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V/H/S

  • 2012
  • 18A
  • 1h 56m
ÉVALUATION IMDb
5,8/10
73 k
MA NOTE
V/H/S (2012)
When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.
Liretrailer1 min 48 s
5 vidéos
99+ photos
HorreurMystèreThrillerHorreur avec tueur en sérieHorreur de série BHorreur en images retrouvéesHorreur goreHorreur surnaturelleThriller érotique

Lorsqu'un groupe de marginaux est embauché par un tiers inconnu pour cambrioler une maison désolée et acquérir une cassette rare.Lorsqu'un groupe de marginaux est embauché par un tiers inconnu pour cambrioler une maison désolée et acquérir une cassette rare.Lorsqu'un groupe de marginaux est embauché par un tiers inconnu pour cambrioler une maison désolée et acquérir une cassette rare.

  • Directors
    • Matt Bettinelli-Olpin
    • David Bruckner
    • Tyler Gillett
  • Writers
    • Brad Miska
    • Simon Barrett
    • David Bruckner
  • Stars
    • Calvin Lee Reeder
    • Lane Hughes
    • Adam Wingard
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,8/10
    73 k
    MA NOTE
    • Directors
      • Matt Bettinelli-Olpin
      • David Bruckner
      • Tyler Gillett
    • Writers
      • Brad Miska
      • Simon Barrett
      • David Bruckner
    • Stars
      • Calvin Lee Reeder
      • Lane Hughes
      • Adam Wingard
    • 389Commentaires d'utilisateurs
    • 234Commentaires de critiques
    • 54Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 5 nominations au total

    Vidéos5

    No. 1
    Trailer 1:48
    No. 1
    International Version
    Trailer 2:03
    International Version
    International Version
    Trailer 2:03
    International Version
    V/H/S
    Trailer 1:47
    V/H/S
    V/H/S: Clip 6
    Clip 1:05
    V/H/S: Clip 6
    V/H/S: Clip 2
    Clip 1:06
    V/H/S: Clip 2

    Photos162

    Voir l’affiche
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    + 157
    Voir l’affiche

    Rôles principaux83

    Modifier
    Calvin Lee Reeder
    Calvin Lee Reeder
    • Gary (segment "Tape 56")
    • (as Calvin Reeder)
    Lane Hughes
    Lane Hughes
    • Zak (segment "Tape 56")
    Adam Wingard
    Adam Wingard
    • Brad (segment "Tape 56")
    Hannah Fierman
    Hannah Fierman
    • Lily (segment "Amateur Night")
    Kentucker Audley
    Kentucker Audley
    • Rox (segment "Tape 56")
    Frank Stack
    • Old Man (segment "Tape 56")
    Sarah Byrne
    • Abbey (segment "Tape 56")
    Melissa Boatright
    • Tabitha (segment "Tape 56")
    Simon Barrett
    Simon Barrett
    • Steve (segment "Tape 56")
    Andrew Droz Palermo
    Andrew Droz Palermo
    • Fifth Thug (segment "Tape 56")
    Mike Donlan
    • Shane (segment "Amateur Night")
    Joe Sykes
    • Patrick (segment "Amateur Night")
    Drew Sawyer
    Drew Sawyer
    • Clint (segment "Amateur Night")
    Jasper Lewis
    Jasper Lewis
    • Lisa (segment "Amateur Night")
    • (as Jas Sams)
    Nicholas Tecosky
    Nicholas Tecosky
    • Bartender (segment "Amateur Night")
    Rob Mosca
    • Bouncer (segment "Amateur Night")
    Lisa Marie Thomas
    Lisa Marie Thomas
    • Lisa's Friend (segment "Amateur Night")
    Sunita Patel & Family
    • Motel Office Staff (segment "Amateur Night")
    • Directors
      • Matt Bettinelli-Olpin
      • David Bruckner
      • Tyler Gillett
    • Writers
      • Brad Miska
      • Simon Barrett
      • David Bruckner
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs389

    5,872.9K
    1
    2
    3
    4
    5
    6
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    8
    9
    10

    Avis en vedette

    6brijs82-458-528496

    Too much

    What we have in V/H/S are a bunch of prolonged horror moments that in usual cases would be the climax to any average horror movie. The movie manages to throw 5 of these 'money shots' at the viewer without the need to tell any real story, build any of the characters or introduce their personality's to the audience. Whether this is a stroke of genius originality or just laziness is the question. You'd be forgiven for thinking that V/H/S is the result a brain storming session where five writers pitched five stories, with one 'Eureka' moment of making a movie of the ending of all five. What they seemingly failed to spend any real time on though was the glue to bind the five stories together. It is completely irrelevant, in fact I would go as far as to say the movie would be better without it, a "Here are five tapes that were found, now watch them" instead. I have to say I am a fan of 'found footage movies'. To me they achieve the desired effect and can, at times, create some truly chilling moments. This movie does have it's moments but after a while it all gets too much, the 'found footage' angle is somehow lost with the constant change of story. You are never really allowed to reach the same level of suspense as with other films in this genre. 6/10. It passed the time but I eventually found myself wanting it to end and asking myself "How many stories to go?"
    7hitchcockthelegend

    Creeper Compendium.

    The horror anthology has a chequered history, some are bad but saved by one great segment, others boast a couple of genuine creepers but are undone by one instalment so bad it tarnishes the film forever. And on it goes. V/H/S brings the format into the new age by unfolding its tales by wrapping around the latest craze of found footage.

    Six indie directors have produced a picture that was well received at Sundance but has proved to be most divisive with critics and horror fans on internet forums. This will come as no surprise to anyone who knows their horror anthology onions. The usual problems are evident here, a couple of great stories are surrounded by mediocre ones, but at least there is something for everyone, with most bases covered, but that in itself is a problem, all horror fans have preferences, it's a big ask to expect a fan of stalk and slash to love a story about a winged harpy!

