ÉVALUATION IMDb
6,5/10
33 k
MA NOTE
L'histoire dramatique de la course acharnée entre Thomas Edison et George Westinghouse, afin de déterminer le système électrique qui alimenterait le monde moderne.L'histoire dramatique de la course acharnée entre Thomas Edison et George Westinghouse, afin de déterminer le système électrique qui alimenterait le monde moderne.L'histoire dramatique de la course acharnée entre Thomas Edison et George Westinghouse, afin de déterminer le système électrique qui alimenterait le monde moderne.
Avis en vedette
A lot of these reviews seem to come from Tesla fans who really misunderstand what I took to be the point of this movie. I don't think the movie is trying to portray who should have gotten the most credit or who was the most moral person or intelligent inventor of this era.
If that was the film's goal, then Tesla would have been the protagonist of the film and the central character.
It seemed to me that the movie's goal was to tell the story of how these inventors lived and how they were perceived by people within their time period. And how those perceptions impacting their goals to not just invent the best products, but get their products out and accepted within society.
Edison was perceived by the public as a star long before he ever invented a solid lightbulb for the time. Tesla wasn't a known entity. Westinghouse was successful, but not much of publicly known name to the public as Edison.
Edison and Westinghouse were the two big figure-heads of the AC and DC battle of the late 19th century. Even though Tesla is really the one who contributes the importance finding to give AC the edge, at the time, virtually no one knew who Tesla was or had good merits for taking his genius seriously. Tesla didn't demonstrate a lot of his ideas which were correct and didn't seem to understand how conmen could manipulate people by making the same kinds of claims as him without a model that actually would work.
Tesla worked for Edison, Westinghouse and independently over the course of his career. Tesla was probably the most visionary and innovative thinker conceptually among all of the characters in the film. But Tesla was an immigrant, which made it difficult for his ideas to gain traction within a racist and nationalist time for America. Plus Tesla was arrogant and the least practical or compromising in his aspirations, which made it even more difficult for his ideas to manifest themselves within society as he wished they would. Good intentions and correct ideas aren't enough if they don't get implement within one's culture.
What Tesla really had going for him was that he was really smart and he could figure out solutions that the other inventors couldn't figure out.
For all of these reasons Tesla couldn't be accurately portrayed in a manner that a lot of reviewers seem to have preferred and expected.
This movie's goal wasn't to orchestrate some narrative about what should have happened in the past. It's clearly more about showing what did or didn't happen back then and why.
And I think the story the movie tells is very interesting and provides for a lot of relevant lessons and understandings for people today. Even if it doesn't support Tesla's genius in a way that a lot of people were hoping for. Ultimately, its good to remember that even if one is a genius like Tesla, that doesn't mean that Tesla's didn't have some personal flaws that got in his way of achieving his own goals for the specific type of better future world.
I also don't really understand the common opinion from other reviewers that Edison was over-romanticized within the movie. Perhaps they could have made him seem more like a scumbag, but I easily was on Westinghouse's side and liked Tesla more as well.
If anything Westinghouse is the main character who is portrayed with the fewest imperfections. They show a lot of issues in Edison's persona. Not just in his invention, but in his interpersonal, business and family decisions.
I think one of the things that I liked the most about the movie is that it never shows the two main characters together in the same scene until the memorable scene at the very end.
If that was the film's goal, then Tesla would have been the protagonist of the film and the central character.
It seemed to me that the movie's goal was to tell the story of how these inventors lived and how they were perceived by people within their time period. And how those perceptions impacting their goals to not just invent the best products, but get their products out and accepted within society.
Edison was perceived by the public as a star long before he ever invented a solid lightbulb for the time. Tesla wasn't a known entity. Westinghouse was successful, but not much of publicly known name to the public as Edison.
Edison and Westinghouse were the two big figure-heads of the AC and DC battle of the late 19th century. Even though Tesla is really the one who contributes the importance finding to give AC the edge, at the time, virtually no one knew who Tesla was or had good merits for taking his genius seriously. Tesla didn't demonstrate a lot of his ideas which were correct and didn't seem to understand how conmen could manipulate people by making the same kinds of claims as him without a model that actually would work.
Tesla worked for Edison, Westinghouse and independently over the course of his career. Tesla was probably the most visionary and innovative thinker conceptually among all of the characters in the film. But Tesla was an immigrant, which made it difficult for his ideas to gain traction within a racist and nationalist time for America. Plus Tesla was arrogant and the least practical or compromising in his aspirations, which made it even more difficult for his ideas to manifest themselves within society as he wished they would. Good intentions and correct ideas aren't enough if they don't get implement within one's culture.
