Still Mine

"Still Mine" is not a movie that's going to win any awards for excitement, so if that's the basis on which you judge a movie, then it will disappoint. But there's more to a movie than "excitement." There's thoughtfulness and sensitivity - and, of course, there are the performances.

"Still Mine" is a thoughtful and sensitive Canadian-made movie, based on the true story of Craig Morrison and his wife Irene, played in the movie by James Cromwell and Genevieve Bujold. It's in many ways a gentle and slow-paced movie that combines two generally unrelated subject matters: growing old, and fighting the bureaucracy. Irene has dementia, and is gradually losing her memory. To keep her safe, Craig decides to build a new house, but gets into trouble with local building inspectors in a small town in New Brunswick, who issue a stop work order until he agrees to do things their way. Craig knows what he's doing, and the house he's building is perfectly safe, but the bureaucracy only sees that he hasn't followed all the rules. Meanwhile, as Craig battles the bureaucracy, he also deals with Irene's decline - most often sensitively and lovingly, but sometimes - and understandably - getting overwhelmed and lashing out at her.

The performances from Cromwell and Bujold were very good, and Cromwell won a Canadian Screen Award (sort of the Canadian version of an Oscar) as Best Actor for his performance. They brought their characters to life, and as a viewer you cared about Craig and Irene.

No. This isn't an exciting movie. But if a movie that's touching and sensitive appeals to you, "Still Mine" is definitely worth watching. (7/10)

I was shocked to see the low rating this film has received here. It is a brilliant flick that left everyone in the packed audience on the verge of tears. The film, based on a true story, is a about a man who sets to building a home that is suitable for his wife with early signs of dementia. An independent sort, he mills his own lumber and builds the home to the exacting standards he learned from his father. He soon runs afoul of the county building inspector. The sterling performance of James Cromwell is one that will echo with you for weeks after viewing. Bujold's disjointed performance perfectly captures the supreme loss of dementia, a silent invader that steals the self. Not in any way smarmy but perhaps suited to an older viewer.

I was easily able to empathize with this movie and especially our lead Craig Morrison (James Cromwell) as you grow older, your abilities start to slowly wane, and you want one last chance at glory. Craig's plight is much more about glory. He is fighting to keep the relationship with his wife, and avoid suggestions from his kids to put her in a home (Bujold) despite her early signs of Dementia. This movie hit me on so many emotional levels. Not only did I care about the fate of Craig & Irene, but I became truly angry at how Craig was being belittled by the bureaucracy for such a minor thing, like not following all the rules, despite that the house is perfectly safe, and Craig knows exactly what he's doing. His battle of handling his wife's slow descent into Dementia was also heart wrenching to watch. I felt the children of the Morrison's were a bit selfish at first, but as the movie went along, they grew on me, and I understood them more. Cromwell & Bujold are absolutely magnificent together, and their relationship is one of the most enjoyable I have seen in eons. It was genuine, and it didn't feel contrived in the slightest. James is an ordinary man, and one we can all sympathize with. He's a good man, and you'll be rooting for him all the way. He's a man passionate about his beliefs, and his wife. I give all the credit to James Cromwell's fantastic performance. He's always been a great character actor, but never has he shined like this. He conveyed his emotions perfectly. Geneviève Bujold is equally as good as Cromwell. She is utterly phenomenal as a woman slowly losing her way, due to dementia. I feared her, but felt for her at the same time. She's always been a great actress, and this is one that will be talked about for some time. Jonathan Potts is great as the unlikable bureaucrat.

Final Thoughts: It's just a wonderful film, and one not talked about nearly enough for my liking. As a Canadian, I am proud of how good this movie is. Any one should be able to get into it. It's a very moving film

8.7/10

Still Mine is an example of why sometimes laws and rules can mean a lost of freedom.

The good. Compelling and touching story. Well built scenario. Nice photography. All together, a solid film.

The actors. The whole cast gave a spot on performance, but James Cromwell shows himself as a true star here with a very attaching character.

The bad. Most of the plot elements have been seen many times in different forms over the years. Even though the mix is unique, you get an overall sense of déjà vu.

The ugly. Nothing.

The result. A simple tale that can resonate with anybody. Don't expect action or great drama, and you'll be pleasantly entertained.

How could 43 out of 57 reviewers rate this movie 8 or higher and yet produce a cumulative score of only 4.8? Still Mine was the SF Cinema Club's selection yesterday. Not a dry eye in the theater (though I swear mine was allergies). It's Amour with feeling, and a Canadian sensibility, i.e., more like Away from Her, the other Canadian film that deals with aging and dementia, than the steely, unsentimental Amour. Cromwell is gigantic. Is there any other male actor of his age who says more with less? And Campbell Scott proves what they say about no small roles, only small actors. His is minor--but flawless in its understatement. This movie may not crack the big time, but that in no way should diminish its beauty, power, and lasting impact on those who seek it out.