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IMDbPro

God Bless America

  • 2011
  • R
  • 1h 45m
ÉVALUATION IMDb
7,1/10
73 k
MA NOTE
Joel Murray and Tara Lynne Barr in God Bless America (2011)
On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.
Liretrailer2 min 21 s
2 vidéos
99+ photos
Dark ComedyParodySatireComedyCrimeDrama

En mission pour débarrasser la société de ses citoyens les plus répugnants, Frank, malade en phase terminale, se fait un acolyte improbable en la personne de Roxy, 16 ans.En mission pour débarrasser la société de ses citoyens les plus répugnants, Frank, malade en phase terminale, se fait un acolyte improbable en la personne de Roxy, 16 ans.En mission pour débarrasser la société de ses citoyens les plus répugnants, Frank, malade en phase terminale, se fait un acolyte improbable en la personne de Roxy, 16 ans.

  • Director
    • Bobcat Goldthwait
  • Writer
    • Bobcat Goldthwait
  • Stars
    • Joel Murray
    • Tara Lynne Barr
    • Mackenzie Brooke Smith
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,1/10
    73 k
    MA NOTE
    • Director
      • Bobcat Goldthwait
    • Writer
      • Bobcat Goldthwait
    • Stars
      • Joel Murray
      • Tara Lynne Barr
      • Mackenzie Brooke Smith
    • 258Commentaires d'utilisateurs
    • 228Commentaires de critiques
    • 56Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 5 nominations au total

    Vidéos2

    Greenband Version
    Trailer 2:21
    Greenband Version
    God Bless America
    Trailer 2:17
    God Bless America
    God Bless America
    Trailer 2:17
    God Bless America

    Photos166

    Voir l’affiche
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    + 160
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    Rôles principaux99+

    Modifier
    Joel Murray
    Joel Murray
    • Frank
    Tara Lynne Barr
    Tara Lynne Barr
    • Roxy
    Mackenzie Brooke Smith
    Mackenzie Brooke Smith
    • Ava
    Melinda Page Hamilton
    Melinda Page Hamilton
    • Alison
    Rich McDonald
    Rich McDonald
    • Brad
    Maddie Hasson
    Maddie Hasson
    • Chloe
    Larry Miller
    Larry Miller
    • Chloe's Dad
    Dorie Barton
    Dorie Barton
    • Chloe's Mom
    Travis Wester
    Travis Wester
    • Ed
    Lauren Benz Phillips
    Lauren Benz Phillips
    • Donna
    • (as Lauren Phillips)
    Guerrin Gardner
    Guerrin Gardner
    • Tampon-Throwing Tuff Gurl
    Kellie Ramdhanie
    • Melissa Tuff Gurl
    • (as Kellie Marie Ramdhanie)
    Aris Alvarado
    Aris Alvarado
    • Steven Clark
    Romeo Brown
    Romeo Brown
    • John Tyler
    Sandra Vergara
    Sandra Vergara
    • American Superstarz Judge
    Jamie Harris
    Jamie Harris
    • American Superstarz Judge
    Alexie Gilmore
    Alexie Gilmore
    • Morning Show Host
    James McAndrew
    James McAndrew
    • Morning Show Host
    • Director
      • Bobcat Goldthwait
    • Writer
      • Bobcat Goldthwait
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs258

    7,173.3K
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    10

    Avis en vedette

    7DonFishies

    A darkly hilarious treatise that could have been so much better

    The moment I read the synopsis for God Bless America, I had to see it. It was one of the first films I signed up for at this year's Toronto International Film Festival, and one I had to wait most of the week to get the opportunity to see. I wanted to adore it, despite hearing mixed things about it. But as I found out, this experience might never have been intended to be adored.

    Frank (Joel Murray) is sick of everything in his life. His neighbours are inconsiderate, his daughter hates him, and he cannot connect with anyone at work because all they want to do is sit around and talk about reality television. After he finds out he has an inoperable brain tumour, Frank sets out to rid the United States of the filth that corrupts it. He finds an early fan and confidant in precocious teenager Roxy (Tara Lynne Barr), and decides to bring her along for the ride with him.

    God Bless America is not so much of a film as it is a treatise on what is wrong with pop culture in the modern United States. Writer/director Bobcat Goldthwait packs the film full of allusions and satires of reality television primarily, but trickles down to political news shows, celebrity gossip, social networking, texting, and more. Despite how cheap it looks, he manages to depict just the right imagery, the right dialogue and the right attitudes to truly sell the ideas the film brings up. And as the film starts to edge closer and closer to real life, Goldthwait starts getting his characters to start dishing out justice in the most ridiculous ways possible. He does and says what a lot of people are scared to, and bravely attempts to dissect and take down an institution that has been thriving for well over a decade. Nothing is sacred or off limits. While the film was clearly intended to shock and disgust with how darkly hilarious it is, it also sets out to teach and not so secretly try to right the wrongs we continue to allow invade our lives.

