Le personnel excentrique d'un camp de théâtre délabré dans le nord de l'État de New York doit s'unir au fils du fondateur bien-aimé pour maintenir le camp à flot.Le personnel excentrique d'un camp de théâtre délabré dans le nord de l'État de New York doit s'unir au fils du fondateur bien-aimé pour maintenir le camp à flot.Le personnel excentrique d'un camp de théâtre délabré dans le nord de l'État de New York doit s'unir au fils du fondateur bien-aimé pour maintenir le camp à flot.
- Prix
- 5 victoires et 21 nominations au total
Avis en vedette
Joan Rubinsky is the co-founder of a theater camp and during one of the show, she has a seizure which puts her in a coma. Her son Troy takes over the camp and finds it hard to belong there as bonding with the staff as well as the kids turns out to be a real challenge. They prepare to perform a new musical based on the life of Joan while Troy struggles to raise enough money to save the place. The sub-plot also involves the two teachers Amos and Rebecca, who are behind the musical and their career differences take a toll on their relationship. Despite all the odds, how the kids end up performing the show and will Troy be able to save the place forms rest of the story.
Initially I did find it hard to get on board with the narrative with it entirely being the off screen life of these kids as well as the camp runners, basically life of theater artists and their antics. But I got used to it on time enough to buy into the narrative. Sure, the writing felt superficial as the financial concern and how it was dealt it was downplayed along with the subplots involving the staffers, where their issues were resolved too easily. But the entire third act and the musical play itself worked it's charm. Overall, it was definitely a decent watch.
Initially I did find it hard to get on board with the narrative with it entirely being the off screen life of these kids as well as the camp runners, basically life of theater artists and their antics. But I got used to it on time enough to buy into the narrative. Sure, the writing felt superficial as the financial concern and how it was dealt it was downplayed along with the subplots involving the staffers, where their issues were resolved too easily. But the entire third act and the musical play itself worked it's charm. Overall, it was definitely a decent watch.
... Idk maybe I'm a closeted Theatre guy, if u get my drift haha but ya, it just worked for me - basically it reminded me of one of the old ensemble casted Christopher Guest films, ya know with Eugene Levy and all the staple players - you remember right? Those fabulously fun mockumetararies? - and I've long regarded Ben Platt as one of the all time great voices (I'm certain I'm not alone in this, but I don't follow the musical theater zeitgeist) and although this doesn't showcase his musical prowess per se, it does use him effectively in a comedic role and it just works - I highly recommend it and YES I only gave it an 8 but that's only because I never give tens and 9s are reserved for films that are truely extraordinary (and Rick and Morty haha) anyway enjoy.
Theater Camp is a great mockumentary that's constantly mining cringe for solid laughs. It's got just as much gleeful cynicism as it does real heart for a winning combination. Obviously it'll work better for theatre people but that doesn't mean it's even remotely inaccessible to anyone who isn't.
All the adults here get to show off their genuine love of performance whilst also sending themselves up in terrific fashion. While they're doing that the film offers a showcase for an immensely talented set of child actors who are all impressive performers with some superb comedic timing.
As directors, Molly Gordon and Nick Lieberman use the mockumentary techniques pretty effectively, when it actually remembers it's a mockumentary. All the intertitles add so much, it's the ideal run time and it culminates in the performance of Joan, Still which gets some of the best laughs before culminating in a wonderfully heartfelt moment.
All the adults here get to show off their genuine love of performance whilst also sending themselves up in terrific fashion. While they're doing that the film offers a showcase for an immensely talented set of child actors who are all impressive performers with some superb comedic timing.
As directors, Molly Gordon and Nick Lieberman use the mockumentary techniques pretty effectively, when it actually remembers it's a mockumentary. All the intertitles add so much, it's the ideal run time and it culminates in the performance of Joan, Still which gets some of the best laughs before culminating in a wonderfully heartfelt moment.
Many people love live theater. Even so, as non-actors, singers, or dancers themselves, many admire the finished product only, without considering all the hard work that goes into productions. My daughter and niece were theater kids growing up, so I get the "that was my life" connection, maybe more than most.
This movie will resonate with some people, but for many it will miss the mark. Sadly, it's a sweetly intended, behind-the-scenes, mockumentary style look at a world that not everyone can relate to, or will be interested in. I appreciate the efforts by the kids, but thought the story was a bit lacking, and the characters a little stereotypically overdone. That said, it's not a bad film, just not what I was expecting or hoping for.
This movie will resonate with some people, but for many it will miss the mark. Sadly, it's a sweetly intended, behind-the-scenes, mockumentary style look at a world that not everyone can relate to, or will be interested in. I appreciate the efforts by the kids, but thought the story was a bit lacking, and the characters a little stereotypically overdone. That said, it's not a bad film, just not what I was expecting or hoping for.
"You need to know that only 3% of people make it. The rest end up in a mental facility - or a Go Go box in Hell's Kitchen." A well-meaning camp counselor from Theater Camp
Theater Camp, like any camp experience, begins with an explosion of enthusiasm and angst as aspiring thespians and sometimes competent counselors prepare to field a musical called "Still Joan."
Joan (Amy Sedaris) is founder of AdirondACTS, a camp for both counselors and students, whose motives are honest and talents frequently not evident. Her coma is explained as "the first Bye Bye Birdie-related injury in the history of Passaic County." As if everyone's ability is questionable, the camp is endangered from takeover on the outside by snooty nearby Camp Lakeside. Creativity emerges despite serious thespian and administrative limitations.
