ÉVALUATION IMDb
5,4/10
2,4 k
MA NOTE
Ajouter une intrigue dans votre languePeter, a family man who works for a failing supermarket chain finds his life shaken up by his new boss, Susan, who starts to groom him for an executive position. Money and opportunities are ... Tout lirePeter, a family man who works for a failing supermarket chain finds his life shaken up by his new boss, Susan, who starts to groom him for an executive position. Money and opportunities are within his grasp, but at what price?Peter, a family man who works for a failing supermarket chain finds his life shaken up by his new boss, Susan, who starts to groom him for an executive position. Money and opportunities are within his grasp, but at what price?
Amy Schumer
- Lila
- (as Amy Beth Schumer)
Brian Berrebbi
- Matt Davis
- (as Brian Berribbi)
Avis en vedette
I wasn't really sure what I thought of this movie until the day after I saw it - which for me is one hallmark of a great film. This is a movie that appears to be one thing, a cynical office comedy, but ultimately turns out to be something completely different, a much deeper and satisfying look at contemporary American life.
When we first meet the Susan Felders, masterfully played by Parker Posey, we are tempted to see her as a larger than life and quite outrageous character. But by the end of the film, we get the clear realization that everything we've seen fits neatly within the prescribed limits of modern corporate norms.
The story is a kind of coming of age story for the protagonist Pete Cozy, competently played by Eric Mabius. It's interesting to note that Pete's struggle to find his place in the world during his 30's illuminates a kind of extended adolescence that has become a standard part of modern adult culture.
In many ways this movie reminds me of Up in the Air, which was one of my favorite films of 2009. It covers some of the same themes as that movie, but the characters are drawn with more subtlety here and the situations are more ordinary. Both films provide a commentary on modern American social structures with the corporation as the central gathering point. Whereas Up in the Air presented characters of mythical and almost melodramatic scope, here we see nitty-gritty scenes with very recognizable characters and motivations.
All in all, a very nice film.
When we first meet the Susan Felders, masterfully played by Parker Posey, we are tempted to see her as a larger than life and quite outrageous character. But by the end of the film, we get the clear realization that everything we've seen fits neatly within the prescribed limits of modern corporate norms.
The story is a kind of coming of age story for the protagonist Pete Cozy, competently played by Eric Mabius. It's interesting to note that Pete's struggle to find his place in the world during his 30's illuminates a kind of extended adolescence that has become a standard part of modern adult culture.
In many ways this movie reminds me of Up in the Air, which was one of my favorite films of 2009. It covers some of the same themes as that movie, but the characters are drawn with more subtlety here and the situations are more ordinary. Both films provide a commentary on modern American social structures with the corporation as the central gathering point. Whereas Up in the Air presented characters of mythical and almost melodramatic scope, here we see nitty-gritty scenes with very recognizable characters and motivations.
All in all, a very nice film.
I agree with the majority that this is not the best film, but not bad either. The problem with it was the slow start and slow middle part, but the final act was so good. When I was watching it, I did not think I would rate it decently. I changed my mind after seeing the final few minutes and how it all ended.
The film focused on a middle class family man who is working in a supermarket chain. But this is particularly about him and his boss. After he declined the top position in the office to lead a stress free normal life, his new boss who gets close to him for his good character. That complicates him, between office and family. When a big opportunity knocks, followed by a roadblock, what happened after that was covered in the remaining narration.
Basically, the whole film was concentrated between two plus one character and occasionally supporting cast. As the poster hint, it's not Parker Posey's film, she was only part of it and a famous name among the cast. Though, actors like Amt Schumer and others are in small roles. So the performances were good, with the decent storyline. This is not a famous film, I don't think many had seen it or heard of it. It was more like a television film, the quality wise, especially for the holiday season. I Think it can be watched once with a low expectation, particularly the comedy parts.
6/10
The film focused on a middle class family man who is working in a supermarket chain. But this is particularly about him and his boss. After he declined the top position in the office to lead a stress free normal life, his new boss who gets close to him for his good character. That complicates him, between office and family. When a big opportunity knocks, followed by a roadblock, what happened after that was covered in the remaining narration.
Basically, the whole film was concentrated between two plus one character and occasionally supporting cast. As the poster hint, it's not Parker Posey's film, she was only part of it and a famous name among the cast. Though, actors like Amt Schumer and others are in small roles. So the performances were good, with the decent storyline. This is not a famous film, I don't think many had seen it or heard of it. It was more like a television film, the quality wise, especially for the holiday season. I Think it can be watched once with a low expectation, particularly the comedy parts.
