Steve Jobs

Review: Everything that I have seen and heard about Steve Jobs, portrays him as an over controlling man with a bad attitude but you can't fault him for his amazing vision which has taken over the world. After his tragic death in 2011, at the age of 56, his company has still grown from strength to strength but his questionable methods and warped way of thinking, must have been difficult for the people around. Anyway, from an entertainment point of view, this film seemed very one toned and it felt like a group of conversations more than an deep insight behind the genius. The way that he talked to people and used vindictive tactics to get what he wanted, was truly horrible and he didn't really care about people's feelings. Even his daughter struggled to retain a decent relationship with Jobs but it was good to see that his trustee companion, Joanna Hoffman (Kate Winslet), had the ability to bring him back to earth. Michael Fassbender played his role extremely well alongside Seth Rogen (Steve Wozniak) and Kate Winslet but the storyline seemed messy and I would have liked to have seen Steve Jobs, in his earlier years. I also would have liked to have seen real footage of the individuals that were in the movie and they should have shown how Apple has changed the world today. I still enjoyed watching how he built his company and the relationship between Jobs and his daughter, Lisa, who he disowned in her early years but I don't think that his amazing story has been portrayed with much depth to date. If I was his close friend or a part of his family, I wouldn't be happy with the way that these movies have portrayed Jobs, because none of them show his good side. Maybe he didn't have one! Anyway, it's a watchable movie but I was expecting more from this top class director. Watchable!

Round-Up: Although Fassbender didn't look anything like Steve Jobs, over the 14 year period that the movie portrays, he still brought enormous intensity to the character, who seemed quite scary to be around. The music throughout the movie, suited the mood that was set by the director, Danny Boyle, 59 but I didn't quite understand why the whole film is based backstage, before Jobs is going to release a new computer. You can tell that Boyle has taken the events from a book, because it seemed more like a play than a movie. What's quite fascinating about the film, is that it proves that Jobs actually wasn't the engineer behind the many devices that was released under the Apple name but it was his unique vision and determination to get what he wanted, which has proved to be EXTREMELY successful. I was hoping to get more from the movie but I personally think that I need to watch the many documentaries to find out more about the mind behind the Apple brand.

Budget: $30million Worldwide Gross: $35million

I recommend this movie to people who are into their biography/dramas starring Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Michael Stuhlbarg and Katherine Waterston. 6/10

Steve Jobs fails to explode off the screen like The Social Network or Charlie Wilson's War did. There's all the things to love about Aaron Sorkin's writing and the acting is terrific, but Sorkin's screenplay lacks the enjoyable bite of his previous efforts and the whole thing comes off rather lacklustre.

On the film's highlights - Fassbender leaps off the screen in the first two minutes and never lets go. He looks nothing like Jobs himself did but he perfectly captures the frustrating ego that everyone loathed and matches it with high spirit and a bit of humour. His condescension is so real that we snarl at it. Winslett also makes her mark very early on, nailing an accent and vanishing into the part of Johanna. Her chemistry with Fassbender is palpable. Seth Rogen crushes the role of Steve Wozniak, a casting choice I've been thrilled about since 2014, nailing the low self-esteem and nervous ticks of the nerdy genius. Watching Rogen perform we can see his anger but also the slight plea for their friendship to endure. We all know that one friend who feels like they're doing us a favour by being friends with us, and watching Fassbender and Rogen banter back and forth we can see it in real time. Jeff Daniels rounds out the four-person highlight as Apple's CEO, and truly stands out as a great supporting player.

Probably the most talked about feature of Steve Jobs is the three-act narrative filmed in different styles. Its been reported on a million times and all I'll say is I loved it. The transition between the three events are also clever, montages of real media reports and pictures. There's even a very cleverly used Simpsons gag that helps inform the audience. I also loved the playful score and the cinematography that emulates the walk and talk of the West Wing.

The screenplay is Steve Jobs' greatest aider and abetter. The film's best scenes are written masterpieces - two fights between Jobs and Wozniak in particular take your breath away, a harsh comment where Jobs cuts down his 5 year old girl's beliefs are harsh, the recurring references to Jobs' adoption are clever and the two Andys joke is a nice funny recurring gag. However, Sorkin's screenplay at times feels like a textbook, and with so many words floating around its easy to lose track of what's happening. Some of the lines of dialogue are so pretentious its easy to get taken out of the film. It's also annoying to see Sorkin recycle his classic Sorkinisms "Don't talk to me like I'm other people" and "well one day you'll have to tell us how you did it". When you've seen them a couple of times, they lost impact right where they're needed most. Sadly, Sorkin starts to get too smart for his own good.

