Zero

A Moroccan noir by Noureddine Lakhmari it tells the story of a crooked cop nicknamed zro since that's how much he accomplished in life living in the slummy shadows of Casablanca ,he gets abused by everyone from his supperior Zeriouali a corrupt police captain to his father an ex cop living in the past who survives mentally by smoking kif . The film starts with him cleaning a wall a metaphor of him trying to clean the streets of child trafficking . The camera work also captures Zero's pessimistic view of the world and his hate for the villain Zerouali. The performances are mediocre but some arespectacular such as that of Dadas

I absolutely love this movie and have been existed about sharing it with my English friends. However, my enthusiasm has been dampened by the disappointment of not being able to locate an English-translated version. It's disheartening how challenging it has been to find, considering the anticipation I had to share this cinematic gem. I can't help but think that the producers could have done a better job making this fantastic film accessible to a wider audience by providing an English version. It's a missed opportunity for them to reach a broader public and enhance the overall viewing experience for international audiences!

I taught it was a master piece movie in Morocco , i really like the acting of younes bouab and aziz dadas good work because is telling the another country how was the work of police in Morocco and the setting of mood for the normal people , the freaky people and the people who use the Authority for the wrong road , and i like so much the end its a good drama.

Zero isn't just a movie; it's a story about a man caught between his principles and the flawed world he's forced to navigate. The film follows a police officer who isn't happy with the system he works for, yet he continues to live with it. His acceptance of the dysfunction is unsettling, as it mirrors the lives of so many who quietly endure what shouldn't be tolerated.

The officer's relationship with his father is at the heart of the story, a deeply symbolic connection that defines his morals. The father represents the system-unfair, demanding, and unkind, yet he continues to care for him, serving him with respect and dedication. This relationship embodies the officer's conflicting emotions: loyalty to something broken and a growing desire to fix what's wrong.

Everything changes when he encounters a mother desperately searching for her 15-year-old child. This moment is important, pushing him to question his passive role and forcing him to act differently. It's as if this mother's plight holds up a mirror to his own life, reflecting the pain he has learned to ignore.

The film also explores the complexity of the system through the officer's interactions with an aristocratic doctor. Their relationship is controversial, reminding us that not everyone within a flawed structure is inherently bad. It's a subtle but important message: even in the darkest places, there are glimpses of goodness.

On a technical level, Zero is flawless. The cinematography captures Morocco in a way that feels both haunting and beautiful, highlighting its darker corners without losing the essence of its charm. The screenplay flows naturally, weaving together moments of tension, introspection, and revelation. The score complements the narrative perfectly, amplifying the emotions without overwhelming them.

NorEddine Lakhmari, the director, deserves immense credit for this masterpiece. He succeeded in showing us a side of Morocco that's often hidden behind its beauty. He takes us into the shadows, not to scare us but to make us see.

For me, Zero was more than just a movie; it was an exploration of morality, duty, and the courage it takes to change. It's a story that stays with you long after the credits roll, leaving you to reflect on the choices we all make when faced with a broken world.