What Tesla really had going for him was that he was really smart and he could figure out solutions that the other inventors couldn't figure out.
For all of these reasons Tesla couldn't be accurately portrayed in a manner that a lot of reviewers seem to have preferred and expected.
This movie's goal wasn't to orchestrate some narrative about what should have happened in the past. It's clearly more about showing what did or didn't happen back then and why.
And I think the story the movie tells is very interesting and provides for a lot of relevant lessons and understandings for people today. Even if it doesn't support Tesla's genius in a way that a lot of people were hoping for. Ultimately, its good to remember that even if one is a genius like Tesla, that doesn't mean that Tesla's didn't have some personal flaws that got in his way of achieving his own goals for the specific type of better future world.
I also don't really understand the common opinion from other reviewers that Edison was over-romanticized within the movie. Perhaps they could have made him seem more like a scumbag, but I easily was on Westinghouse's side and liked Tesla more as well.
If anything Westinghouse is the main character who is portrayed with the fewest imperfections. They show a lot of issues in Edison's persona. Not just in his invention, but in his interpersonal, business and family decisions.
I think one of the things that I liked the most about the movie is that it never shows the two main characters together in the same scene until the memorable scene at the very end.
Little did I ever think I would enjoy a movie about Thomas Edison, (Benedict Cumberbatch, very good), and his 'discovery' of electricity but "The Current War", which pits Edison against the industrialist George Westinghouse, (an even better Michael Shannon), is a real surprise with a smart, witty and engrossing script by Michael Mitnick and fine direction from Alfonso Gomez-Rejon. It's certainly not a film that will find a mass audience but it's one of the better biopics, though strictly speaking it isn't really a biopic and if it is, it's the biography of electricity and not its inventor and it's constructed like a thriller and a chase movie and even though we may know how the chase ends there are enough ups, downs and diversions along the way to keep us entertained. It's also beautifully designed and acted and, no pun intended, it moves at the speed of light and all lovers of cinema will surely get a little lump in their throats by the end.
An upcoming director whose previous film was the indie darling Me and Earl and the Dying Girl, producing work by Russian film heavyweight Timur Bekmambetov and Hollywood legend Martin Scorsese, a cast of some of the most respected talent working today and a true story at its disposal that is loaded with ripe potential, The Current War should have been a contender.
Finished way back in 2017 and scheduled to play out in the awards season period, this one time Harvey Weinstein backed project became an unfortunate victim to the downfall of the big-time producer, given a lifeline years later in what became a low-key cinematic release, anchored down by mediocre reviews that lamented director Alfonso Gomez-Rejon emotion free affair.
To my surprise, The Current War is far from the failure as a product many would have had viewers believe, it surely jams too much content into a brief 100 minute run-time, with Nicholas Hoult's Nicola Tesla given a particular short straw in regards to screen-time and development, but Rejon's energetic direction and constantly moving narrative is never dull and a fine reminder to us all that the technology we take for granted today was at one-time in history a magical invention.
A story that would've been perfectly suited to a mini-series treatment, The Current War examines the life and times of esteemed inventors Tesla, Benedict Cumberbatch's Thomas Edison and Michael Shannon's wealthy businessman George Westinghouse, who all found themselves in the late 1800's competing against one another as humankind discovered the power of electricity, both good and bad.
Throwing us headfirst into the race to light up America and the world, Rejon wastes little time as we find Edison showcasing his significant discovery to an unsuspecting population, with Cumberbatch's finely attuned portrayal of the well-known historical figure one of the highlights of the film and from there we are in the whirlwind of activity as these various men push forward with their ideas and pursuits, often no matter the cost that may be associated with that.
There's some fascinating aspects of this time and movement explored in the film, Edison's reluctance to develop something that may take human lives and Tesla's battles to be taken seriously such elements but nothing is given too much room to breathe by Rejon as he constantly pushes us forward, a reason no doubt why many critics were left unimpressed with a film that stylistically and aesthetically is above average but fails to ignite the heart.
When it comes to the big screen treatment of this subject, The Current War remains one of the more memorable offerings, one that could've been something special but still not the dull mess many would've had us believe it to be.
Final Say -
A solid drama about a fascinating series of subject matters and historical events, The Current War is far from the failure it appeared to be, even if it is unable to become something downright special.
