Roost

I happened to come across "What Comes Around" on Hulu. Having no idea what it was, I decided to check it out. It had a routine plot (a girl hooks up with a boy who isn't exactly what he seems), but a twist saved it from being a total washout. Even so, it seemed like not much happened in the movie. Not terrible - there were some intense scenes - but an hour later I felt like I hadn't gotten anything out of the movie.

It's probably worth mentioning the nepotism behind the movie: director Amy Redford is Robert's daughter, while star Grace Van Dien is Robert Mitchum's great-granddaughter. Summer Phoenix is the younger sister of River and Joaquin.

At first I thought this was a solid,muscular acted drama about a young teenage girl finding friendship then ' love' with a much older guy on the internet and the ramifications of how the internet can foster vulnerable girls into falling with much older men.

Cue a talky , arguments about the mother finding out and the girl expressing her love for this chap- who is old enough to know better... However, it doesn't really go down that way, a twist occurs mid way through that spins the entire film around completely.

This is a short,lean drama, clearly based on a play that gives weighty themes to adult responsibilities, childhood in peril and the sins of the past. Good performances around especially Kyle Gallner- my second film this week I've seen him in after 'The Passenger'; he's turning into an actor to watch.

A thought provoking and well made drama.

This movie is one of my favorite genres, and I wanted to like it more than I did. Don't get me wrong, I enjoyed it enough that I don't regret spending 90 minutes watching it, but it could've been better.

Grace Van Dien did a fine job, as did Kyle Gallner. My biggest issue with this film is Summer Phoenix. The whole time she was in scene, it felt as though she was trying too hard to act, like she was in an acting class trying to convey emotion. It didn't feel natural like the others, and therefore it was incredibly distracting and at times, painful to watch. Because of this, the bond between Anna and her mother felt artificial, and it's an important part of the story. This movie definitely suffered because of her, in my opinion.

Other than that, the story was very good, well told, and it kept me tuned in. 6/10.

Half of the outfits of the mother and daughter are horrendous. In one scene the mom is wearing a mechanics overalls with dress shoes. In another scene the daughter is wearing a table cloth. The daughter dresses like a shes trying out for different plays. Even the step dad is suppose to be a cop but dresses like a big dork.

The overall plot is a good idea but its filmed weird. Its like it flip flops film types. But its an easy watch. Doesnt require too much brain power to keep up. Which im not sure is a good or a bad thing. The daughter almost resembles a tubi version of scarlett johanson. And the other thing the daughter and mother dont look related.

Greetings again from the darkness. Not long ago, cable movie channels were filled with late night flicks that were easy enough to watch, and even easier to forget. Unfortunately, that description fits the second feature film from director Amy Redford (daughter of screen legend Robert Redford). Scott Organ adapted the screenplay from his own play, "The Thing with Feathers", and the title of the film has been changed ... it played the 2022 Toronto Film Festival as ROOST. It's one of those times where some individual pieces are better than the film as a whole.

Grace Van Dien ("Stranger Things, CHARLIE SAYS, 2018) stars as Anna, who is on the verge of her 17th birthday. She has been secretly online chatting with an older "college boy" named Eric. In a virtual 'meet cute', they read Emily Dickinson poetry to each other and talk for hours. Since he lives 900 miles away, the two have never met, but in typical teenage fashion, Anna says "he gets me." As an unexpected birthday surprise, Eric (Kyle Gallner, THE FINEST HOURS, "Interrogation") shows up at her door and drops off a thoughtful present. All of this is happening as Anna's mother Beth (Summer Phoenix, sister of Joaquin and the late River) announces her engagement to her cop boyfriend Tim (Jesse Garcia, QUINCEANERA, 2016).

The proverbial 'stuff' hits the fan when Anna introduces Eric to her mom. Not only is Eric a bit older than he let on (and the college story was a fabrication), his aw-shucks and overly apologetic demeanor don't seem to charm anyone except Anna. But more than that, there's a twist here that causes a cosmic shift in all of these relationships.

Grace Van Dien is the great-granddaughter of the late and legendary Robert Mitchum, and she's worked non-stop the past ten years, though I've only seen her in a couple of things. She clearly has screen presence, although this role doesn't stretch her much at all. I do hope she's offered some more challenging projects moving forward. The bulk of the film's second half focuses on creepy manipulation and the grooming of teenagers ... a hot and important topic lately due to the vulnerability of teenage girls. The message is appreciated, but this one would have benefitted from some script polishing so that the dialogue was more realistic.

Opens on August 4, 2023.