning. 10/10.
But, literally, from the first frame of this incredible film (which silenced everyone around me, it's such a stunning opening shot), I forgot all of that, and became completely utterly wonderfully immersed in the story and performances and everything that unraveled before my eyes over the next two hours.
The way that this film deals with chess, Maori mythology, mental illness, gangs, kids... and weaves them all together, is just so compelling. The way that it moves from tragedy to comedy, without it ever feeling forced... the performances from people that apparently have never acted before in their lives... It's really hard to believe and so impressive.
The reaction around me was also hard to believe. Throughout the film, people all over the theatre (myself included) were literally laughing, crying, applauding, gasping, cheering, weeping... And then at the end after the ENTIRE credits had rolled without anyone moving, there was a standing ovation from the ENTIRE audience - almost 2,500 people! Incredible. I haven't been part of something quite like that before.
The emotion of this film is so powerful, the craft on display is so strong, the directing, writing, acting, music, cinematography. Just sublime. I really was floored.
The person I attended with told me after wards they thought this could be the greatest NZ film they've ever seen. I recently heard the National Radio Review say a similar thing when they were reviewing it.
I would have to agree.
Simply stunning. 10/10.
I had some trepidation about it - mental illness and some Maori themes had been explored in excellent "The Insatiable Moon" - and the opening with film-effects rain didn't inspire.
However, a little further in and the film grabbed you by the throat and didn't let go. There are some very intense scenes and some things that are hard to watch though the violence is mostly off-screen. Chris Curtis delivers a truly stunning Genesis - an acting tour-de-force that just has to be seen. Telling his history to Mana up on the monument was a sight to behold - as well as his occasional slips out of the sane world. I know a few bipolars and it was very convincing.
While Curtis carries much of the film, he is very well supported by James Rolleston who has grown up since "Boy", Kirk Torrence, Hapi and the ensemble of kids. Te Hira's malevolence is also important to the script.
The script was brilliant. I thought Mana's attraction to Genesis was a little under-written but everything else came together in a very satisfying way. The linking of chess to warrior tradition and identification with family/tribe was inspired. I wonder if the real Genesis did this - it was certainly convincing as a way to touch these kids. Some excellent sets.
All in all, not one to be missed. The setting and culture are obviously very familiar to NZers, but I cant see why overseas audiences wouldn't enjoy it. The themes are pretty universal.
However, a little further in and the film grabbed you by the throat and didn't let go. There are some very intense scenes and some things that are hard to watch though the violence is mostly off-screen. Chris Curtis delivers a truly stunning Genesis - an acting tour-de-force that just has to be seen. Telling his history to Mana up on the monument was a sight to behold - as well as his occasional slips out of the sane world. I know a few bipolars and it was very convincing.
While Curtis carries much of the film, he is very well supported by James Rolleston who has grown up since "Boy", Kirk Torrence, Hapi and the ensemble of kids. Te Hira's malevolence is also important to the script.
The script was brilliant. I thought Mana's attraction to Genesis was a little under-written but everything else came together in a very satisfying way. The linking of chess to warrior tradition and identification with family/tribe was inspired. I wonder if the real Genesis did this - it was certainly convincing as a way to touch these kids. Some excellent sets.
All in all, not one to be missed. The setting and culture are obviously very familiar to NZers, but I cant see why overseas audiences wouldn't enjoy it. The themes are pretty universal.
This went straight into my top 5 movies of all time. Powerful story, raw in places. It brought a real depth of emotion and connection to the viewer. Cliff Curtis is a tour De force in this film, the best role I have seen him in. The supporting cast, despite being largely unknown, add a richness to the film, and also an authenticity to the setting. The fact that it is a true story also adds to the film, and made me want to find out more about the lead character, Genesis Potini. Although there are elements of violence, and that can be harrowing, they are tempered by extraordinary scenes of tenderness, and of humor. While the story has a New Zealand setting, it is a film for all people, from all parts of the world. If you are going to see one film this year, this is it. A must see.
This film easily ranks as one of the 3-4 greatest films to come out of New Zealand for me.
NZ film has produced some powerful drama over the years, particularly films like Whale Rider, Once Were Warriors and The Piano. IMO, The Dark Horse stands shoulder-to-shoulder with all those and actually exceeds them in some regards.
It's not an easy watch at times, there were moments I felt myself almost having to turn away from the screen... The tension is pretty relentless during periods, and I actually felt exhausted by the end.
But there was also plenty of genuine laugh out loud humour littered throughout, which balanced it all out nicely.
And boy was I glad for the experience. I actually had moments of not wanting to laugh because I was worried it would start me crying...! It was pointless... I ended up doing plenty of both in the end.
An instant NZ classic. Bravo to the filmmakers.
NZ film has produced some powerful drama over the years, particularly films like Whale Rider, Once Were Warriors and The Piano. IMO, The Dark Horse stands shoulder-to-shoulder with all those and actually exceeds them in some regards.
It's not an easy watch at times, there were moments I felt myself almost having to turn away from the screen... The tension is pretty relentless during periods, and I actually felt exhausted by the end.
But there was also plenty of genuine laugh out loud humour littered throughout, which balanced it all out nicely.
And boy was I glad for the experience. I actually had moments of not wanting to laugh because I was worried it would start me crying...! It was pointless... I ended up doing plenty of both in the end.
An instant NZ classic. Bravo to the filmmakers.
Le saviez-vous
- AnecdotesActor Wayne Hapi who played "Ariki" had no previous acting experience before his debut in 'The Dark Horse', however as an ex gang-member he did have direct experience with the film's content. Wayne applied for an audition via email after Casting Director Yvette Reid placed a job listing at WINZ "seeking Maori Men aged 50-65yrs, tattoos and criminal records welcome!". Wayne was honoured with a nomination for Best Supporting Actor at the 2014 New Zealand Film awards.
- GaffesIn a chess lesson, Genesis identifies the square c4 as "the Spanish square" and b5 as "the Italian square." These are the squares to which white moves the king's bishop on the third move of the Giuoco Piano, or Italian Game, and the Ruy Lopez, or Spanish Game, respectively; he's got them backward.
- ConnexionsReferenced in Talking Dead: Fear the Walking Dead (2015)
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- How long is The Dark Horse?Propulsé par Alexa
Détails
Box-office
- Budget
- 3 500 000 $ NZ (estimation)
- Brut – États-Unis et Canada
- 67 533 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 152 $ US
- 3 avr. 2016
- Brut – à l'échelle mondiale
- 1 862 114 $ US
- Durée2 heures 4 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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By what name was The Dark Horse (2014) officially released in Canada in English?
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