3 1/2 globes out of 5
Finished way back in 2017 and scheduled to play out in the awards season period, this one time Harvey Weinstein backed project became an unfortunate victim to the downfall of the big-time producer, given a lifeline years later in what became a low-key cinematic release, anchored down by mediocre reviews that lamented director Alfonso Gomez-Rejon emotion free affair.
To my surprise, The Current War is far from the failure as a product many would have had viewers believe, it surely jams too much content into a brief 100 minute run-time, with Nicholas Hoult's Nicola Tesla given a particular short straw in regards to screen-time and development, but Rejon's energetic direction and constantly moving narrative is never dull and a fine reminder to us all that the technology we take for granted today was at one-time in history a magical invention.
A story that would've been perfectly suited to a mini-series treatment, The Current War examines the life and times of esteemed inventors Tesla, Benedict Cumberbatch's Thomas Edison and Michael Shannon's wealthy businessman George Westinghouse, who all found themselves in the late 1800's competing against one another as humankind discovered the power of electricity, both good and bad.
Throwing us headfirst into the race to light up America and the world, Rejon wastes little time as we find Edison showcasing his significant discovery to an unsuspecting population, with Cumberbatch's finely attuned portrayal of the well-known historical figure one of the highlights of the film and from there we are in the whirlwind of activity as these various men push forward with their ideas and pursuits, often no matter the cost that may be associated with that.
There's some fascinating aspects of this time and movement explored in the film, Edison's reluctance to develop something that may take human lives and Tesla's battles to be taken seriously such elements but nothing is given too much room to breathe by Rejon as he constantly pushes us forward, a reason no doubt why many critics were left unimpressed with a film that stylistically and aesthetically is above average but fails to ignite the heart.
When it comes to the big screen treatment of this subject, The Current War remains one of the more memorable offerings, one that could've been something special but still not the dull mess many would've had us believe it to be.
Final Say -
A solid drama about a fascinating series of subject matters and historical events, The Current War is far from the failure it appeared to be, even if it is unable to become something downright special.
3 1/2 globes out of 5
In the late 19th century, Thomas Edison and George Westinghouse were the two titans of American innovation. With the country modernizing at a rapid pace, both realized the need for a better way to power society beyond candles and gas.
After some years of development, they both discovered different ways to transmit electric current. Edison stood behind his Direct Current (DC) and Westinghouse championed his Alternating Current (AC). They were similar designs, each with their unique benefits and costs.
But the country wasn't big enough for both of them and only one method could prevail. Out of this situation sprang a fierce competition between the two men, a rivalry labeled "the war of the currents." This war lasted years as they battled endlessly to see whose technology would be the one to forever power and illuminate America.
After having a tumultuous time getting to theaters (that's a whole other story to look up), "The Current War" finally arrives two years after intended.
Directed by Alfonso Gomez-Rejon, the film moves like electricity, zipping from scene to scene. The use of sharp camera work and montages oozes kinetic energy that keeps everything moving at a frantic pace, never ceasing to slow down or end. You're gripped within the race and linked to the main characters as they tirelessly persist to be the one on top.
If you're not a natural history lover, this technique will keep you endlessly entertained without boring you with historical details. If you are a fan of history, this technique will still entertain you, but leave you disappointed as moving the film at the speed of light (or current, for that matter) doesn't allow for deeper learning about the events or people attached to them. Anything that is learned is only surface level as there just isn't enough time to develop any factual depth.
It also doesn't help that these shallow details become increasingly difficult to keep straight, especially as the years go by in minutes and characters are split up into several intertwining storylines.
While a mini-series would be the better way to tell this story, "The Current War" is an exciting way to convey history for the screen.
Just like Gomez-Rejon's use of rapid pacing, writer Michael Mitnick's screenplay is expeditious and Sorkin-like. The rivalry between our two main giants is fierce as they snap dialogue to beat each other in the labs and the presses.
And just like the outcome of the directing, the writing here is entertaining but difficult to follow. Mitnick tries to do too much in too little time as he crams the script to the brim with historical facts. As more information is heaped on, it becomes an information overload that is increasingly impossible to keep straight. By the end, you'll feel like you've read a Wikipedia page and will only be able to remember fragments here and there.
Also, Nikola Tesla shows up in the story and participates in the race. While Tesla does deserve to stand with Edison and Westinghouse in the history books, he doesn't belong in this already overly-stuffed movie.