    But this element of teaching veers into the realm of preaching, and is what holds Goldthwait's film back from being truly enjoyable. While I was initially amused at watching Murray's Frank spout musings about the human condition and what is wrong with society, that amusement quickly faded. By around the halfway mark, it becomes increasingly clear that the film has no real set direction or even a real point of existing. It is an extended rant that would have worked out better as a piece of stand-up. You can easily tell where Goldthwait has veered off track and lost any idea of what points he wanted to make, and he struggles to find his way back more often than he should. The film clocks in at just about 100-minutes, but twenty of those minutes could be chopped out if he stopped circling around and just make his points.

    And what's worse is that outside of an absolutely stunning realization, the thesis if you will, during the bloodsoaked finale, he does not cover any real new ground in what he is getting Frank to talk about. These tropes he is taking down one by one are things people have been complaining almost as long as they have existed. Michael Moore is consistently churning out documentaries about them every few years. Yes, the majority of the population around the United States (and hell, worldwide) are embracing these ideals and not thinking any differently. But God Bless America is too subversive a film to ever conceivably be watched by these kinds of people. Does Goldthwait really think he can shock these people into submission with his vivid speeches and grotesque and borderline terrorist tactics? Does he think he can get them to rethink everything they follow and do in their everyday lives? If not, then why bother making the film?

    Goldthwait claims that God Bless America is not meant to be a political film. But unless he really wants people to just laugh and forget about it moments later, then there is really no other way one can possibly read it.

    While I felt for how agonizing some of the dialogue must have been to deliver, I really enjoyed Murray's performance as Frank. He is a bit player in dozens of TV shows and movies, and it is nice to see him finally get a leading role. He plays Frank as an upstanding and concerned citizen, one who truly believes in the war he is fighting. He has a quiet intensity about him, and seeing him jump between a tongue- in-cheek innocence and a full blown sociopath is truly remarkable. I am glad that Goldthwait took a chance on him, and I can only hope more directors will follow suit in the future. Barr, much like Chloë Moretz in Kick-Ass, is a revelation. She is ridiculously hilarious and downright terrifying all at the same time. From the moment she walks on-screen, she has an aura about her that never dissipates, allowing her to truly make something of her character even with some rather awful dialogue.

    I think in the end, I appreciated God Bless America more than I actually enjoyed it. There are some really funny scenes sprinkled throughout, and just as many deeply thought-provoking moments. But it is a film that gets too full of itself much too often, and loses track of what it wants to be even more so. Goldthwait is a talented filmmaker (even if he shamelessly cribs his action beats and styles from some rather obvious influences), but I think he could have easily improved on the flaws that plague the film. I hope that the distribution deal he received affords him some time to make the necessary cuts. There is a truly great film somewhere in there, just waiting to appear.

    7/10.
    8Stanstyman

    Don't analyse....enjoy

    The problem with many reviews is that we seek to 'analyse' and not just accept. We look for hidden agendas instead of just taking something at face value. This film is a gem...the main character and his life were easily acceptable and plausible and his outlook on modern American life whilst predictable, knowing the movie's theme...was perfectly understandable. There is a wonderful dark humour running throughout the story and whilst it does stretch the imagination boundaries at times you think to yourself 'so what ..I'm enjoying it'. I could not think of one victim in this film that I also wouldn't have minded bumping off and Tara Lynne Barr is perfect as Frank's young accomplice. One of my favourite scenes involved Frank's visit to his doctor but then I always did have a twisted sense of humour. I recommend you watch this if only as a release valve for your pent up frustrations with modern society and TV talent shows.
    7agrising

    I really wanted to love it

    Instead, I liked it and would gladly watch it again. God Bless America had so much potential. Its first half an hour or so goes as you expect, over the top dark humor with non-stop truth hitting relentless social commentary and then...Roxy walks into the movie. From this point on, unfortunately, without saying much, the movie falls into several paradoxes and loses its focus.

    At its core, GBA is a good social satire with nonstop commentary on the problems with pop culture and society, but on the same coin, the movie tries so hard that it feels like a rant by an angry liberal rather the good satire it initially set out to be. Furthermore, Roxy becomes one of the characters you want dead as the movie goes and her character, along with her and Frank's relationship, appears so idealized and forced, that it just affects the movie for the rest of its running time.

    The good, however, lies in the great shooting scenes, some of the great commentary made by Frank (most of what Roxy says makes you roll your eyes if not question what in the world the movie was going for), the dark humor, the targets for satire, the over the top story, its entertainment, and overall its a solid 9/10 movie but...

    The bad lies in the second act, on Roxy's faulty and forced character, its endless rants between our two main character that makes you want them to kill themselves as the next person on their killing spree, the people targeted (whats wrong with high fives and country music? When did this movie become about taste rather than appropriate satire part?) and so on...it just bit itself in the tail.

    I really wanted to love this movie. I almost did. Instead every time I went to smile and applaud the commentary, something matter of taste or the character discontinuity got in the way...good movie, definitely one everyone should watch, but sadly, for what it could have been and set out to be, very flawed.
    8axlrhodes

    I wonder what Simon Cowell would make of it?

