The Co(te)lette Film

"Resonance" stands as an innovative and mesmerizing cinematographic adaptation of Ann Van den Broek's captivating dance performance. This fusion of dance and cinema, directed by the visionary Mike Figgis, transports the audience into a realm where movement and storytelling intertwine seamlessly, creating a truly exceptional sensory experience.

At its core, "Resonance" revolves around the profound dance performances of Ann Van den Broek's choreography. The film introduces audiences to a world of emotional intensity and raw expression as the dancers - embodying the spirit of Sura, Frauke, Cecilia, and Judith - translate their innermost emotions into physical movements. Van den Broek's choreography becomes the conduit through which the dancers communicate their deepest feelings, echoing the themes of self-discovery, unity, and the universal language of movement.

Each dancer encapsulates a unique dance style, from delicate ballet to contemporary grace, fiery hip-hop, and the passionate energy of tango. Their synergy adds depth to the film, capturing the essence of Van den Broek's original performance while allowing Figgis to craft a cinematic masterpiece that resonates deeply with audiences.

Figgis's direction masterfully adapts Van den Broek's choreography into the visual language of cinema. The camera becomes an extension of the choreography, gliding seamlessly across the dance floor and capturing the dancers' movements from angles that amplify their emotional impact. Matteo D'Amico's cinematography transforms the stage into a dynamic and breathtaking canvas, capturing every nuanced gesture and expression.

"Resonance" expertly navigates the balance between dance and storytelling, highlighting the dancers' individual journeys while intertwining them within a larger narrative arc. The use of color, lighting, and visual effects heightens the film's emotional resonance, allowing audiences to immerse themselves in the dancers' personal growth and self-expression.

While the adaptation retains the essence of Ann Van den Broek's original performance, Figgis brings his own unique perspective to the project. His artistic vision enriches the choreography with cinematic storytelling elements, resulting in a harmonious fusion of dance and film that amplifies the emotional impact and universality of the performance.

In "Resonance," dance transcends its physical form to become a conduit for emotional connection, artistic expression, and personal exploration. The collaboration between Ann Van den Broek's choreography and Mike Figgis's directorial prowess creates an unparalleled cinematic experience. "Resonance" is a testament to the power of art to move and inspire, making it a must-watch for anyone seeking an extraordinary exploration of movement, emotion, and storytelling.

From the emotional perspective, this work is a needed challenge to the senses. It demands that the viewer react on an organic level. From the cognitive perspective, this work grabs hold of the thinking process and refuses to let go, not even to breathe deeply. From the physical perspective, this work defies literal translation by virtue of its raw, high energy determination. From the spiritual perspective, this work calls to the inner structure of the viewer's foundations regarding the "her" of life, itself. From the social perspective, this work examines the structures that inhibit, involve, and insight the spirit of every woman. From the psychological perspective, this work rattles the cages and threatens to release inner prisoners. See this, not once, but more than once. It's too involved for one view. "10" - no doubt, the best representation of dance relating to the human experience ever created and photographed.

I really wasn't sure how to judge this.

There's no story, no explanation, just over an hour of unusual dancing that is more expression than finesse. This is the kind of thing that would be an acquired taste. It wasn't really to my taste, but I gave it an above average score for the nudity, for the energy, and because it's something different I can't really find anywhere else.

I docked at least a point for the camera work. I appreciate some close-ups, but near the end the camera remains so close to the women it's hard to see what is going on.

The dumbest thing ever committed to film/hard drive space/whatever. The very definition of pretentiousness. Completely ridiculous and meaningless waste of time posing as abstract art.