Starring as the brash Thomas Edison is Benedict Cumberbatch, whose American accent isn't as convincing as one would think. Like most of Cumberbatch's performance, you can see the genius of the character within his speech and mannerisms. Thankfully, the genius he plays here isn't as cold as Sherlock Holmes or Alan Turing. There's some warmth under Edison's surface that you can sense through Cumberbatch's performance.
Michael Shannon plays the opposite of Cumberbatch as he is calmer and calculated in his performance of George Westinghouse. He's the more businessman-like of the two as he carries himself more professionally.
Nicholas Hoult plays Nikola Tesla. Just like Cumberbatch, Hoult's eastern European accent isn't on point, but it's fine enough to pass. Hoult does well at making you see the frustration within Tesla as his brilliant ideas are never allowed to flourish.
Lastly, Tom Holland does supporting work as Edison's secretary. As it was filmed before his star power ballooned from Spider-Man, Holland's role is minor and doesn't give him much to work with.
"The Current War" is the most entertaining and needlessly confusing movie of the year. All the talent involved makes a great effort, but their good intentions just come up short of making a great movie. But it's still quite good and deserves to be seen, even if you'd be hard-pressed to absorb and remember most of what it's trying to teach you.
After some years of development, they both discovered different ways to transmit electric current. Edison stood behind his Direct Current (DC) and Westinghouse championed his Alternating Current (AC). They were similar designs, each with their unique benefits and costs.
But the country wasn't big enough for both of them and only one method could prevail. Out of this situation sprang a fierce competition between the two men, a rivalry labeled "the war of the currents." This war lasted years as they battled endlessly to see whose technology would be the one to forever power and illuminate America.
After having a tumultuous time getting to theaters (that's a whole other story to look up), "The Current War" finally arrives two years after intended.
Directed by Alfonso Gomez-Rejon, the film moves like electricity, zipping from scene to scene. The use of sharp camera work and montages oozes kinetic energy that keeps everything moving at a frantic pace, never ceasing to slow down or end. You're gripped within the race and linked to the main characters as they tirelessly persist to be the one on top.
If you're not a natural history lover, this technique will keep you endlessly entertained without boring you with historical details. If you are a fan of history, this technique will still entertain you, but leave you disappointed as moving the film at the speed of light (or current, for that matter) doesn't allow for deeper learning about the events or people attached to them. Anything that is learned is only surface level as there just isn't enough time to develop any factual depth.
It also doesn't help that these shallow details become increasingly difficult to keep straight, especially as the years go by in minutes and characters are split up into several intertwining storylines.
While a mini-series would be the better way to tell this story, "The Current War" is an exciting way to convey history for the screen.
Just like Gomez-Rejon's use of rapid pacing, writer Michael Mitnick's screenplay is expeditious and Sorkin-like. The rivalry between our two main giants is fierce as they snap dialogue to beat each other in the labs and the presses.
And just like the outcome of the directing, the writing here is entertaining but difficult to follow. Mitnick tries to do too much in too little time as he crams the script to the brim with historical facts. As more information is heaped on, it becomes an information overload that is increasingly impossible to keep straight. By the end, you'll feel like you've read a Wikipedia page and will only be able to remember fragments here and there.
Also, Nikola Tesla shows up in the story and participates in the race. While Tesla does deserve to stand with Edison and Westinghouse in the history books, he doesn't belong in this already overly-stuffed movie.
Starring as the brash Thomas Edison is Benedict Cumberbatch, whose American accent isn't as convincing as one would think. Like most of Cumberbatch's performance, you can see the genius of the character within his speech and mannerisms. Thankfully, the genius he plays here isn't as cold as Sherlock Holmes or Alan Turing. There's some warmth under Edison's surface that you can sense through Cumberbatch's performance.
Michael Shannon plays the opposite of Cumberbatch as he is calmer and calculated in his performance of George Westinghouse. He's the more businessman-like of the two as he carries himself more professionally.
Nicholas Hoult plays Nikola Tesla. Just like Cumberbatch, Hoult's eastern European accent isn't on point, but it's fine enough to pass. Hoult does well at making you see the frustration within Tesla as his brilliant ideas are never allowed to flourish.
Lastly, Tom Holland does supporting work as Edison's secretary. As it was filmed before his star power ballooned from Spider-Man, Holland's role is minor and doesn't give him much to work with.
