Ae Watan Mere Watan

First of all, BOLLYWOOD SHOULD LEARN BY NOW there Muslim card has got silent but still on

4% muslim sacrifies are shown as they were 40% part of freedom shadeds

This is a true story of Usha Mehta, who willingly scarified her freedom and went through torture from Briteshers for the sake of radio broadcast Why do you show that a person called "FAHAD" is the one who fought with Usha Mehta, in real there was no such freedom fighter, why do Bollywood always do that and not give the tribute to the one who actually deserves.

Why only you choose mosque to cast a song

Babubhai Khakar, Vithalbhai Jhaveri, and Chandrakant Jhaveri were key figures in organising Congress Radio with Usha

Even Emran Harsmi, the kissing lufanga hero is playing babu Monhoar Lhiya, any one who has read even 4 books on freedom will burn his blood to see this stupidities

Sara Ali did not justified Usha ji very well, very avg acting as if does not get into the character she needs to be Karan Johar is the producer, he better keeps his hands off from patriotist movies.

Was eagerly awaiting Ae Watan Mere Watan, but am terribly disappointed. The lead actor's dialogue delivery is unbearable. Sara Ali Khan needs to go back to acting school. And maybe stay there as a receptionist or marketing executive. After Gaslight & Murder Mubarak, this is a hatrick of poor performances by the actress.

Emraan Hashmi did well.

The director had a good plot but messed it up midway.

Ae Watan Mere Watan is totally avoidable. Viewers may spend there time watching Maamla Legal Hai or Maharani season 3.

A better casting may have saved AWMW. The director needed someone who can act in the lead.

The film presents a commendable narrative that beautifully balances patriotism in a nuanced manner. While the screenplay might not captivate everyone, the effort to steer clear of religious and political bias is praiseworthy, contributing positively to the film's integrity. Sara is mediocre but rest of he cast delivers decent performances with the material they're given. Production aspects, including the choice of locations, sets, and costumes, are satisfactorily executed, enhancing the visual appeal of the movie.

Although the cinematography falls short of expectations, it's evident that there was an ambitious vision behind the camera. The direction, despite showing signs of inexperience, demonstrates a commendable effort and a genuine attempt to realize the film's potential. In essence, this movie, with its heart in the right place, is worth watching for those with a keen interest in the subject matter. It's a film that manages to appreciate its themes and aims to deliver a meaningful experience, albeit with some areas for improvement.

The story itself is bold, intriguing, and offers an important glimpse into history. It's a story that should be told and brought to light.

Unfortunately, the writing and way the story was told fell flat for me. Despite the close-ups, deep glimpses into the character's eyes, and creation of atmosphere, there was only one scene that stands out to me. One were Usha hides under a burka when the police search for her and Kaushik shows her his shaking hands when she reappears. The rest of the movie felt like the same message and image on repeat: stand up for revolution and freedom. After a while, the same scene and message on repeat is just flogging a dead horse.

What I found frustrating was the message, despite coming from the right place, did not shed any new ideas or perspectives on the plight against colonialism. Instead, it amplified stereotypes. It was the stereotyping in the film and the characters that unsettled me the most. John Lyre, the British man hunting down the revolutionaries, is portrayed as ruthless, cold-hearted, and intense to the point that he feels more like a cartoon than a human man bred to view himself as superior (pure) and take pride in his country (points that could have been paralleled and contrasted with Usha's purity and pride in country, but were entirely missed). Usha, on the other hand, is portrayed as self-righteous, ego-centric (her ideas being the purest above all others'), naive about the impact she had on relationships with family and friends, and ruthless in her intensity to revolutionize India.

The most unsetting point was the way the movie glossed over radicalization. The ability to influence and spread one's beliefs (such as through a radio) comes with intense responsibility. Usha never questions once the possible myriad of outcomes that could happen... including igniting a rebellion that may fail/may lead to needless loss of lives and bloodshed. Especially since the film stated (but did not show) that she was a Gandhian.

Overall, I look forward to learning more about Usha and appreciate the movie from bringing her plight to light.

Ae Watan Mere Watan beautifully captures the essence of sacrifice and patriotism, shedding light on the forgotten heroes of India's independence movement. Inspired by Usha Mehta's story, the film is a poignant reminder of the untold sacrifices made for our freedom. With compelling storytelling and stellar performances, it leaves a lasting impact on the audience, igniting a sense of gratitude and reverence for those who fought for our nation's freedom. Additionally, the masterpiece background music enhances the emotional depth of the film, weaving seamlessly with the narrative to evoke a powerful sense of pride and reverence.