Yurt
- 2023
- 1h 56m
ÉVALUATION IMDb
6,8/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueFourteen-year-old Ahmet leaves home for an all-boys religious dormitory, navigating family expectations, religious duties, and holding onto childhood amid environmental and personal changes.Fourteen-year-old Ahmet leaves home for an all-boys religious dormitory, navigating family expectations, religious duties, and holding onto childhood amid environmental and personal changes.Fourteen-year-old Ahmet leaves home for an all-boys religious dormitory, navigating family expectations, religious duties, and holding onto childhood amid environmental and personal changes.
- Prix
- 15 victoires et 26 nominations au total
Esila Ergun
- Little Girl
- (as Esila Ergün)
Avis en vedette
10Alper-72
Yurt is truly an impressive and thought-provoking piece. It masterfully narrates a child's struggle to find themselves within the constraints imposed by society. Nehir Tuna's direction, atmosphere, and storytelling are highly successful.
In particular, the scenes reflecting Ahmet's inner world deeply affected me. On one hand, he is caught between his father's and society's expectations, and on the other, he begins to question the rules after meeting a freer character like Hakan. This internal conflict is portrayed very realistically. The anxiety, helplessness, and curiosity in Ahmet's eyes were palpable in every scene.
The film's way of depicting the environment of the dormitory, the pressure, and how individuality is disregarded was quite striking. The dark and oppressive tones perfectly matched the story's atmosphere. In some scenes, I truly felt as if I were inside that environment.
Additionally, the film subtly weaves in elements of the political atmosphere of the era. Details like Sevinç's use of the word "Aczmendi" remind viewers of 1990s Turkey and its conservative structure. These elements are integrated into the narrative in a natural flow, without being overly blatant.
While watching this film, I couldn't help but put myself in Ahmet's shoes. His internal conflict, the obligation to conform, and the burgeoning desire for freedom all felt incredibly familiar to me.
Ahmet's growth in an environment trying to box him in-caught between the desire to belong and the need to be free-reminded me exactly of my own experiences. That silence, the waiting to be understood without saying anything, questioning whether he is doing the "right" thing with every move he makes...
I was reminded that courage is contagious, but it also comes with a cost. In the final scenes, Ahmet's eyes perhaps showed for the first time that he truly understood things. At that moment, Ahmet was no longer present; I was.
Hakan's fate and Ahmet's inner journey seem to be left for the audience's interpretation. For some, this might appear as an unresolved ending, yet I believe it makes the message the film aims to convey even stronger.
In conclusion, Yurt is not just a coming-of-age story, but a film that questions the impact of society on the individual. It is definitely one of those productions that should be watched.
In particular, the scenes reflecting Ahmet's inner world deeply affected me. On one hand, he is caught between his father's and society's expectations, and on the other, he begins to question the rules after meeting a freer character like Hakan. This internal conflict is portrayed very realistically. The anxiety, helplessness, and curiosity in Ahmet's eyes were palpable in every scene.
The film's way of depicting the environment of the dormitory, the pressure, and how individuality is disregarded was quite striking. The dark and oppressive tones perfectly matched the story's atmosphere. In some scenes, I truly felt as if I were inside that environment.
Additionally, the film subtly weaves in elements of the political atmosphere of the era. Details like Sevinç's use of the word "Aczmendi" remind viewers of 1990s Turkey and its conservative structure. These elements are integrated into the narrative in a natural flow, without being overly blatant.
While watching this film, I couldn't help but put myself in Ahmet's shoes. His internal conflict, the obligation to conform, and the burgeoning desire for freedom all felt incredibly familiar to me.
Ahmet's growth in an environment trying to box him in-caught between the desire to belong and the need to be free-reminded me exactly of my own experiences. That silence, the waiting to be understood without saying anything, questioning whether he is doing the "right" thing with every move he makes...
I was reminded that courage is contagious, but it also comes with a cost. In the final scenes, Ahmet's eyes perhaps showed for the first time that he truly understood things. At that moment, Ahmet was no longer present; I was.
Hakan's fate and Ahmet's inner journey seem to be left for the audience's interpretation. For some, this might appear as an unresolved ending, yet I believe it makes the message the film aims to convey even stronger.
In conclusion, Yurt is not just a coming-of-age story, but a film that questions the impact of society on the individual. It is definitely one of those productions that should be watched.
I found this film to be exceptionally well-made. From the actors to the scenes, everything evoked a sense of nostalgia. The realism was top-notch. In my opinion, it beautifully portrayed the struggles of a child torn between Kemalism and Islam. It captured the essence of being caught in the middle, feeling trapped, with remarkable accuracy. These aspects were all very valuable. I was particularly struck by the line, "Who is greater, Allah or Atatürk?" I believe it was a significant statement.
Moreover, the film sheds light on the intense impact of religion and nationalism on children in Turkey, often unnoticed by society. This depiction of children feeling trapped between these powerful forces makes it a crucial piece of work. I hope it reaches a wide audience and that everyone has the chance to see it.
Moreover, the film sheds light on the intense impact of religion and nationalism on children in Turkey, often unnoticed by society. This depiction of children feeling trapped between these powerful forces makes it a crucial piece of work. I hope it reaches a wide audience and that everyone has the chance to see it.
In fact, although the Evrenists were thought to be against religious communities in the 90s, they gave the greatest support. In fact, no religious community dormitory was inspected like in the film. If there had been, the nationalists would have used it as material and there would have been a lot of news. In addition, it can be said that the part where secularists attack the dormitories creates its own reality.
In conclusion, I think the film reflects the viewpoint of the Evrenists very well, they tried to stay in the middle by saying a little from them and a little from them.
Even this news provides information about the situation. Shorturl at / 3ytSl.
In conclusion, I think the film reflects the viewpoint of the Evrenists very well, they tried to stay in the middle by saying a little from them and a little from them.
Even this news provides information about the situation. Shorturl at / 3ytSl.
Dormitory
The film radiates corners, longing and monochromatic volumes. It is a heart where the blooming childhood enters in the forest of demarcations. The picturesque of black and white creates an enigmatic frame of emotions. It fleshes the character into the nuances of humanity of the bygone era and question about it. Promising frames, detailed costumes, classic editing, layered actors. The child Ahmets vulnerability, innocence and understanding goes through the tones of revolution. The film showcases an individual revelation of Godhood, companionship, parental relationships and openings of love.
The movie makes us watch the panorama of Türkiye in the 90s. This panorama is so narrow, so cramped that it looks like it is inside a dormitory. Ahmet and Hakan are stuck like each of us, looking for freedom. There were parts where I watched with bated breath. Spoiler: The only part I couldn't understand was what was Ahmet's father's motivation for a radical change? Would it make a big difference if the movie showed us this? I don't think so. Definitely a must watch. The movie Yurt reminded me of this quote. "Yours is not despair, it's boredom. Everyone alive has hope." Everyone alive has hope. No matter what our choices are. Just like the action of running away, which Ahmet sees as a last resort.
Le saviez-vous
- AnecdotesYURT is a Turkish-German-French co-production.
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Détails
Box-office
- Brut – à l'échelle mondiale
- 86 322 $ US
- Durée1 heure 56 minutes
- Couleur
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