"The Current War" is the most entertaining and needlessly confusing movie of the year. All the talent involved makes a great effort, but their good intentions just come up short of making a great movie. But it's still quite good and deserves to be seen, even if you'd be hard-pressed to absorb and remember most of what it's trying to teach you.
Contrary to most of the reviews I saw on this title, I actually really enjoyed the film. I generally am not one to watch historical films, but I made an exception for this one.
I found the acting great, as they portrayed their characters and their feelings in a convincing yet not overwhelming manner. I also found the direction beautiful from the beginning to the end of the film (the lamp scene in the first few minutes,the hotel Tesla stayed in and so on).
Something else I need to note, is the fact that they did not try to sugar coat Edison's character and Tesla's naivity and did not portray Westinghouse as the good guy. They gave the oportunity to the viewers to make up their minds for themselves when it comes to whom they support - if the choose to support anyone.
I feel like they did not pay enough attention to a few historical events and skipped a few crucial parts of the story. I wish they actually gave Tesla the recognition he deserved, but I do understand that a film can not possibly fit the entire story without becoming up mundane.
There were moments that the movie started to become a little tiring, which caused me to lose my focus, but they managed to save it by adding some more exciting scenes in between.
In conclusion, I thought it was a good movie, but I wouldn't recommend it to someone who doesn't really care about the subject. It would be a nice addition to a physics class though, if the teacher is willing and prepared to give some further information on some parts that weren't covered thoroughly or at all.
I found the acting great, as they portrayed their characters and their feelings in a convincing yet not overwhelming manner. I also found the direction beautiful from the beginning to the end of the film (the lamp scene in the first few minutes,the hotel Tesla stayed in and so on).
Something else I need to note, is the fact that they did not try to sugar coat Edison's character and Tesla's naivity and did not portray Westinghouse as the good guy. They gave the oportunity to the viewers to make up their minds for themselves when it comes to whom they support - if the choose to support anyone.
I feel like they did not pay enough attention to a few historical events and skipped a few crucial parts of the story. I wish they actually gave Tesla the recognition he deserved, but I do understand that a film can not possibly fit the entire story without becoming up mundane.
There were moments that the movie started to become a little tiring, which caused me to lose my focus, but they managed to save it by adding some more exciting scenes in between.
In conclusion, I thought it was a good movie, but I wouldn't recommend it to someone who doesn't really care about the subject. It would be a nice addition to a physics class though, if the teacher is willing and prepared to give some further information on some parts that weren't covered thoroughly or at all.
Le saviez-vous
- AnecdotesPremiered at the Toronto International Film Festival in September 2017 and was originally supposed to be released in U.S. theaters in November 2017 . However, after Harvey Weinstein was accused of sexual misconduct and rape by several women in a detailed article published by the New York Times in October 2017, the Weinstein Co. scrapped the original release date and sold the film to Lantern Entertainment, who later sold the film's U.S. distribution rights to 101 Studios. The film would finally be shown in movie theaters in Europe in July 2019 and the U.S. in October 2019.
- GaffesThe film is set in a time period spanning the 1880s and 1890s. Maps shown in the film show the states of Utah, Oklahoma, New Mexico, and Arizona, which didn't become a state until between 1896 and 1912.
- Citations
Samuel Insull: So, what's your trade?
Nikola Tesla: I fix problems for idiots.
- Générique farfeluIn the middle or so of the credits we can ear, recorded on a wax cylinder, a Spanish men introducing a music that he will play on a guitar until the end of the credits.
- Autres versionsThe film originally premiered at numerous festival and was then shelved for 2 years until a re-edited version (titled "The Current War: The Director's Cut") was released theatrically in 2019
- Bandes originalesAutumn 3
Written by Max Richter
Performed by Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre De Ridder (as André de Ridder)
Published by Mute Song Limited
Courtesy of Deutsche Grammophon GmbH under license from Universal Music Enterprises
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- How long is The Current War?Propulsé par Alexa
- If this is a 2017 show, why do we have to wait until October to see it?This is one I cannot wait to see, the story fascinates me.
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Una guerra brillante
- Lieux de tournage
- Cragside House, Rothbury, Northumberland, Angleterre, Royaume-Uni(Solitude, Pittsburgh, Pennsylvania, home of George Westinghouse)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 5 979 540 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 633 717 $ US
- 27 oct. 2019
- Brut – à l'échelle mondiale
- 12 217 160 $ US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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What was the official certification given to The Current War (2017) in France?
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