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6,5/10
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MA NOTE
En 1945, lorsque la paix s'étend à toute l'Europe, les princesses Elizabeth et Margaret sont autorisées à se joindre aux célébrations. C'est une nuit pleine d'excitation, de danger et des pr... Tout lireEn 1945, lorsque la paix s'étend à toute l'Europe, les princesses Elizabeth et Margaret sont autorisées à se joindre aux célébrations. C'est une nuit pleine d'excitation, de danger et des premiers battements de romance.En 1945, lorsque la paix s'étend à toute l'Europe, les princesses Elizabeth et Margaret sont autorisées à se joindre aux célébrations. C'est une nuit pleine d'excitation, de danger et des premiers battements de romance.
- Prix
- 1 victoire et 3 nominations au total
Avis en vedette
16 May 2015 Film of Choice at The Plaza Dorchester Tonight - A Royal Night Out. On 8 May 1945 all of Britain was celebration Victory in Europe and behind the doors of Buckingham Palace two daughters were asking their parents if they might be allowed to join in. The two daughters were Princess Elizabeth, heir to the Throne and her sister Princess Margaret. This store is rumoured to be based partly on fact and I would very much like to have heard it was all true. With Rupert Everett starring as King George and Emily Watson playing his wife Queen Elizabeth this film is a rather jolly jape depicting what could have happened if the two princesses had been allowed out on the town for the whole night. Everett and Watson were uncanny as the King and Queen, and the girls bore more than a little resemblance to the Princesses ....although costume, deportment and hairstyle helped enormously. The plot was a little like I imagine that day to be, uproariously out of control but most joyful. My favourite line in the whole film was when Lilibet was asking Jack the airman to assist her to make the most of 'an opportunity to be ordinary on the most extraordinary day of her life'. I wonder if the Queen has seen this and if so, was she a little wistful.
Was not sure at first about seeing A Royal Night Out, despite having some talented people involved it did seem like it will have slightly tired concept too stretched out. Seeing it with Mum and Dad, this viewer is glad that she gave it a chance, for it is an enjoyable film once you accept that it does play loose with the truth and is almost like a 'what if?' (yes suspension of disbelief is needed here).
There is an awful lot good with A Royal Night Out. The period detail is not just evocative but it looks splendid too, the costumes are so beautifully tailored, the hair and make-up handsomely rendered and the sets and scenery so meticulous that it does feel like one is there in London just after World War II. The film is beautifully shot too. The soundtrack also captures the period brilliantly too, some great period favourites lovingly arranged and it's nicely scored too. On the most part, A Royal Night Out is very nicely scripted, with some poignant drama (like the king preparing and giving the speech) and great lightweight humour with the lion's share of the best lines coming from Margaret.
A Royal Night Out's story moves along at a good pace and is on the most part interesting and entertaining, there is great fun to be had in Margaret's oblivious association with criminals (again once you don't take things seriously and take it as meaning to be totally accurate) and throughout there is a quite believable (if occasionally a little too quaint in the middle act) sense of time and place. It is solidly directed, and very well played by a more than game cast, headed by the very charming and sensitive Sarah Gadon and the scene-stealing Bel Powley.
Jack Reynor is dashing and sympathetic, sharing a lovely rapport with Gadon, while Rupert Everett brings a touching vulnerability that is both surprising and delightful and Emily Watson is firm but compassionate as the Queen Mother. Roger Allam is also fun to spot, but sadly with little screen time.
For all its worthwhile things, A Royal Night Out's script occasionally feels a tad patronising and some of the humour a little awkward. The story does entertain for what it is, but by the last act it does start to feel rather stretched with the pacing getting a bit draggy and the storytelling on the thin side.