    Written and directed by American comedian Bobcat Goldthwait comes this tale of Frank (Joel Murray), a downtrodden sad sack of a man whose miserable and lonely existence away from an estranged wife and daughter is accompanied by insomnia, noisy neighbours, reality television in all it's most evil manifestations and an ever increasing lack of patience. After losing his job and discovering he has an inoperable brain tumour, Frank decides he's had enough of the ignorance and general lack of moral principles he sees permeating through everyday American life and sets about directly addressing the problem…with a gun. Aside from the overly graphic and wanton violence, this is a film with a lot to say. It's almost as if writer Goldthwait is himself getting stuff off his chest that's been festering for years. Much of the dialogue is indeed bitingly funny, including some incisive rants about the pernicious nature of American Idol type singing competitions. The film does sometimes forget itself (one holiday montage sequence seems a loose fit) and some of the murders which Frank and his willing side-kick Roxy (Tara Lynn Page) carry out might threaten to cancel out the more intelligent aspects of the message for some. What is certain is that God Bless America will divide opinion. Frank's a walking contradiction, a liberal man who fights his cause with right-wing methods to find a stage to air his liberal views. This is a film for everyone who's imagined but would never carry out. For those who want to instantly silence that barking dog down the street that's preventing valuable sleep before that big presentation at work the next day. It's for those of us who sit silently in cinema seats respecting other people's right to enjoy the experience only to have ignoramus's gibbering on mobile phones or kicking the back of your seat. While the film might draw criticism for it's depictions and excessive"preachiness", i found it agreeably acerbic. I wonder if Simon Cowell feels the same way.
    9Sherief941

    this movie made me weep for America,and I am not even an American

    This movie is great,intelligent,funny at times,saddening at other times.

    Acting by Joel Murray was brilliant.I don't recognize Ms Tara Lynne Barr but I predict for her a bright full acting career.

    The movie asks why American people turned into aggressive,mean,unrelenting,hellbent on hurting others creatures.

    And why American children became ill-behaved,spoiled,nightmare begins.

    It may force to think about things in live,or it may not.it all depends on your character,your way of life.

    But believe me,you should watch that movie.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Frank is buying the AK-47, the dealer describes it as "The very best there is. When you absolutely, positively got to kill every motherfucker in the room, accept no substitutes." This is the same way Samuel L. Jackson's character describes an AK-47 in the beginning of the Quentin Tarantino film Jackie Brown (1997).
    • Gaffes
      When Frank steals his neighbor's car and heads to Virginia, he can be seen driving north on Interstate 81 in Syracuse when he should be going south.
    • Citations

      Frank: Oh, I get, and I am offended. Not because I've got a problem with bitter, predictable, whiny, millionaire disk jockeys complaining about celebrities or how tough their life is, while I live in an apartment with paper-thin walls next to a couple of Neanderthals who, instead of a baby, decided to give birth to some kind of nocturnal civil defense air-raid siren that goes off every fuckin' night like it's Pearl Harbor. I'm not offended that they act like it's my responsibility to protect their rights to pick on the weak like pack animals, or that we're supposed to support their freedom of speech when they don't give a fuck about yours or mine.

      Office Worker: So, you're against free speech now? That's in the Bill of Rights, man.

      Frank: I would defend their freedom of speech if I thought it was in jeopardy. I would defend their freedom of speech to tell uninspired, bigoted, blowjob, gay-bashing, racist and rape jokes all under the guise of being edgy, but that's not the edge. That's what sells. They couldn't possibly pander any harder or be more commercially mainstream, because this is the "Oh no, you didn't say that!" generation, where a shocking comment has more weight than the truth. No one has any shame anymore, and we're supposed to celebrate it. I saw a woman throw a used tampon at another woman last night on network television, a network that bills itself as "Today's Woman's Channel". Kids beat each other blind and post it on Youtube. I mean, do you remember when eating rats and maggots on Survivor was shocking? It all seems so quaint now. I'm sure the girls from "2 Girls 1 Cup" are gonna have their own dating show on VH-1 any day now. I mean, why have a civilization anymore if we no longer are interested in being civilized?

    • Générique farfelu
      The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile".
    • Connexions
      Featured in WhatCulture Originals: 9 Awesome Films That Never Got The Cult Following They Deserved (2021)
    • Bandes originales
      Beat the Devil's Tattoo
      Written and performed by Black Rebel Motorcycle Club

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    • How long is God Bless America?Propulsé par Alexa
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    • What's the final bodycount?

    Détails

    Modifier
    • Date de sortie
      • 31 mai 2012 (Philippines)
    • Pays d’origine
      • United States
    • Sites officiels
      • Official Facebook
      • Official site
    • Langue
      • English
    • Aussi connu sous le nom de
      • Chúa Ban Ơn Nước Mỹ
    • Lieux de tournage
      • Syracuse, New York, États-Unis
    • sociétés de production
      • Darko Entertainment
      • Jerkschool Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 122 550 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 27 308 $ US
      • 13 mai 2012
    • Brut – à l'échelle mondiale
      • 393 880 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 45 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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    Joel Murray and Tara Lynne Barr in God Bless America (2011)
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    By what name was God Bless America (2011) officially released in India in Hindi?
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