ÉVALUATION IMDb
6,2/10
80 k
MA NOTE
Traumatisé par la guerre, un ancien soldat des forces spéciales qui navigue dans le monde criminel de Londres saisit l'occasion de prendre l'identité d'un autre homme.Traumatisé par la guerre, un ancien soldat des forces spéciales qui navigue dans le monde criminel de Londres saisit l'occasion de prendre l'identité d'un autre homme.Traumatisé par la guerre, un ancien soldat des forces spéciales qui navigue dans le monde criminel de Londres saisit l'occasion de prendre l'identité d'un autre homme.
David Bradley
- Billy
- (as Dai Bradley)
Avis en vedette
70U
Redemption isn't quite as interesting as it wants to be and is somewhat unfocused, but thanks to a surprisingly ambitious screenplay and one of Jason Statham's better performances, it works as a perfectly watchable thriller.
Reviews seem evenly split between 'masterpiece' and 'disaster,' so let me cast a tie-breaking vote. You can look at Redemption as either a thoughtful action movie or a violent art film... but it's very good either way.
The acting is definitely worthwhile. Statham has always been better than the average action star, and here he's given more emotional material to chew on than in most of his vehicles. Buzek is equally solid as the Polish nun. She's far from a conventional beauty, and seems perfectly cast.
The production is excellent, with a gritty, super-saturated urban look to it. And the story? I think it holds up extremely well. This is a bit of a fable, a vignette out of the middle of a turbulent life. Joey made me think of a more-thoughtful, less self-assured Jack Reacher. He's a product of our violent world, who's trying to do the right thing and thereby buy back his soul.
The film doesn't pull back from the contradictions of his attempt to find inner peace through extreme violence. And it gives us many memorable vignettes along the way. The business with the red dress. The opera. The pizza parties at the soup kitchen. These build up a very effective portrait of Joey. The ending is unconventional, and, I think, extremely appropriate. It says something not just about Joey, but about the needlessly violent world we've built - or allowed to be built in our name.
Redemption may not be a timeless classic of the cinema, but it's hard to deny that it is a very good little film, with many admirable qualities. It's a film I'll certainly enjoy watching more than once.
The acting is definitely worthwhile. Statham has always been better than the average action star, and here he's given more emotional material to chew on than in most of his vehicles. Buzek is equally solid as the Polish nun. She's far from a conventional beauty, and seems perfectly cast.
The production is excellent, with a gritty, super-saturated urban look to it. And the story? I think it holds up extremely well. This is a bit of a fable, a vignette out of the middle of a turbulent life. Joey made me think of a more-thoughtful, less self-assured Jack Reacher. He's a product of our violent world, who's trying to do the right thing and thereby buy back his soul.
The film doesn't pull back from the contradictions of his attempt to find inner peace through extreme violence. And it gives us many memorable vignettes along the way. The business with the red dress. The opera. The pizza parties at the soup kitchen. These build up a very effective portrait of Joey. The ending is unconventional, and, I think, extremely appropriate. It says something not just about Joey, but about the needlessly violent world we've built - or allowed to be built in our name.
Redemption may not be a timeless classic of the cinema, but it's hard to deny that it is a very good little film, with many admirable qualities. It's a film I'll certainly enjoy watching more than once.
Given Jason Statham's recent track record in film, you might be forgiven for thinking that HUMMINGBIRD is yet another action-packed beat-'em-up, but it turns out to be something quite the opposite. The unusual title is a bit of a give-away, but this turns out to be a moody tale of redemption on the gritty streets of London.
Somewhat surprisingly, Statham shines as the down-on-his-luck former soldier reduced to a life of homelessness on the streets. This is a guy who rarely gets the chance to properly act, but who can be decent when given the opportunity. It helps that his story arc is well-handled, displaying sensitivity where needed and exploring the thematic elements with maturity.
Of course, there are one or two fight scenes tossed into the mix for the fans, but for the most part this is a thoughtful mood piece that tells an interesting tale and does so well. Congratulations to all involved.
Somewhat surprisingly, Statham shines as the down-on-his-luck former soldier reduced to a life of homelessness on the streets. This is a guy who rarely gets the chance to properly act, but who can be decent when given the opportunity. It helps that his story arc is well-handled, displaying sensitivity where needed and exploring the thematic elements with maturity.
Of course, there are one or two fight scenes tossed into the mix for the fans, but for the most part this is a thoughtful mood piece that tells an interesting tale and does so well. Congratulations to all involved.
I never write reviews, but this time I was compelled to...
Don't bother reading the negative reviews from people moaning about how they miss Jason Statham being chased in a car or beating the crap out of everyone. If you want that and that only, then just go watch Transporter I, II and III.
If you want to see something different and refreshing, then simply don't miss this one. The story is good, there is plenty of action, and developed characters.
With a closed mind, expecting to see yet another copy of Jason's previous work, you'll be disappointed. But with an open mind, you will enjoy watching this very much.
This change of plan is simply the best thing Jason has done yet. He's convincing and manages to create quite some depth in his character. AND he still kicks ass. I can't see another actor having pulled this mixture of action, drama and psychology off better then Jason. He actually played a convincing 'human being' that has to take a hit like everyone, and he did it very well.
Amongst the better action/drama flicks of 2013.
8/10
Don't bother reading the negative reviews from people moaning about how they miss Jason Statham being chased in a car or beating the crap out of everyone. If you want that and that only, then just go watch Transporter I, II and III.
If you want to see something different and refreshing, then simply don't miss this one. The story is good, there is plenty of action, and developed characters.
With a closed mind, expecting to see yet another copy of Jason's previous work, you'll be disappointed. But with an open mind, you will enjoy watching this very much.
This change of plan is simply the best thing Jason has done yet. He's convincing and manages to create quite some depth in his character. AND he still kicks ass. I can't see another actor having pulled this mixture of action, drama and psychology off better then Jason. He actually played a convincing 'human being' that has to take a hit like everyone, and he did it very well.
Amongst the better action/drama flicks of 2013.
8/10
The first 20-30 minutes will make or break the movie for you. Those who expect a crazy pace and action non stop, will be disappointed for sure. It is more than likely that people will say/write, that Statham should stick to action roles. But I think it's a good thing he tries to evolve a bit. He has the action thing down now, why not go out and dip/try something else? The drama part does work entirely as is true with the rest of the story, but it does have something to tell, whether you agree with the arguments or not, it is different! And after the initial (slow) beginning of the movie, it does have some action to deliver too. But is there "Redemption" (as the German title of the movie suggests)?
Le saviez-vous
- AnecdotesSteven Knight considered Cillian Murphy for the lead role of Joey.
- GaffesWhen buying the ballet ticket, the cashier says that October 1st is on a Tuesday. However, the invitation to the rooftop gala, on the same night, is on a Monday.
- ConnexionsSpoofs Les Simpsons: Bart vs. Australia (1995)
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- How long is Redemption?Propulsé par Alexa
Détails
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 36 895 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 977 $ US
- 30 juin 2013
- Brut – à l'échelle mondiale
- 12 671 109 $ US
- Durée
- 1h 40m(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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