Part of the film's salvation is Ben Platt, co-star and co-writer of this uneven mockumentary. Molly Gordon and Nick Lieberman direct while they share writing with Noah Galvin (like Gordon, he's a veteran of Booksmart). The total contribution of those like-minded artists helps Theater Camp be just shy of snarky but subtly tongue-in-cheek throughout.
Indicative of the dual character of the film is that early on, the voiceover narration, a usual mainstay of documentaries, vanishes. Remaining, however, is the over-the-top enthusiasm for the future dramatis personae, otherwise known as having "theater-kid" syndrome. Enthusiasm abounds, success not probable. Yet, the mockumentary weakly takes off because it's the counselors who are incompetent, therefor mockable, and the kids, well, plain ambitious and well meaning, therefore less mockable.
When Joan has a stroke from strobe lights, her selfie-stick brandishing son Troy (Jimmy Tatro) takes a dicey leadership of the struggling camp. While he is humorously inept, Gordon and Platt as Rebecca-Diane and Amos are way too zealous former thespians obsessed about teaching and specifically writing and directing this year's original musical, Joan, Still.
The real stars are the campers from Alan Kim (Minari), who acts like an agent in training to Kyndra Sanchez (The Babysitter's Club), who plays a professional star good enough to make Amos jealous. Although you'll catch the similarities with Waiting for Guffman and Wet Hot Summer, the rousing, Broadway-like ending will convince you the wait for the on-screen ending and the fate of the camp were worth waiting for.
As this is summer, Theater Camp is a right antidote for the explosive Indiana Jones and Mission Impossible spectacles. If the memorable Oppenheimer or opulent Barbie are too demanding for you, the light-hearted, well-meaning Theater Camp may be just your ticket.
Theater Camp, like any camp experience, begins with an explosion of enthusiasm and angst as aspiring thespians and sometimes competent counselors prepare to field a musical called "Still Joan."
Joan (Amy Sedaris) is founder of AdirondACTS, a camp for both counselors and students, whose motives are honest and talents frequently not evident. Her coma is explained as "the first Bye Bye Birdie-related injury in the history of Passaic County." As if everyone's ability is questionable, the camp is endangered from takeover on the outside by snooty nearby Camp Lakeside. Creativity emerges despite serious thespian and administrative limitations.
Part of the film's salvation is Ben Platt, co-star and co-writer of this uneven mockumentary. Molly Gordon and Nick Lieberman direct while they share writing with Noah Galvin (like Gordon, he's a veteran of Booksmart). The total contribution of those like-minded artists helps Theater Camp be just shy of snarky but subtly tongue-in-cheek throughout.
Indicative of the dual character of the film is that early on, the voiceover narration, a usual mainstay of documentaries, vanishes. Remaining, however, is the over-the-top enthusiasm for the future dramatis personae, otherwise known as having "theater-kid" syndrome. Enthusiasm abounds, success not probable. Yet, the mockumentary weakly takes off because it's the counselors who are incompetent, therefor mockable, and the kids, well, plain ambitious and well meaning, therefore less mockable.
When Joan has a stroke from strobe lights, her selfie-stick brandishing son Troy (Jimmy Tatro) takes a dicey leadership of the struggling camp. While he is humorously inept, Gordon and Platt as Rebecca-Diane and Amos are way too zealous former thespians obsessed about teaching and specifically writing and directing this year's original musical, Joan, Still.
The real stars are the campers from Alan Kim (Minari), who acts like an agent in training to Kyndra Sanchez (The Babysitter's Club), who plays a professional star good enough to make Amos jealous. Although you'll catch the similarities with Waiting for Guffman and Wet Hot Summer, the rousing, Broadway-like ending will convince you the wait for the on-screen ending and the fate of the camp were worth waiting for.
As this is summer, Theater Camp is a right antidote for the explosive Indiana Jones and Mission Impossible spectacles. If the memorable Oppenheimer or opulent Barbie are too demanding for you, the light-hearted, well-meaning Theater Camp may be just your ticket.
'Theater Camp' on Improv as Controlled Chaos
'Theater Camp' on Improv as Controlled Chaos
Directors Molly Gordon and Nick Lieberman reveal why they invite the "controlled chaos" that improvisation brings on set and the theater roles that changed their lives.
Le saviez-vous
- AnecdotesShot in only 19 days resulting in nearly 70 hours of footage.
- Citations
Amos Klobuchar: [Upon hearing that a child's musical audition piece will be "I Had a Dream" from "Les Miserables."] That's a good song choice. I totally believe her as a French prostitute.
Rebecca-Diane: Amos!
Amos Klobuchar: Sorry. Sex worker.
- ConnexionsFeatured in Amanda the Jedi Show: I Watched 'CAMP ROCK' for the First Time (2023)
- Bandes originalesI Could Have Danced All Night
Written by Alan Jay Lerner (as Alan Lerner) and Frederick Loewe
Performed by Chubby Checker
Courtesy of ABKCO Music & Records, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Theater Camp
- Lieux de tournage
- Warwick, New York, États-Unis(location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 4 009 945 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 301 220 $ US
- 16 juill. 2023
- Brut – à l'échelle mondiale
- 4 410 845 $ US
- Durée1 heure 32 minutes
- Couleur
- Mixage
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What was the official certification given to Répétition générale (2023) in Germany?
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