Overall, however, entertaining and nicely done film if taken for what it is. 7/10 Bethany Cox
There is an awful lot good with A Royal Night Out. The period detail is not just evocative but it looks splendid too, the costumes are so beautifully tailored, the hair and make-up handsomely rendered and the sets and scenery so meticulous that it does feel like one is there in London just after World War II. The film is beautifully shot too. The soundtrack also captures the period brilliantly too, some great period favourites lovingly arranged and it's nicely scored too. On the most part, A Royal Night Out is very nicely scripted, with some poignant drama (like the king preparing and giving the speech) and great lightweight humour with the lion's share of the best lines coming from Margaret.
A Royal Night Out's story moves along at a good pace and is on the most part interesting and entertaining, there is great fun to be had in Margaret's oblivious association with criminals (again once you don't take things seriously and take it as meaning to be totally accurate) and throughout there is a quite believable (if occasionally a little too quaint in the middle act) sense of time and place. It is solidly directed, and very well played by a more than game cast, headed by the very charming and sensitive Sarah Gadon and the scene-stealing Bel Powley.
Jack Reynor is dashing and sympathetic, sharing a lovely rapport with Gadon, while Rupert Everett brings a touching vulnerability that is both surprising and delightful and Emily Watson is firm but compassionate as the Queen Mother. Roger Allam is also fun to spot, but sadly with little screen time.
For all its worthwhile things, A Royal Night Out's script occasionally feels a tad patronising and some of the humour a little awkward. The story does entertain for what it is, but by the last act it does start to feel rather stretched with the pacing getting a bit draggy and the storytelling on the thin side.
Overall, however, entertaining and nicely done film if taken for what it is. 7/10 Bethany Cox
They certainly didn't let the truth get in the way of telling a good story when they wrote this one and I imagine apart from the fact that the Princess' went outside of the Palace to join in the VE celebrations I think that's about where it ends.
In saying that the movie is light and fluffy and watchable and more a good rainy day movie to watch at home. I think my 70 year old mum would love this movie as would my 12 year old daughter as it is a cute and light movie; enjoyable to watch; sweet and romantic. I thought "P1 and P2" were great actors and made the movie for me and probably they are the main reason I would give this movie a 3/5 rather than a 2.
A watchable light movie with a fairytale storyline.
In saying that the movie is light and fluffy and watchable and more a good rainy day movie to watch at home. I think my 70 year old mum would love this movie as would my 12 year old daughter as it is a cute and light movie; enjoyable to watch; sweet and romantic. I thought "P1 and P2" were great actors and made the movie for me and probably they are the main reason I would give this movie a 3/5 rather than a 2.
A watchable light movie with a fairytale storyline.
Not exactly of course, but then again this might not accurate on how things went down either. Depicting historical figures and a historical event (end of WWII, British crown and so forth) might not be something people are too interested to watch. But then if you like a feel good movie overall and a fish out of water story (loyalty mixing it up with common folk), then you might be right here.
Having said that, there is still some tough issues that want to be answered, but even when this gets darker, it never loses focus on the lightness that makes it work. So this isn't too critical or too dramatic, but it is entertaining, while being predictable in giving us the clichés we expect. Having said, costumes and settings are generally good and the acting is decent too
Having said that, there is still some tough issues that want to be answered, but even when this gets darker, it never loses focus on the lightness that makes it work. So this isn't too critical or too dramatic, but it is entertaining, while being predictable in giving us the clichés we expect. Having said, costumes and settings are generally good and the acting is decent too
On VE Night 1945, the Princesses Elizabeth and Margaret Rose were allowed to leave Buckingham Palace, mingle incognito with the crowd to watch their parents accept acclaim from the balcony, then return to their cloistered world. That's it. Nothing more. But it happened.
Undoubtedly, that sure wouldn't make an interesting film. So A Royal Night Out concocts an entire fiction of the princesses slipping their chaperones from the stuffy ball they had been allowed to attend and escape into the celebrating crowds to find excitement amongst their subjects.
