Smiley

The concept of this film is a joke. Jason Voorhees killed because of the carelessness of his camp counselors letting him drown, Michael Myers killed because of his repressed childhood and the psychological effects it had on him, and these douchebags killed... to be the first "viral killer"... Did they even read these ideas out loud!?! How could they not realize how stupid this was?

Giving this movie 1 star is an insult to all 1 star movies, this movie deserves maybe just maybe 1/1000th of a bronze star... at very best!

The acting is atrocious too, there's a reason Shane Dawson never made it any further than youtube, because he's a horrible actor! The characters aren't memorable, it's flawed in MANY ways, and I'd go on but unfortunately I'm limited to 1000 words so that is all for IMDb, now for a rant to put up on youtube.

Can you say HOT MESS? I hate writing bad reviews because I think people who make horror movies are awesome, but this one was just painfully bad. The main actress was just horrible and the script was unintentionally funny due to it just being awful. It's tragic because the killer's face was really scary and the idea of being killed on the internet could have been interesting, but sadly, the story was executed poorly. I would definitely pass on this one unless you and a group of friends like to get together to watch really bad movies.

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After watching the trailer and hearing about the cast i had high hopes for this movie. I was excited and couldn't wait, but who knew what kind of disappointment awaited me, after watching the first five minutes you cold clearly see that casting a bunch of untrained Youtube stars wasn't a good choice. Unfourtunally the forced tension couldn't make up for it, the script didn't deliver anything interesting and the obvious twists were pretty easy to predict. Smiley himself had like five minutes of screen time which was even more disappointing and the gore moments were just silly which made them actually hard to watch. This movie lives from the online communities it exploits to help hype the film.

Smiley tells the tale of a city full of the most stupid people in America. There seems to be an internet-based killer slaying many people there, and we can only wish him/ her continued success. So bad is this movie--there really is no "plot"--with its bad acting, bad scripting, and not-very-scary killer at work, the viewer prays for a short viewing time.

With little gore, scares, sex or even action, this is a B movie wanna-be, so if that's what you're looking for, forget it! The only clever thing about this movie is the idea of a killer wearing a twisted smiley-face hood. After you've seen that on the ad for the movie, it's all down hill from there. Its silly "surprise" ending does nothing to compensate the viewer for the previous 85 minutes of boredom. Do yourself a favor and don't watch this movie.

The poster for "Smiley" boasts the tag-line "The New Face of Fear" and honestly I did find Smiley's appearance unsettling the first time I saw the trailer. However, all feelings even vaguely related to fear immediately began to disappear less than 3 minutes into the film (more on that in a moment). Still, I give the film one star to stand as a personal reminder for that one moment in time Smiley seemed promising.

"Smiley" is not only bad, but it's exceptionally bad to such a fundamental degree in both film-making and writing that every problem is encapsulated in the phrase: "BAD BLANK 101". Bad acting, pacing, atmosphere, dialog, characterization, direction, cinematography, editing, and sound are all astoundingly present as if "Smiley" was the meeting place for the reunion of elements in hack film-making.

As a film alone the characters are painfully flat; the acting is atrocious and the main character acts like a being from another planet; the dialog is so bad it smells; every single one of the "scares" are some of the cheapest jump scares in modern horror (that's saying something); the pacing is slower than a slug; during the long-drawn out scenes of fundamental philosophical waxing from the college professor (Roger Bart) that same slug is glued to the floor; I will not spoil anything here because the ending still remains an incomprehensible mess that started in less than 3 minutes.

Two minutes and thirty-two seconds into the film is a jump scare by a little girl that is simply a soft then LOUD noise made for no other reason than hack writing. Get used to that because those are the only kind of "scares" in the entire movie. The problems really begin as the audience and babysitter are told by the little girl about an urban legend killer, the titular Smiley, a mysterious killer (in that he's never explained, we're just expected to take the horribly shoe-horned exposition from the little girl that Smiley is a well-known urban legend, yet the audience doesn't know; Gallagher just expects us to blindly accept this). How does the little girl know this? Who is she? If Smiley is based around the NOT-Chatroulette then is it an international urban legend? All of these questions are just a few examples of what I kept asking the film which gave me nothing in return.

Then the awful writing comes into play as the audience learns of how "Smiley" is summoned beginning the long endurance test that was this movie. The Smiley killer is summoned (ala Candyman) by typing out the phrase "I did it for the lulz" three times to someone on Not- Chatroulette causing Smiley (dressed in Michael Meyers' one piece jumpsuit) to sneak up behind the person you typed the message out to then stabs them in the back (with Ghostface's knife no less). Let that sink in. The killer is summoned through Chatroulette.

Now here's a quick lesson to future horror writers and filmmakers: if you want to create a new horror icon then its important to remember that often timelessness trumps modernity. Sure, technologically based horror movies can make some of the best in the genre (Ringu, Videodrome, Kairo, Christine, Poltergeist, etc) and there's nothing wrong with being hip to the now (if done right), but the technology has to age well and be recognized as being a staple of everyday life with the majority of the public and Chatroulette has not aged well at all. In fact, Chatroulette is stale and by having the killer revolve around such an unbelievably dated concept severely hurts the potentiality for the character only speeding along its inevitable fade into obscurity.

Smiley might as well have been summoned by wearing a haunted pair of Crocs. Of course Smiley might have appeared more if the characters were wearing haunted Crocs because Smiley rarely appears in his own film. The rest of the film is just awful acting, horrible dialog, and one middle- finger of an ending.

What else is there to say? Smiley is just all-around bad in every single way possible regarding filmmaking and writing dumbing down or ripping off intriguing concepts from far superior horror films to create a poorly-stitched together amalgamation of first year philosophy, general science, and psychology. The only amusement is watching Roger Bart trying to make "I did it for the lulz" sound ominous and if you want to see that I'm sure Youtube will provide for you.