Around the Block

Many people will see this as the stereotypical "rich white teacher reaches out to urban kids" film, but it worked for me as it adds a wrinkle to the old plot.

Christina Ricci player her part well as the enthusiastic teacher; however, the side plot concerning her sexuality was far less interesting than the main play revolving around Liam and his family. What really made it work for me was integrating Hamlet into the story and loosely basing the kid's experience on the play. That does tip the viewer off that it will end in tragedy, but it keeps the ending more realistic as well.

Spillane direction in Around the Block is great overall and just has a few cheesy scenes involving music montages. What bumps this from a below average movie to a slightly above average movie is Hunter Page-Lochard's acting. With any less, this movie could have been abysmal. He does a good, believable job and naturally acts out the part making this worth the view.

This film tells the story of two aboriginal brothers in Australia, whose lives diverges and disintegrates because of their different goals and values in life.

"Around the Block" tells a touching story of two underprivileged teenagers in a deprived neighborhood. They got involved in a turmoil that they do not need to be in, and it is up to the drama teacher to do something to help them - by engaging one of the two teenagers to act in a school play. It is an engaging and touching story, especially because it makes you yearn for an ending which is different compared to the one shown. I think the acting by the two teenagers are good, and Christina Ricci made the right choice to star in this gem. She needs to be in good films after a string of not so good ones!

Around The Block leans on a wide array of emotions and generates a lot of power from the relationships that the boy Liam has in his life, including the ones with his father, mother and brother. Because of the strength in those relationships, Around The Block runs so much deeper than the teacher-student relationship that the majority of the film is centered around. Hunter Page-Lochard's performance as Liam is quite simply a standout. I enjoy emotionally-charged movies and that's where this one will resonate with me. It is also a highly-stylized and vibrant film which makes it an enjoyable experience aesthetically. Despite the familiar setup, there are very interesting fault lines running under the surface of Around The Block.

The film depicts life down under in Spillane's birth city of Sydney. She focuses on a white American teacher, played by Christina Ricci whose character of Dino Chalmers is trying to make a difference in the inner-city suburb of Redfern. She gets a class of Aboriginal teenagers to perform Shakespeare's Hamlet with her lead being Liam Wood, a 16-year-old Aborigine who has a talent for dancing and acting. Unfortunately, his future is threatened when he gets in trouble with the law and police.

Spillane was herself a teacher in Redfern from 2001 to 2005 at an Aboriginal arts college where she instructed students of all ages, including teenagers. She wrote the screenplay in 2004 after learning about a real-life Aboriginal teen who also got into trouble with the law and police.

Spillane's film has this racial tension rippling in the background, or on the side. Her aim is more to take a step back and not focus on the specific incident, but rather examine the neighborhood and show the situation, which led to the racial tensions, or the needless death, much in the same way Spike Lee did in 'Do the Right Thing' (1989).

This is an infuriatingly hackneyed entry in the idealistic-teacher-saves-disadvantaged-students sub-genre. It desperately wants to be hip and socially relevant, but is relentlessly and embarrassingly dull. It's a classic example of what happens when film funding bodies like Screen Australia become preoccupied with ticking all the politically correct boxes. Aboriginal content and cast. Tick. Female writer and director. Double tick. Lead character tailored for an American star (however awkwardly). Tick. Story geared to a younger demographic. Tick. But none of these elements ever comes together, and the result is a lame mish-mash that attempts to sell us Aboriginal students energised by Shakespeare, Christina Ricci battling racism and exploring her sexuality, and a morally confused criminal sub-plot that weirdly shifts the focus from the central characters. To make matters worse, the depiction of inner-Sydney's Redfern - which is given an LA ghetto makeover (complete with burnt-out cars and fires in the streets) - is dishonest and laughable to anyone who actually knows it.