6/10
I really liked the first hour of this movie--really liked it. I liked the energy of the new boss, played by Parker Posey, (even though she's hard to take in many ways), and the fact that she inspires the just-get-through-the-day-in-a-job-we-don't-care-about office mates to care about their work. She's a Steve Jobs in drive and in treatment of her underlings, and I appreciate that a lot (the good and the bad of that). The whole office becomes glad for what they're getting to accomplish during the workday, which enriches their lives. They get a bonus doubled. Especially in this regard, I enjoyed how Eric Mabius's character (think: Jim Halpert) goes from wasted potential to useful, competent, better-paid worker and better provider for his family. I loved Annie Parisse as his wife. She's a mom, yet (don't take offense, moms!) beautiful, intelligent, sexually engaged, loving, and supportive to her husband. She's a fantastic, caring wife. They have a great, committed relationship and are a good model of a great marriage. And, Pete (Eric Mabius) is, like a few characters verbalize, a good, honorable, truthful guy who's intelligent and competent, but truly humble about himself. He's very likable. I like how Parker Posey as boss over Pete includes Sara (Annie Parisse) in work things and befriends her, almost as a safeguard to let Sara know that even though Pete and she are working closely together and hard on work stuff that she acknowledges that Pete is Sara's husband and not her (Parker's) love interest in any sense. So much positive is going on. The reason I gave the movie a 5, rather than an 8, is because I was so disappointed in what happened in the storyline in the last 45 minutes, both in actions that are taken and in the undeveloped resolution to the mistakes that were made. I'm glad the movie wound up in the end where it did, but I was in mourning for about 35 minutes as a few characters "go off the rails," so to speak. "Uggghhh. Oh, no. Oh, no. Don't become that!" was my response during that time. For me, it was brutal. I always enjoy movies in which good or bad characters have a choice, admit to themselves what the right action is, and then do what's right, even at great personal sacrifice, shame, or loss to themselves . . . out of love and care for others. Perhaps this movie makes the case for its viewers to be better than its characters by showing the significantly muted gains they experience by the film's end.
I saw the movie on Netflix while browsing randomly and quite enjoyed it. Pete Cozy is a good guy who seems to have made some compromises around his career (really wanting to pursue music) but settles for an average job and then enters Susan his new boss and things change. The movie depicts very well how money can be seductive and change you; you can't help but feel bad for Pete in the beginning and perhaps even relate with him at many levels (esp if you have struggled in an industry where it really is tough get a break) and eventually settled for a regular 9 to 5. Parker Rosey is a delight as the ruthless new Boss. The transition of Pete and his wife, the change that money brings to them is interesting to watch. How i wish the movie would have ended with Pete pursuing a career in music leading a humble lifestyle but indeed it is sad how some of the external factors in our lives can shape our choices I thought it ended sadly :(
Parker Posey has been one of the queens of the indies for the past two decades, and she extends this with Michael Walker's "Price Check", in which she plays a no-nonsense woman who becomes boss of a company. However, it negatively affects the home life of one of the employees.
Posey's character reminded me of her character in "The House of Yes": you grow to love them, but you'd probably be afraid to approach them. Eric Mabius's character starts out nothing like his character on "Ugly Betty", but becomes more like him. In the end, this is a movie that you truly have to appreciate: with limited resources, they made an infinitely better movie than anything that Michael Bay's ever made (as can be expected with indies). I recommend it.
Posey's character reminded me of her character in "The House of Yes": you grow to love them, but you'd probably be afraid to approach them. Eric Mabius's character starts out nothing like his character on "Ugly Betty", but becomes more like him. In the end, this is a movie that you truly have to appreciate: with limited resources, they made an infinitely better movie than anything that Michael Bay's ever made (as can be expected with indies). I recommend it.
Le saviez-vous
- GaffesAbout 4 minutes into the movie, he drives in the parking lot in a VW Passat, but he gets out of a 3 series BMW.
- ConnexionsReferences Histoire de jouets (1995)
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Détails
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- Başarının Fiyatı
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- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 413 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 783 $ US
- 18 nov. 2012
- Brut – à l'échelle mondiale
- 7 413 $ US
- Durée
- 1h 32m(92 min)
- Couleur
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