Un strip-teaseur enseigne à un jeune artiste comment faire la fête, se faire des femmes et gagner de l'argent facilement.Un strip-teaseur enseigne à un jeune artiste comment faire la fête, se faire des femmes et gagner de l'argent facilement.Un strip-teaseur enseigne à un jeune artiste comment faire la fête, se faire des femmes et gagner de l'argent facilement.
- Prix
- 10 victoires et 14 nominations au total
- Girl in Line
- (as Avery Camp)
- George
- (as George Sack)
Avis en vedette
She ruins the entire movie. So bad.
As 'Magic' Mike, charming Channing Tatum naturally gets top billing, but the film revolves around Adam (rising star Alex Pettyfer). Adam is a congenital loser, the kind of guy who refuses to wear a tie and wonders why he can't sustain a job. He lives with his sister, Brooke (Cody Horn), whose acting conveys a suspicion of men, presumably because she has only her wayward brother as a yardstick.
Adam finds work on a construction site with Mike, who sees the desperation of Adam's situation and entices him to join his exotic dancing troupe, Xquisite, led by Dallas (Matthew McConaughey). Dallas astutely exploits Adam's naivety by branding him 'The Kid', an amateurish, sloppy act, which the ladies love. The next three months are a non-stop orgy of girls, booze and drugs: everything a man like Adam could wish for.
This lifestyle has lost its appeal for Mike, now 30, who only took up professional undressing to become a bespoke furniture salesman. He no longer wishes to hold out for the phantom 10% of the business Dallas keeps promising him, but poor credit keeps him on the pole. (Tatum again stars in a role which brings out his effortless charisma and sweetness.)
McConaughey recently impressed me in William Friedkin's 'Killer Joe', and now this film has completely changed my mind about him. He's gone from my dud to my stud list in just two films. And Pettyfer works because he doesn't work, if you see what I mean. Although an ex-model, he's not 'stripper material' (not that I'd know much about that sort of thing), yet there's a naturalness to his acting, which works.
Although not in the same league as some of Soderbergh's other titles (notably 'Traffic' and 'Out of Sight'), there's enough going on to warrant a viewing. Characters are well written, lives intersect in an unforced manner, motivations are believable. There's plenty of saucy (and quite impressive) dancing to keep the majority of this film's audience happy, but there's also a decent story for those who aren't watching exclusively for nudity.
www.moseleyb13.com
At any rate, plenty of folks (like the pathetic woman who was sitting behind me in the theater, the one who clapped like a poorly trained seal, guffawed, and cackled any time the least bit of male skin appeared on screen) will go see this movie because of all the hype about the hot male bodies in various states of undress—and they will certainly enjoy the film on that very basic level. But let's be honest here, folks—this is a Stephen Soderbergh film—and Soderbergh does not use sex and titillation gratuitously. The plot is compelling, the film is well written and masterfully directed, and Channing Tatum proves that he is much, much more than a hot body and a pretty face. For his sake, here's hoping that "Magic Mike" can propel him along a career path similar to those of other handsome actors who managed to overcome "Movie Star" looks to prove that they were genuine actors. Like Brad Pitt.
Le saviez-vous
- AnecdotesThe film is loosely based on Channing Tatum's experiences as a male exotic dancer before hitting it big as a movie star.
- GaffesYou can clearly see Channing Tatum's wedding ring on when he crosses in front of the camera after getting out of his truck when arriving at the construction site.
- Citations
[First lines]
Dallas: Let's fucking get it on right now. Let's go. Come on. Come on. Come on! Come on! Here. Here. Now, I want to go over a few rules with y'all tonight. That ain't that hard. Don't worry about it, all right. Rule no. 1, this is the "what can you touch and not touch" rules.
[puts his hands on his chest]
Dallas: Can you touch this? Can you touch this?
[moves his index finger]
Dallas: No, no, no, no, no, no, no. Second touch.
[turns around and grabs his ass]
Dallas: Can you touch this? Can you touch this?
[moves his index finger]
Dallas: No, no, no, no, no, no, no. And finally... last one ladies,
[holds his crotch]
Dallas: can you touch this? Can you ever touch this? Well, that's who the law says that you cannot touch. But I think I see a lot of lawbreakers up in this house tonight. And I don't see a cop in sight.
- Générique farfeluThe Warner Bros. logo used at the opening of the film is a modified version of the Saul Bass designed logo from the 1970s.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Episode #20.163 (2012)
- Bandes originalesBreakdown
Written by Alex Cowan and Alice Russell
Performed by Alice Russell
By arrangement with Lip Sync Music, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Magic Mike: Vũ Điệu Trai Nhảy
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 113 781 613 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 39 127 170 $ US
- 1 juill. 2012
- Brut – à l'échelle mondiale
- 167 282 900 $ US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1