Tomboy

Laure, the tomboy of the title, moves because of Dad's job to a new neighbourhood and has to negotiate the minefield of finding new friends. With her short-cropped hair and boyish looks, it is easy for Laure to pass herself off as a boy. So she does. Existing as Mikael, she digs a hole deeper and deeper for herself during summer holidays. With the start of school approaching, friendships made and romances embarked upon, something has to give.

The film works in large part due to the casting. Zoé Héran as Laure / Mikael is so convincing as a boy that when she does finally don a dress it just looks... wrong. A double for a young Sting, she has an easy charisma and strong expression that makes her every move unmissable. Mikael is befriended by Lisa, a precocious Jeanne Disson, and young love blossoms in bizarre circumstances. As strong as these two performances are, Malonn Lévana Malonn as Laure's little sister Jeanne steals every scene she is in. Given a secret to keep half-way through, she crackles and delights every time you see her and wonder if she can keep the confidence.

As delightful as the children are, the theme of a young girl yearning to be a boy is presented but hardly explored. The film is episodic, one summer in the life of a mixed up girl. Laure's reasons for taking things so far are never dealt with beyond surface levels, and no resonance to wider concerns in society are present. The narrative strains with such insubstantial fare, but never breaks. Fans of such coming-of-age tales as Stand By Me or Yamada's Village of Dreams will enjoy this tale.

After seen this film I found some interesant comments of Céline Sciamma about her film.Céline Sciamma insists very much about the perception (le regard in French) that people may have about a person: Lisa thinks that Laure is a boy and all the "confusion" begins when Lisa asks Laure about her name and Laure answers "Mickael" !! From then the other children consider Laure as as boy. In this age some young girls like to play soccer,wear masculine clothes and people call them tomboys o garçon manqué in French: in most of these cases the experience is quite temporary.The performance of Zoé Héran as Laure/Mickael is remarkable.Also the other actors and actresses are very good.A very interesting story and therefore a very good film.

"Tomboy" is a French coming-of-age drama featuring Zoe Heran as Laure, who has just moved to a new neighborhood and is looking for new friends. She sees the camaraderie among the boys and as a result decides to pretend to be a boy and tells everyone that she is Michael.

Michael becomes close to Jeanne(Malonn Levana), plays soccer, has water fights and swims with the other kids in what could be a typical summertime anywhere.

The child-actors, particularly Zoe Heran are very believable. Laure/Michael is on screen most of the time and is an actress to watch for in the future.

Zoe(Michael/Laure) is contrasted with a very feminine little sister illustrating how different even close siblings can be. Most directors don't edit enough, but this feature felt a bit short at 79 minutes. It is worth your time for Ms. Horan's performance.

The actors in this film are amazing. Its incredible because in an interview Celine Sciamma said that the lead character Mikael/ Laure, played by Zoe Heran, was found by chance and not through typical casting agencies which proved to be absolutely perfect for the role. I like the lack of music throughout the whole film. It leaves it up to you to assess the situation in each scene, the emotions felt by the characters and the intensity of those emotions. I suppose this is a very prevalent feature in the majority of French films which I absolutely love. The film revolves around the experiences and encounters of adolescents, which has sort of a stripped back element of innocence that makes it impossible not to become invested. The storyline follows the lead character's discovery of self identity, the conflicts of the film is driven by complications of "how people and things should be" that we can see are already planted in most of the other children's idea of things. One watches this film and finds that, there is no fault in any of the characters. 9 out of 10 because this film questions so much revolving perception related to identity, and at the same time challenges the limits of love.

It feels like a time gone by of dreamy focused, eternally youthful, summer days: running around in woods, water fights, wrestling, sitting out of football matches, Play-Doh spaghetti, and feeling too scared to stand next to the other boys to pee.

With an approach that is far more Boys Don't Cry than it is Mrs Doubtfire, and by hitting upon gender identity during pre-puberty, a lengthy and distancing make-up job can be avoided.

And so without a rubber nose nor silicone jaw in sight, little Zoé Héran is left stripped bare, literally, to "play boy", with performance alone. And her performance as Laure / Mikael is nothing short of genius.

Masculinity is a hard act to pull off, but pre-pubescent masculinity is such a fine and narrow ledge between forced and feminine that it's incredible that it feels so effortless for a ten year old actress. Compare this to Glenn Close and Janet McTeer in Albert Nobbs, and they feel even more like Little Britain characters than they ever did tearing along the beach screaming "I'm a lady…" And they both got Oscar nominations…?

Zoe is surrounded by a cast of unbelievably naturalistic fellow children; her six-year old sister Jeanna, and the relationship they share is so intimate and convincing that every now and then I simply couldn't imagine there being a camera and film crew right up in their playful, cute as a button, faces.

Her burgeoning relationship with new neighbor Lisa, is as delightful as it is frightful, as you know that at some point there has to be a denouncement that Mikael is not all he seems – and for those of you that have experienced it, you thought that finding out your boyfriend was gay was tough?

Maybe, just maybe, it's because they're talking French that the performances and dialogue feel flawless – murmur in Parisian tones underneath sparse subtitles and I'm sold – or maybe it's because elsewhere they just don't grow 'em like they grow 'em in France.

The script, story, direction and cinematography are enviable, and throughout you hold a little silent prayer in your heart that it's not going to end up, like Brandon Teena, in a ditch.