Le comptable

A thriller should be entertaining and smart, both of which The Accountant is. Christian Wolff (Ben Affleck) is not Christian in the traditional sense, but he is a wolf of a hunter, about as accurate as anyone behind a telescopic gun barrel could be.

Yet he's a brilliant accountant at the same time, thank you, autism: He has a savant's grasp of facts and numbers (think Dustin Hoffman in Rain Man) but a serious deficiency in the affective and communicative categories. Affleck plays him with a grasp of disaffection that is almost humorous, in fact is with some of his straight-arrow responses: "I don't guess," he says when queried if he had a hunch about the perpetrator of a fraud.

You see, he is hired by all kinds of wealthy and criminal business people and governments to uncook their books or whatever is necessary to discover fraud or put the books in order. These jobs lead to situations where he is wanted by bad guys or the IRS or whomever. Wolff's legitimate, current job for a robotics company is complicated enough for him to need several glass walls to write on (think Affleck's buddy Mark Damon in Good Will Hunting), taking in hours what would consume days for a host of professional accountants.

And so it goes according to the thriller formula that the bad guys will be on his trail, and he will be made vulnerable by a cute co-worker, Dana (Anna Kendrick), who has some of his math savvy and maybe a bit of sweet for him. The Accountant veers from formula because that romance is of the "chaste-and-from-afar" kind, almost but not quite at the kiss stage. It's pleasant not to be bothered by heavy sex when the complications are of the cerebral, themselves the core of pleasure in this brainy, but not too, action drama.

Unfortunately our autistic hero, trained by a merciless military father to defend himself because dad knew son would always be treated as different, slips into thriller stereotype, e.g. Christian puts down too many hired guns at one time, albeit in the service of a noble retaliation for a prison friend. Although the action is within the parameters of the genre, it here feels overdone given the cerebral contexts that otherwise provide plenty of thrills.

One of the joys of this film is to see Affleck show some acting chops; he may never be like Dustin Hoffman, but he's memorably stoic here, a long way from J.Lo and Gigli.

This is a wonderful movie. A lot more of an action flick than title suggests. Was a pleasant surprise as plot unfolded. Ben Affleck is perfect for this part. Well written script and good acting by all. Nice use of flashbacks for character development. Many twists and turns and a bit of a surprise ending. Watch it! You won't be disappointed.

It's as if John Wick is the savant janitor from Good Will Hunting, and surprisingly, it worked.

What should you expect? It has flashes of John Wick action, but it most certainly isn't an all out action movie, however, it also isn't primarily a drama focusing on his autistic/accounting side of things; I felt they did a really good job of combining both elements into a movie that swings back and forth between the two.

I thought the acting was great all around; I found the plot solid and enjoyable.

Here is the bottom line: Yes, this movie is worth your money to see in the theater.

p.s. I'll be the first to admit I have no idea how autism really affects people and how accurate it is or is not portrayed in this movie; I saw this movie as nothing more than what it is: a fictional story to entertain.

Wow.......

It is always pleasant to go into a movie with no expectations, and this one delivered in spades.

Any story starts with... well a great story, and this is it, although somewhat predictable it's more a comforting predictable, a good guy wins story with enough great twists in it to keep the interest.

The cast here lifts the game, who knew Affleck had this in him, and supported by the ever sweet Kendrick (all be it with a kick-ass moment), and throw in favorites like Simmons (Terminator Genisys) and Addai-Robinson (Shooter), all playing their respective parts well.

The scene with Affleck's and Kendrick's characters having lunch showed great subtly in writing, directing and acting. A lot of dry and subtle humor throughout.

No overdone CGI either, just good clean action, regularly punctuating the plot, with the clean cinematography only adding to clinical nature of our lead character.

For the run-of-the-mill action flick, you shouldn't pass this one up.

When it released in theatre i dismissed it thinking it might be a dull movie on an accountant.

Saw this recently (March 2017) on a dvd which i own.

I was expecting another Bourne rip off or shaky cam stuff but this one turned out to be an excellent thriller.

Revisited it again (March 2022) on Amazon Prime but this time with my family.

Affleck did a superb job n he adopted the traits, behaviors and symptoms of autism very well.

There is sufficient character development n the story has good amount of twists n turns.

There is ample amount of action, both gun firing n hand to hand combat.

The headshots r brutal, the body count is high n the movie ended well leaving room for a much needed sequel.

Thankfully it is not shot in hand held camera a la Jason Bourne n Taken style jus to make it appear fast paced.

The movie is engaging n entertaining.

Suspense n tension is maintained throughout.

Director O'Connor succeeded in normalising autism and showing that behavioural conditions should not get in the way of anyone's life.

The song To Leave Something Behind by Sean Rowe is haunting n mesmerizing.