    Then there is the issue of the found footage format, here recorded on actual VHS. Not everyone is a fan (myself for instance), and much of V/H/S is dizzying and often hard to follow, especially as regards the Tape 56/frame narrative story that cloaks the other five stories as a bunch of no-mark young crims burgle a grotty house and sift through the tapes. It's a format loved by many for its supposed realism factors, I don't get that myself, but for those people this really is up their trees!

    Amateur Night (David Bruckner) and The Sick Thing That Happened to Emily When She Was Younger (Joe Swanberg) are the standouts. The former is a cautionary tale of frat boys out for sex who get more than they bargained for when they take home the mysterious Lily, the latter an eerie tale unfolded via Skype communication as Emily appears to be a victim of a haunting whilst chatting to her doctor boyfriend.

    However, if you ask another fan of the film what stories they feel standout, you may just get two different answers. So as with any other anthology horror, you roll the dice and take your chance, just don't expect genius in every story, for that is purely folly of expectation. 7/10
    9turbo_t_7

    Fresh from Toronto After Dark

    Listen, the only way to truly enjoy a horror film is in a large, pitch black room with deafening surround sound and a group of people just as scared as you are. Other times, a laptop works too. But I, and a group of about 100 others were privileged to catch the first Canadian premiere of V/H/S presented by the Toronto After Dark Film Festival. Enough plugs, onto the film right? My review. See it! If you love horror, if you hate horror, if you think you might like it and wanna try it out, just see it! Without spoiling anything I will say that there are about 5 or 6 anthology stories tied around a main story in which four guys break into a house to look for a specific video tape. They find a lot more, let me tell you. Some of the segments are better than others (trust me, you'll know which ones) but overall, V/H/S is one of the most imaginative, jolting, riveting, heart-beating-outside-of-your-chest-because-its-so-intense horror films of recent time. Fans of Creepshow 1 and 2, Tales From the Darkside, Twilight Zone (the movie) and even Stephen King, if you get the chance to watch V/H/S, do it! It's bloody, it's scary, it's haunting, and if you're anything like me, you'll know it scared you when it's 1:43 in the morning and the only thing you can do to make yourself fall asleep, is to review the film on IMDb.
    4suws1

    No plot equals a bad movie equals VHS

    VHS is bad... plain and simple. Where is the plot? Where is the story? Where is anything? In VHS you just watch four different VHS tapes, while you're supposed to watch the main "found-footage" tape...confusing? Yeah, but that's it... VHS doesn't have any plot, any back-story, closer, nothing... I was very disappointed, because I have read some good reviews about it. It was boring, and, with the exception of the first tape, it was not at all entertaining... If you want to watch a good movie, VHS isn't your choice. You'll only see a random selection of stories that seem to drag for 2 hours...awful. I recommend you avoid this one, unless you're a fan of "found-footage" material movies, and even so...
    6Jesse_JFI

    Hmm, it was OK...

    I just finished watching V/H/S, and it did surprise me.

    The movie tells a story about a bunch of guys, going into a creepy house, looking for a special VHS. In the meantime, the movie shows you a couple of independent, short stories, recorded with a handy cam. If movies like Paranormal Activity, REC, etc. are really scary to you, then VHS will really scare you. Otherwise, don't watch it... Don't get me wrong, some of the short stories were a bit frightening, but personally I don't like movies that are filmed like this. Also, some of the characters were VERY annoying. At a certain point, I really wanted some of them to die, because of the bad acting.

    So like I said, if you liked REC and PA, you are going to love this one. It was enjoyable, but I certainly will not watch this a second time.

    6/10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The demonic woman Lily is based on the female demon Lilith from ancient mythology. Lily seems to have talon-like feet and is briefly seen as a winged humanoid. Lily resembles the female winged demon or goddess depicted in the Burney Relief (18th century BC). This relief has long been suspected to be an early depiction of Lilith.
    • Gaffes
      On "10/31/1998", one of the characters, the Soldier, was wearing digital camouflage pants. Digital camouflage did not come out until after 2001/02.
    • Citations

      [Clint hears Lily whisper to him at the bar for the first time]

      Clint: What?

      [Lily talks without any sound]

      Clint: I - I have no idea what you're saying. Why are you all alone?

      [Clint finally gets his drinks he was waiting for]

      Clint: Thanks, man.

      Clint: Hey, you want to go meet some people over there?

      Lily: [Lily silently whispers] I like you.

      Clint: Well, I like you too. So, do you ever come here... before?

      Lily: [Lily whispers quietly again] I like you.

      Clint: Oh, okay.

    • Autres versions
      The 10/31/98 segment has an alternate ending, where the guys cheat death by escaping from their car. The scene is available on the U.S. home video release from Magnet/Magnolia Home Entertainment.
    • Connexions
      Featured in WatchMojo: Top 10 Modern Monsters in Movies (2016)
    • Bandes originales
      Ain't It Bully
      Written and Performed by Aristocrats

      (segment "Amateur Night")

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    FAQ

    • How long is V/H/S?
      Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 6 septembre 2012 (Russia)
    • Pays d’origine
      • United States
    • Sites officiels
      • Official Facebook
      • Official site
    • Langue
      • English
    • Aussi connu sous le nom de
      • 10/31/98
    • Lieux de tournage
      • Woodbury-Story House - 2606 N. Madison Avenue, Altadena, Californie, États-Unis(exteriors and interiors: house in 10/31/98)
    • sociétés de production
      • 8383 Productions
      • Bloody Disgusting
      • Studio71
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 242 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 100 345 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 36 402 $ US
      • 7 oct. 2012
    • Brut – à l'échelle mondiale
      • 1 944 287 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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