Song One

This film tells the story of a woman whose musician brother got hit by a car and became comatose. In the process of grieving, she becomes more than friends with the brother's favourite singer.

The Chinese title of this film in Hong Kong is "New York Love Chords", so I would be excused to think it's a romantic comedy involving music. The film turns or to be a sombre offering, with Anne Hathaway and Johnny Flynn saying sorry for each other on numerous occasions. The pace is slow, and nothing happens in the film. Anne Hathaway is quite good in the film, but I'm quite surprised by Johnny Flynn's portrayal of a very shy, bordering on socially awkward musician. Not only does his character appear lacking in confidence, he could not even hold eye contact with the person he's talking to. I can't believe he's the same charismatic guy in "Clouds of Sils Maria" that I watched just two days ago.

"Song One" turns out to be a great bore. I wish I didn't bother watching it.

Greetings again from the darkness. Fresh off her Oscar winning performance and infamous on screen haircut in Les Miserables, Anne Hathaway stars in this infinitely smaller film from writer/director Kate Barker-Froyland. A Sundance Film Festival entry, the movie winds through the clubs, coffee shops and second hand stores that make up the indie music scene in northern Brooklyn.

Ben Rosenfield ("Boardwalk Empire") plays Henry, the kind of musician so enamored with his own folk sound that he is willing to play for pocket change in the subway tunnels. Failing to adhere to mother rule #1, Henry pays the price for not looking both ways prior to crossing a street in front of a New York cabbie. Next thing we know, he is comatose in a hospital bed. Henry's mom (Mary Steenburgen) beckons wayward daughter Franny (Anne Hathaway) home from her worldly pursuit of a Ph.d in Anthropology.

When last they spoke Franny and brother Henry had one of those nasty sibling fights where angry words were spoken and no apology followed. It's been six months and now a guilt-ridden Franny sits by his hospital bed hoping for a shot at redemption. She soon discovers Henry's journal and begins re-tracing his favorite hang-outs and bands. This journey leads her to a meeting with Henry's musical idol James Forester (played by Johnny Flynn). Lacking suspense, the story leads right where one would expect – James and Franny taking a liking to each other, Franny discovers her own love for music, and the songwriting block that has burdened James slowly breaks down.

The film is at its best in the musical moments. Flynn is a very talented guy as a musician (not so much as an actor), and 5 or 6 live musical acts make appearances as the story unfolds. Most of the quiet scenes between Hathaway and Flynn seem a bit awkward, but not awkward in the good way that leads to real romance. Connection and re-connection are quite common in times of tragedy, as we are at our most emotionally vulnerable state. The biggest issue here is that everything develops just as we would expect … no surprises, no twists. Even the re-connection of Franny and her mother is a sweet scene where Franny sings along to America's "I Need You".

Jenny Lewis (of Rilo Kiley fame) and Jonathan Rice co-wrote the original songs used in the film, and as stated, a hand full of other bands perform their own material. For a musically based romantic drama, it does have a couple of really nice scenes, but for the most part, the drama and romance lag the music.

I am quite amazed at the bad reviews. This is one of the most beautiful movies I have seen in some time. Incredibly well acted...exceptional music and performances. The sensibility of this film is so unique.Poetic in its delivery, it doesn't just hand you every emotion. You actually have to tap in and feel them for yourself. For me this movie does so effortlessly. Thank you for making this film. I bought it and will watch it often.

Anybody with soft spot for music and sentimental lovestories will find 'Song One' difficult to resist. It follows Franny (Hathaway), her relationship with his estranged brother, and the unexpected romantic tale that blossomed between her and the musician James, Forester. No, this one's not new, we've seen countless others like this before, but in its own ways 'Song One' strikes a chord, strumming its own rhythm to make its charm carry a tune.

Yet the tune falls flat and runs off-key on moments when it's needed to speak volume for every scene's emotional sentiment. Albeit earnest and capable, the charm dispells, and what started as a haunting melody runs out of tone and tangibility. Whatever genuine sentiment 'Song One' holds in the beginning, or as a whole, the movie just falls behind extra-ordinary. You would admire Anne Hathaway as expected, but would look past her charm when drawn by the more evident flaws-- most noticeably her seemingly missing connection with Johnny Flynn, her character's love interest--pulling the tune off its proper rhythm.

'Song One', regardless of its emotional authenticity , stumbles upon its musical journey finding the right tune it could keep. It has beautiful beats and melodies to hum, but fails to turn them to something audible. It's neither terrible, nor excellent, just plain ordinary. 6/10

"Logically, when you talking' about folk music and blues, you find out it's music of just plain people." Brownie McGhee

Hardly-plain Anne Hathaway has a camera -ready head with a perfectly coiffed pixie and larger-than life lips. Good thing because Song One spends most of its 96 minutes caressing it while she moons over a folk singer. Yep, it's a romance but still not a bad one. Compared to John Carney's Once, however, it's a one note song. Considering it's writer-director Kate Barker-Froyland's debut film, it's a winner for her because of the promise it shows.

The Nicholas Sparks-like teary tropes are there: For instance, her folk singing brother, Henry (Ben Rosenfield), is in a coma while her mother (Mary Steenburgen) is eccentric and Franny (Hathaway) has been estranged from her and her brother . Enter heartthrob folksinger James Forester (Johnny Flynn), who sings sexy naturalistic songs and wins doctoral candidate Franny's heart.

The good part of this cliché is that the love grows organically, not swiftly or too cutely. Although his singing is seductive and his look shaggy handsome, he's playing down his charisma, and that angle makes Franny too low-key and mom almost hyper when she's not quite that.

Jenny Lewis and Jonathan Rice's music is sweet and longing, accessible for those not enamored of the folk genre. Unfortunately, the music is frequently melancholic to the extreme.

The film's strength is the organic growth of the romance and the organic neo-folk musical style that moves from street singing to full house concerts with equal grace. The weakness, however, is that nothing much else happens. For those who like authentic love stories, Song One can be first in their hearts while the rest of the audience can watch Walk the Line for some real musical drama.

"All music is folk music. I ain't never heard a horse sing a song." Louis Armstrong