I didn't care much for the story arc Jobs went on. He is vehemently opposed to being Lisa's father and hurts the little girl by saying the computer was not named after her. Then all of a sudden he's a caring father and the girl's mother (played wonderfully by Katharine Waterston) is portrayed as the film's villain. In the final act, Jobs has a very clunky reconciliation on the rooftop and says things that simply don't fit right with the story.

There's a lot of talent involved in this movie that I really wanted to love. Fassbender and his co-stars all do exceptional work and Sorkin delivers a number of wonderful scenes, but at the end of the day I can't help but walk away feeling like Jeff Daniels' character, mourning for the things that could've been achieved.

I remember when back in 2013 the Jobs movie came out. Everything about the film's trailer was "do not see". Still to this day the moment when Kutcher says "we're making Apple cool again" makes me laugh. Right from the start this film looked like they were going to do it right and I was anxiously waiting for it. And even though Steve Jobs wasn't everything I thought it would be it is still a quality drama.

Yet I can also see why it was not so commercially successful. It's weird format of taking place before three computer unveilings and the film essentially consisting of conversations with limited action between them. It is by no means a biography of the man's entire life but it does paint a portrait which, like any picture, only reveals some aspects of the person.

The film has a great cast who give solid performances. Michael Fassbender creates a character whose tyrannical and devilish behaviour you want to keep watching while longing for a glimpse of the human side.

Overall Steve Jobs is a very watchable and engaging film, provided you are already into end of the year Oscar bait drama films.

As someone who has worked in computing for 30 years, I was greatly looking forward to Danny Boyle's new 'biopic' (using the term fairly loosely) about Apple founder Steve Jobs (Michael Fassbender). Whilst I can't claim it was a bad film, I was ultimately slightly disappointed by the result.

The film zeroes in on some specific snapshots of Jobs's career, all centred around his famously theatrical product launches. During the course of three acts we see the preparations leading up to his launch of the original Mackintosh, his Next educational 'cube' and the gloriously different iMac.

As these acts span 14 years, we see the ongoing battle between Jobs and the flaky mother of his daughter (Katherine Waterston). We also see the often despicable way in which he treats his staff, including disparaging his closest colleague and co-founder Steve Wozniak (Seth Rogen). In fact the only person he shows much respect for – at least for a while – is his boss and CEO John Sculley (Jeff Daniels).

During these exchanges, it is difficult to find Jobs remotely likable. He is portrayed – probably very accurately – as a man with fixated views, unable and unwilling to bend at all. In this capacity Fassbender turns in a predictably classy performance.

Trying to pour oil on continually troubled waters is Jobs's PA Joanna Hoffman (Kate Winslet), looking less like Kate Winslet than she has for a while. Winslet is the best thing in the film.

The script is by "West Wing" writer Aaron Sorkin, and it is extremely dense: I pity the poor couriers who had to deliver the screenplay to Fassbender and Winslet, and can only imagine the look on their faces when they realised they had to learn it all! And it is the script that is frustrating. I found the historical aspects of the roller-coaster ride of Jobs's career, supported by some great inserts of historical snippets by Arthur C Clarke and Bill Gates, fascinating. But the continual refocusing on the relationship with the daughter (Lisa) I found less compelling. And some of the right-angles taken by the dialogue strain credibility: when Sculley suddenly branches off into deep psychological counselling with Jobs on his childhood, minutes before a major presentation, it just doesn't ring true.

Above all, it was extremely frustrating that the story took you to the point in each act of an announcer saying "And now let's welcome to the stage STEVE JOBS…" and then the action cut away to the next scene. You never got to see Fassbender let rip at channelling the famous Jobs charisma to his assembly of baying geek disciples.

While there are occasional snatches of Danny Boyle's usual flair, it views as a fairly atypical Boyle film: just getting all the dialogue in leaves little time for much stylised delivery.

So in summary its a workmanlike film but, for me, unfortunately one of the disappointments of the film year to date.

(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)

Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.

Thismay be the most interesting way to tell the story of Steve Jobs. We see almost nothing about his life or who he was, other than what we get from his interactions with his daughter, his assistant and Steve Wozniack. Although it leaves a lot out, it is still surprisingly effective.

And what we have is a very limited arc, from failures to success. We never get beyond 1998, so there is no iPod, iPad, iPhone or any of the things that have since made Apple a giant in the tech field. But again, this makes for some interesting storytelling.