Une adolescente du Midwest est infectée par une épidémie d'une maladie qui transforme lentement les personnes infectées en zombies cannibales. Pendant sa transformation, son père dévoué rest... Tout lireUne adolescente du Midwest est infectée par une épidémie d'une maladie qui transforme lentement les personnes infectées en zombies cannibales. Pendant sa transformation, son père dévoué reste à ses côtés.Une adolescente du Midwest est infectée par une épidémie d'une maladie qui transforme lentement les personnes infectées en zombies cannibales. Pendant sa transformation, son père dévoué reste à ses côtés.
- Prix
- 1 victoire et 4 nominations au total
- Linda
- (uncredited)
- Deputy Holt
- (as J.D. Evermore)
- Security Officer
- (as Walter Von Huene)
- Doctor
- (as David Anthony Cole)
Avis en vedette
It is a slow moving drama and really is the storyline and the characters and their interactions that is the film, we are talking a time frame of a week or so and we mainly follow Maggie and her dad and how they try to spend their last days together. We are slowly but steadily introduced to the plague that have been turning people into zombies and how people with the disease are being treated and eventually put away, because there is no cure, if you are bit, there are only three ways of going on, go to the camps where the rest of the zombies are kept, get some kind of shot that will kill you in a excruciating way or take the life of yourself by shooting, breaking your neck or other means.
It is a heartfelt movie that you really can't stop watching even though the story moves slowly ahead and it is not like any other zombie movie, it is insightful and interesting and really shows some aspects of life that has nothing to do with becoming a zombie, it could have been about any other terminal illness that can't be cured, but the zombie part is just a great twist to it all.
I was entertained and thoughtful after seeing it, it was really something other then I had expected.
Charismatic and truly very moving at times, it's surprising to see where debut screenwriter John Scott 3 brings this compassionate tale. We're introduced to Maggie as her father Wade, just after finds her after a two-week search. She's brought to their farm home where her step-mother Caroline (played by Joely Richardson) and her two younger siblings reside. As Maggie's transformation is sure to become erratic and certain, the entire family sits on the edge as their beloved daughter deals with not only her changing self, but addressing the surroundings of her friends and a future that is now to never be.
In his most reserved and accessible performances of his career, Arnold Schwarzenegger proves what happens when you work with some of the most talented people in the business for decades. You're surely to pick up some of their ticks and beats. Internalized as any performance seen by an actor, Schwarzenegger digs deep to show the soul of a broken man, helpless against a virus that is taking away his most precious gift. In addition, he fights for his daughter's right to live out her final days from the local authorities who believe she must go to quarantine, where the infected are put to death. It's a shocking display of emotion from the former governor of California in what will surely be a talking piece of many following a viewing.
Oscar-nominee Abigail Breslin truly is a talent. "Zombieland," which many will think of based on themes, kept her at an arm's distance in terms of allowing the environment to reveal itself through her actions. In other zombie films and TV shows, the ongoing theme and narrative is survival. "Maggie" takes it in a different direction. You see the deterioration of not just the person's body, but their hopes and dreams. Breslin displays the broken heart of a girl who sees her former boyfriend get taken away despite pleading with his father to stay just one more day. You see the realization of her new self in the behaviors she acquires along the way. And most importantly, and probably the most heartbreaking, is in the final interactions with her friends and in the truth of a future that will never come. Breslin shines like no other. It's happy to see her stretching her acting capabilities at this point in her career.
The technical traits of "Maggie" are spot on for the most part thanks to director Hobson. In his feature directorial debut, Hobson hones in on the tone of an emotional drama, not a horror film with something extra to offer. I think back to something like M. Night Shymalan's "The Sixth Sense" when the thrill factor was secondary to its story and characters. Hobson captures most of those things. Cinematographer Lukas Ettlin paints the canvas beautifully as we've seen in other efforts like "The Lincoln Lawyer" and TV's "Black Sails."
"Maggie" is a moving drama. Echoing the moods of hard-hitting films but with the charisma of any entertaining blockbuster you would see this summer. It's well worth every dollar of an admission ticket and is one of the more enthralling and captivating films of the spring.
A family is confronted by their teenage daughter Maggie (Abigail Breslin) who is contaminated with a dreadful disease which is Zombieism. She did not catch it inadvertently but caught it by having been bitten while out in an escapade on a night out when the town was invaded by zombies when she new it was forbidden to go. Teenage rebellion against the family like the two brats in the movie 28 weeks later that caused the destruction of London and Paris.
Now, this movie depicts what it would be like if a member of a family would be confronted with a contagious disease which is irreversible and that only the death of the infected one can preserve the safety of the others.
Indeed, the movie goes on a step by step development of the contagion of Maggi and the results on her environment such as family, friends and other members such as the police, doctor which will lead her at the end to commit suicide.
The only problem I have with the movie is this: Can life continue as usual with an extreme infected member of the family? Further more, with such an infection in this case Zombieism, at what moment does Maggie lose her humanity since all along the movie it is said that she should be quarantined ipso facto. A reference to the Anne Frank Diaries is a must to understand life as usual in extreme conditions.
In fact, all along the movie she shows no loss of her humanity. We can clearly see this in the scene where Wade Voegel (Arnold Schwarzenegger) is sleeping on a sofa and Maggie approaches and smells him. Her transformation to a complete zombie has not yet peaked to the irreversible.
However, if the doctor and police insist she be put away, have they lost their humanity knowing there is nothing that can be done and to save the rest of the population Maggie must be killed? Who is truly human here?
We can also ask, how far will a family go in denial or semi-denial? Does denial mean keeping one eye open while sleeping?
At the end, she commits the inevitable by putting an end to her life.
I ask myself this question: Was she dead at the moment she was bitten and her loving family going into denial or did slowly die as to have a family act in a way to have her live live as long as possible with them showing the last of their humanity as they know it when she dies.
As Hamlet would state it: To kill her immediately or not to kill her immediately, that is the question.
Le saviez-vous
- AnecdotesArnold Schwarzenegger played the role of Wade in the film for $0 after falling in love with the script.
- GaffesWhen Maggie finds the trapped fox, she returns to the house to get a gun. The closeup of the gun on the mantle reveals it to be a double barrel shotgun, but when Maggie takes it from the mantle it is in fact a .22 bolt action rifle.
- Citations
Maggie Vogel: Dad, you've protected me all your life. Now it's my turn to protect you. There is life with you, not with me. Don't come looking for me. I'm safe. I'm fine.
- Bandes originalesMaggie
Written and Performed by Oscar Brown Jr.
Used by permission of Edwards B. Marks Music Company c/o Carlin America, Inc.
Courtesy of Verve Records under license from Universal Music Enterprises
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- How long is Maggie?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Maggie
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 400 000 $ US (estimation)
- Brut – États-Unis et Canada
- 187 112 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 131 175 $ US
- 10 mai 2015
- Brut – à l'échelle mondiale
- 1 663 165 $ US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1