ÉVALUATION IMDb
7,3/10
2,3 k
MA NOTE
Ajouter une intrigue dans votre langueFashion photographer, Diego suddenly needs to care for the teenage son he's not seen in years just as his boyfriend is put in a coma from a brutal assault. Father and son must grow to unders... Tout lireFashion photographer, Diego suddenly needs to care for the teenage son he's not seen in years just as his boyfriend is put in a coma from a brutal assault. Father and son must grow to understand each others' worlds to face other problems.Fashion photographer, Diego suddenly needs to care for the teenage son he's not seen in years just as his boyfriend is put in a coma from a brutal assault. Father and son must grow to understand each others' worlds to face other problems.
- Director
- Writer
- Stars
- Prix
- 13 victoires et 4 nominations au total
Guillermo García Alvarado
- Diego
- (as Guillermo García)
Carolina Torres
- Perla Marina
- (as Alga Marina)
Avis en vedette
A different perspective of the LGTBI world which captures the view of a situation in which reconciliation, acceptance and tolerante and self-esteem are the key to live in harmony and love with yourself and loved ones
I didn't really plan to see the film. A group of friends asked me to go and I agreed, so my expectations were really low. The movie ended up surprising me.
Azul y no tan Rosa might be one of the best Venezuelan films ever made. The story may be a bit too melodramatic, but it says a lot about tolerance and family relationships. The acting, even though not great, is decent. There are laughs, tender moments, sad moments and the movie is really nice to look at because of the locations.
I recommend this movie to anyone who thinks Venezuelan cinema is trash (which is not). It won the Goya Award for best Ibero-American Film, which represented a big win for Venezuela too.
Azul y no tan Rosa might be one of the best Venezuelan films ever made. The story may be a bit too melodramatic, but it says a lot about tolerance and family relationships. The acting, even though not great, is decent. There are laughs, tender moments, sad moments and the movie is really nice to look at because of the locations.
I recommend this movie to anyone who thinks Venezuelan cinema is trash (which is not). It won the Goya Award for best Ibero-American Film, which represented a big win for Venezuela too.
When i started to watch this movie, it captured my attention since the first minute. Is one of those films I enjoy from the beginning and the more I watch the more I am interested to every scene not because of its simplicity but also well directed and very objective and clear in every form of expression. It blew me away and I felt it authentic, realistic and i did not skip any scene because all of them were full of drama, comedy, romanticism, passion, surrender, love, compassion and originality!
Miguel Ferrari brought in me so many reasons to believe in love not as a part of a separate individual but as a whole in a society where hate is still there specially in Latin America society where the macho stereotype is still visible and prejudices are the instruments to make it continue in this world.
I also loved the relationship between a gay father and his teenage son where the different events of life in this drama made their relationship stronger found by love, understanding and trust.
I really enjoyed this movie a lot!
I'm not very fan of Venezuelan movies, basically because most of them are about the same people and have the same plot: Crime in Caracas' poor zones(barrios).
This one, is one of the few jewels of Venezuelan cinema that shows another face of the life in this country. Miguel Ferrari takes a risk in writing and directing a movie about gay love (as his first movie) in a country which is divided in its opinions about the whole "gay" subject and which is pretty more traditionalist and conservative than other Latin countries, like Mexico or Argentina, where they actually debate the topic of gay marriage. Venezuela is pretty years away from having a serious discussion of the "gay rights" topic on a governmental level. At street level it's the same: Hate crimes against gay or transsexual people are quite common and other types of discriminations are always present in every level of life. Miguel Ferrari writes and directs a story about just that subject: Gay love, discrimination and hate crimes, even knowing that it would shorten its public, but he does it in such a way that achieves to get the topic in everybody's mouth.
The art direction is great. So is the music score. As soon a the very first scene hits the screen you realize you are about to see quality material where the sound, music and photography is taken care of. The characters are well drawed and believable in every possible way. The tone of the movie is very challenging for viewers used to fast-action films, but the director achieves in creating slow moments that can get to your heart and avoids the "boring effect" that slowly-pased movies tend to cause.
The secondary topics of the movie (Transgender, domestic violence, anorexic people and people not pleased with their bodies) are also well portrayed with humor, drama and a message to the audience. But as one chartacter of the movie points out by saying "I'm going to talk about diversity" This movie is actually about diversity, and the different types of love one feels in one's life: The love to your friends, the love to the family, romantic love, love for your job and the love to yourself.
This one, is one of the few jewels of Venezuelan cinema that shows another face of the life in this country. Miguel Ferrari takes a risk in writing and directing a movie about gay love (as his first movie) in a country which is divided in its opinions about the whole "gay" subject and which is pretty more traditionalist and conservative than other Latin countries, like Mexico or Argentina, where they actually debate the topic of gay marriage. Venezuela is pretty years away from having a serious discussion of the "gay rights" topic on a governmental level. At street level it's the same: Hate crimes against gay or transsexual people are quite common and other types of discriminations are always present in every level of life. Miguel Ferrari writes and directs a story about just that subject: Gay love, discrimination and hate crimes, even knowing that it would shorten its public, but he does it in such a way that achieves to get the topic in everybody's mouth.
The art direction is great. So is the music score. As soon a the very first scene hits the screen you realize you are about to see quality material where the sound, music and photography is taken care of. The characters are well drawed and believable in every possible way. The tone of the movie is very challenging for viewers used to fast-action films, but the director achieves in creating slow moments that can get to your heart and avoids the "boring effect" that slowly-pased movies tend to cause.
The secondary topics of the movie (Transgender, domestic violence, anorexic people and people not pleased with their bodies) are also well portrayed with humor, drama and a message to the audience. But as one chartacter of the movie points out by saying "I'm going to talk about diversity" This movie is actually about diversity, and the different types of love one feels in one's life: The love to your friends, the love to the family, romantic love, love for your job and the love to yourself.
10upglbj
Spoiler: It made me cry (in a good way). A lovely movie with an important message about love and acceptance.
It was well acted and some of the scenery was spectacular.
It was well acted and some of the scenery was spectacular.
Le saviez-vous
- AnecdotesThe dawn at Lagoon of Mucubají sequence was filmed in Mérida, Venezuela with 2ºC temperature. The Palacio de Oriente sequence was filmed in Madrid while summer temperatures soared to 40ºC.
- ConnexionsFeatured in Cine Invisible (2023)
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Détails
Box-office
- Brut – à l'échelle mondiale
- 4 231 351 $ US
- Durée1 heure 54 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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