Alors qu'un mathématicien sage manipule les comptes pour un nouveau client, le Ministère des Finances n'est pas loin, et on compte de plus en plus de morts.Alors qu'un mathématicien sage manipule les comptes pour un nouveau client, le Ministère des Finances n'est pas loin, et on compte de plus en plus de morts.Alors qu'un mathématicien sage manipule les comptes pour un nouveau client, le Ministère des Finances n'est pas loin, et on compte de plus en plus de morts.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 3 victoires et 5 nominations au total
- Young Chris' Father
- (as Rob Treveiler)
- Dolores Rice
- (as Susan Williams)
Sommaire
Avis en vedette
The Accountant is a 2016 action-thriller directed by Gavin O'Connor and Bill Bubuqe. The film became a decent sized hit earning $155 million against a $44 million budget and also generated a positive response from audiences. Critical reception tended to be more mixed with many praising the action sequences and performances (particularly Affleck's), but there was also criticism levied against the screenplay which was seen as overly busy and some labeling the film as potentially offensive to autistic individuals due to a prominent neurodivergent character's engaging in violent acts. Taken for what it is, The Accountant provides some traditional genre thrills with an unconventional and engaging lead character.
Despite the film following an accountant, the film follows a pretty familiar framework with some clear DNA traces to films such as John Wick or The Equalizer with maybe a splash of the style of A Beautiful Mind. Ben Affleck does really well as Wolff who certainly falls within the trope of "quiet introspective badass", but there's some good character work that shows him hardening himself against grating stimuli and engaging in meditative or coping mechanisms that allow him an oasis. This is where I disagree with the critics standing on the film portraying autism in a negative way because the titular Accountant does similar moral code motivated actions similar to John Wick or Robert McCall and it falls in line with action movie universe logic and there's really no difference here aside from the character having autism even down to him protecting innocents even if it's at his own expense. Admittedly there's probably a little too much story in the Accountant with all the detours that go into the accountant's childhood, the conspiracy plot, and a side plot involving J. K. Simmons' Raymond King and Cynthia Addal-Robinson's Marybeth Medina working as Treasury Agents investigating the accountant which probably didn't need to be in the movie and admittedly leads to the film feeling more meandering than a straight narrative, but the characters and backstories were so interesting that I didn't mind the main plot had to pause for the detours.
The Accountant takes familiar crime/action thriller tropes and frames them around a unique lead character in an engaging universe. While it's plot deviates from the traditional framework for this kind of movie, it's oddly appropriate to have an unconventional journey for an unconventional character.
Saw this recently (March 2017) on a dvd which i own.
I was expecting another Bourne rip off or shaky cam stuff but this one turned out to be an excellent thriller.
Revisited it again (March 2022) on Amazon Prime but this time with my family.
Affleck did a superb job n he adopted the traits, behaviors and symptoms of autism very well.
There is sufficient character development n the story has good amount of twists n turns.
There is ample amount of action, both gun firing n hand to hand combat.
The headshots r brutal, the body count is high n the movie ended well leaving room for a much needed sequel.
Thankfully it is not shot in hand held camera a la Jason Bourne n Taken style jus to make it appear fast paced.
The movie is engaging n entertaining.
Suspense n tension is maintained throughout.
Director O'Connor succeeded in normalising autism and showing that behavioural conditions should not get in the way of anyone's life.
The song To Leave Something Behind by Sean Rowe is haunting n mesmerizing.
What should you expect? It has flashes of John Wick action, but it most certainly isn't an all out action movie, however, it also isn't primarily a drama focusing on his autistic/accounting side of things; I felt they did a really good job of combining both elements into a movie that swings back and forth between the two.
I thought the acting was great all around; I found the plot solid and enjoyable.
Here is the bottom line: Yes, this movie is worth your money to see in the theater.
p.s. I'll be the first to admit I have no idea how autism really affects people and how accurate it is or is not portrayed in this movie; I saw this movie as nothing more than what it is: a fictional story to entertain.
Blocage sonore
Le saviez-vous
- AnecdotesWhile for dramatic effect, the script calls out the repeated use of the number "three" as an indicator of fraudulent numbers, the theory behind fraudulent number detection is known as "Benford's Law." The law states that in numbers, such as account transactions, the probability of a number occurring naturally drops, as one moves from smaller numbers to the larger numbers following a logarithmic scale. This law has been successfully used to detect fraudulent accounting transactions.
- GaffesWhen Agent Medina is looking up Lewis Carroll, the first screenshot shows he is an author of "The Hunting of the Snarl". This is corrected in a later screenshot of what seems to be the same page as "The Hunting of the Snark", the correct title of Carroll's work.
- Citations
Dana Cummings: What is this place?
Christian Wolff: Panamerica Airstream, 34 feet 7 inches long, 8 feet 5 inches wide. Dimensions which are perfectly adequate for one person. Preferable, even.
Dana Cummings: This is where you live?
Christian Wolff: No, I don't live here. This is a storage unit. That would be weird.
- Bandes originalesHotell 2
Written and performed by Andreas Söderström and Johan Berthling
Meilleurs choix
- How long is The Accountant?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Accountant
- Lieux de tournage
- Atlanta, Géorgie, États-Unis(stand in for Plainfield, Naperville, & Chicago, Illinois)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 44 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 86 260 045 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 24 710 273 $ US
- 16 oct. 2016
- Brut – à l'échelle mondiale
- 155 560 045 $ US
- Durée
- 2h 8m(128 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1






