Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s

I caught this at weekend at A Day Of Crime in Manchester. Through various communities and being a fan of Eurocrime movies i had very high expectations of this and they were exceeded.

The documentary catches the essence of what Eurocrime was all about, Tough Cops, Horrible Villains and everything in between, Car Chases, Cammora involvement it is all here.

All the great actors/directors who were present in the genre in it's heyday who are still alive give their input into why the movies were so special, what they were like to make, the death defining stunts, everything a fan of Eurocrime would want and more.

The greatest thing about this documentary though is that it does what all good documentaries do- it keeps you interested even if you have no interest in the subject matter- and it makes you laugh, it takes serious subject matter surrounding the genre and at points makes you cry with laughter due to the tales being told.

It is brilliantly paced and does not outstay it's welcome. I could have watched another hour or two of this.

For a first time director Mike Malloy really shows he has a talent for pacing, for asking the right questions, for garnering the best reactions from those interviewed who were involved in the whole Eurocrime scene.

I cannot recommend this highly enough if you are interested in Eurocrime. If you are not though you will become interested by the end and will be on the hunt for old VHS copies of these films before you know it.

Very entertaining documentary about crime movies of the 70s in Italy. Quite a lot of people could be found and interviewed for this. It's almost like traveling back in time, when you watch this. The movie is also very well edited and shot. There is a clear distinction and structure through the whole thing (which can't be said about most of the movies discussed in the documentary of course).

If you like crime movies, than this will be an easy sell. It does appeal more to a specific group of people of course, but maybe some people will be curious and give it a try. I'm sure they will be tempted to get a few movies that are being discussed here. Mission accomplished I'd say!

Any fan of the 1970's Eurocrime genre will obviously enjoy this documentary, which features plenty of clips from this wonderful genre of (mostly) Italian films as well as interview clips from a lot of the major players like Franco Nero, Luc Merenda, Antonio Sabato, and director Enzo Castellari. I liked this doc a little better than some of the more recent ones though because instead of mixing in "fan-boy" interviews to handle the more in-depth analysis of the genre, the filmmakers actually did the heavy lifting themselves while wisely keeping the fan-boy gushing behind the scenes. Nor were there the typical pandering interviews of more well-known modern-day celebrities who may have been "influenced by" but really had nothing to do with the genre. (To be specific, the filmmakers didn't seek out Quentin Tarantino, who would served as BOTH a gushing fan-boy and a bit of celebrity pandering).

There is no denying the knowledge of some fan-boys like Tarantino, but this documentary still manages to impart a book-like knowledge of the genre by editing the player interviews into a kind of "power point" presentation. The documentary does a good job of explaining, for instance, the period and conditions where these movies were made, in a country which was at the time ridden with crime, corruption, violent mafiosi, and left-wing revolutionaries, but also one where people literally went to the movies 4-5 weeks on average and had an endless appetite for this kind of fare. You wouldn't think most of these movies would be any good given the rushed and impoverished conditions under which they were made, but they're actually MORE interesting on average than most of the over-produced Hollywood crapola you see these days, and it was no mistake that these cheap films also made up a lot of the America grindhouse filler that Tarantino et. al. spend so much time worshiping today.

I appreciated especially the interviews with the English dubbers like Michael Forrest and. I have personally said many bad things about these kind of guys over the years (especially when they managed to turn a serious Italian film into half-ass comedy), but they clearly had a difficult job and they took it a lot more seriously than perhaps I've really ever appreciated.

The only downside of this documentary is they missed a few of the major players like Tomas Milan (who I guess IS on the DVD extras), Barbara Bouchet, who really shouldn't have been that hard to find, and Fabio Testi. But I suppose that can't be helped. And obviously a lot people like director Fernand Di Leo are no longer with us. They do pay homage to Maurizio Merli (who is also dead) and Umberto Lenzi (who just refuses to do interviews with anybody), but I would have like to see more with Sergio Martino, who--whether he was available for an interview or not--was a lot more essential to the genre than Antonio Sabato or Joe Dallesandro. Still, these are minor quibbles. I would definitely recommend this overall.

A little gem. I love documentaries about cinema - and if it's about Italian cinema, even better.

Lots of archive footage, great stories, and interviews with the people who lived it all firsthand - shooting with real guns, no filming permits, pulling off stunts that would shut down a whole production company today. A treat for anyone who enjoys movies full of shootouts and cars flying through the air.

And to top it off, that sentimental ending tone - a kind of cinema that's gone, that no longer exists, but that we all miss.

You don't have to be an expert to enjoy it - just love movies that go full throttle and never ask for permission.

Dealing with the 70s Italian gangster film/rip-off scene, this is a fantastic two hours of interviews mixed with clips mixed with some very original animation segueways, all soundtracked by an authentic superfly soundtrack.

There is a general sense of good fun that runs throughout, even during the chapters that address misogyny and organised crime. Worth watching just for the car chases and scenes of actors genuinely doing their own stunts (the episode with John Saxon and live machine gun rounds is particularly memorable).

You don't need to be a particular fan of exploitation to enjoy this film; in fact its triumph lies in the way in which it weaves its own stories from the recollections of the chief protagonists. Highly recommended.