If you can allow yourself to believe that the army officers, charged personally by The King to look after the heir presumptive and her younger sister would abandon their duty to engage in carnal pursuits; if you can believe that the 14 year old Margaret Rose could end up in a knocking shop and lose consciousness after being given a Mickey Finn; if you can believe the coincidences allowing Princess Elizabeth to continually find her airman minder Jack amidst the throbbing thousands; if you can believe that both princesses went back to a working class house in Battersea to clean up and have a cup of tea before returning to the Palace, then you might just get some enjoyment from this lightweight piece of nonsense. If, on the other hand, you find it all too tiring and ridiculous, then it is a film to be given a wide berth.
The film's one redeeming feature was Jack Reynor as the RAF corporal, Jack, who most reluctantly finds himself looking after Princess Elizabeth. He has seen the horrors of the war and having been busted down for seeking compassionate leave after witnessing the slow death of a mate on return from a mission, sees no reason to celebrate; he has no time for the Royal Family and has no idea the young woman who has attached herself limpet-like to him is heir to a dynasty he does not support. Despite the paucity of good material, his screen presence and charisma shine through, and he gives a depth of character performance out of kilter with the rest of the film. He is a young actor to watch.
Oh, and a note to the film-makers. A Pink Gin consists of a slug of gin with just a dash of Angostura bitters giving it the slightest blush of pink. It is not a garishly opaque quarter pint drink looking like Barbara Cartland's face.
Undoubtedly, that sure wouldn't make an interesting film. So A Royal Night Out concocts an entire fiction of the princesses slipping their chaperones from the stuffy ball they had been allowed to attend and escape into the celebrating crowds to find excitement amongst their subjects.
If you can allow yourself to believe that the army officers, charged personally by The King to look after the heir presumptive and her younger sister would abandon their duty to engage in carnal pursuits; if you can believe that the 14 year old Margaret Rose could end up in a knocking shop and lose consciousness after being given a Mickey Finn; if you can believe the coincidences allowing Princess Elizabeth to continually find her airman minder Jack amidst the throbbing thousands; if you can believe that both princesses went back to a working class house in Battersea to clean up and have a cup of tea before returning to the Palace, then you might just get some enjoyment from this lightweight piece of nonsense. If, on the other hand, you find it all too tiring and ridiculous, then it is a film to be given a wide berth.
The film's one redeeming feature was Jack Reynor as the RAF corporal, Jack, who most reluctantly finds himself looking after Princess Elizabeth. He has seen the horrors of the war and having been busted down for seeking compassionate leave after witnessing the slow death of a mate on return from a mission, sees no reason to celebrate; he has no time for the Royal Family and has no idea the young woman who has attached herself limpet-like to him is heir to a dynasty he does not support. Despite the paucity of good material, his screen presence and charisma shine through, and he gives a depth of character performance out of kilter with the rest of the film. He is a young actor to watch.
Oh, and a note to the film-makers. A Pink Gin consists of a slug of gin with just a dash of Angostura bitters giving it the slightest blush of pink. It is not a garishly opaque quarter pint drink looking like Barbara Cartland's face.
Le saviez-vous
- AnecdotesPrincesses Elizabeth and Margaret, the future Queen Elizabeth II and Margaret, Countess of Snowden respectively, did actually join the crowds in London to celebrate VE Day on May 8, 1945. However, instead of having one officer each as a chaperone, they were joined by a group of Guards officers who were their friends. In her diary, Elizabeth wrote: "Trafalgar Square, Piccadilly, Pall Mall, walked simply miles. Saw parents on balcony at 12.30am - ate, partied, bed 3am!".
- GaffesPrincess Margaret is given her "two bennies" in a Pink Gin shown as a garishly opaque drink in a cocktail glass. A Pink Gin consists of a slug of gin with just a dash of Angostura bitters giving it the slightest blush of pink and is totally transparent.
- Générique farfeluThe opening credits play over clips of stock-footage from the time-period, including a short clip of Winston Churchill giving a speech.
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Box-office
- Brut – États-Unis et Canada
- 228 136 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 100 847 $ US
- 6 déc. 2015
- Brut – à l'échelle mondiale
- 4 779 170 $ US
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By what name was Une soirée royale (2015) officially released in India in English?
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