Dans un avenir proche, un écrivain solitaire développe une relation improbable avec un système d'exploitation conçu pour répondre à tous ses besoins.Dans un avenir proche, un écrivain solitaire développe une relation improbable avec un système d'exploitation conçu pour répondre à tous ses besoins.Dans un avenir proche, un écrivain solitaire développe une relation improbable avec un système d'exploitation conçu pour répondre à tous ses besoins.
- A remporté 1 oscar
- 83 victoires et 187 nominations au total
Scarlett Johansson
- Samantha
- (voice)
Lynn Adrianna Freedman
- Letter Writer #1
- (as Lynn Adrianna)
Artt Butler
- Text Voice
- (voice)
Kristen Wiig
- SexyKitten
- (voice)
Spike Jonze
- Alien Child
- (voice)
- (as Adam Spiegel)
Guy Lewis
- Marriage Counselor
- (as Dr. Guy Lewis)
Avis en vedette
"It has become appallingly obvious that our technology has exceeded our humanity." Albert Einstein
No better romance is on the screen in 2013 than Spike Jonze's insightful Her. It's about a writer in the future, Theodore, who falls in love with his new operating system (gravelly, sexy voice of Scarlett Johansson), just as he is reluctantly divorcing Catherine (Rooney Mara). The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.
Her is a simple film that offers a view of love I never thought could come from a machine and its software. Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved. Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.
This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said (one of 2013's best romances) because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed. Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.
Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.
K.K. Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore. These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.
"Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke
No better romance is on the screen in 2013 than Spike Jonze's insightful Her. It's about a writer in the future, Theodore, who falls in love with his new operating system (gravelly, sexy voice of Scarlett Johansson), just as he is reluctantly divorcing Catherine (Rooney Mara). The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.
Her is a simple film that offers a view of love I never thought could come from a machine and its software. Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved. Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.
This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said (one of 2013's best romances) because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed. Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.
Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.
K.K. Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore. These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.
"Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke
"Her" is a film set in the very, very near future. Theodore (Joaquin Phoenix) is a very lonely and emotionally constricted man. He's getting a divorce and seems very isolated--even though he lives in a huge city. One day, he decides to upgrade to a new hyper-intelligent operating system--one that claims to have a real personality. Well, it turns out to be so and then some. In fact, the computer OS, Samantha (Scarlett Johansson), is like a person in so many ways that soon it becomes all- important to Theodore and eventually it's his girlfriend. Where all this goes is a very slow journey, but it's also quite beautiful.
This film, while sci-fi, doesn't seem outside the realm of possibility. In this often disconnected and cold world, such a relationship seems like a safe alternative. Healthy, of course not--but very safe for a scarred person who wants intimacy but who is afraid to seek it. I thought the film had a really interesting message about this and is well worth seeing. My only reservation is that the film is VERY adult--with phone sex and a bit of nudity you probably wouldn't want your kids to see. Plus, at times the film feels a bit creepy. Good...but a bit sad and creepy. Well worth your time and an interesting performance by Phoenix and a really amazing film by Spike Jonze.
This film, while sci-fi, doesn't seem outside the realm of possibility. In this often disconnected and cold world, such a relationship seems like a safe alternative. Healthy, of course not--but very safe for a scarred person who wants intimacy but who is afraid to seek it. I thought the film had a really interesting message about this and is well worth seeing. My only reservation is that the film is VERY adult--with phone sex and a bit of nudity you probably wouldn't want your kids to see. Plus, at times the film feels a bit creepy. Good...but a bit sad and creepy. Well worth your time and an interesting performance by Phoenix and a really amazing film by Spike Jonze.
Spike Jonze's latest feature 'Her', set in the not-too-distant future, tells the story of Theodore Twombly (Phoenix) who finds himself falling in love with 'Samantha', an advanced operating system voiced by the sultry Scarlett Johansson. It is clear to see why this film was chosen by the National Board of Review as the best film of 2013: the visual style and extensive use of pastel colours is a triumph in itself, and the acting, editing, costumes and screenplay are all worthy of recognition.
I went to an awards screening of 'Her' and was pleased to find out that the film was not at all what I was expecting. It has such a distinct style, and Joaquin Phoenix carries the film with tremendous grace as the complicated and sensitive protagonist. The film is mostly Phoenix alone with Johansson's voice (reminiscent of Sandra Bullock in 'Gravity' or Robert Redford in 'All Is Lost' - two other 2013 films mainly revolving around one solitary character), but the audience never feels abandoned by the lack of other characters as we begin to forget that 'Samantha' is just really just a computer.
'Her' is a complex film with a much deeper meaning that lies beneath the surface. A beautifully crafted motion picture, this quirky love story is sure to resonate with you once you've seen it. It is an extremely interesting (and realistic) look at the future - Jonze's quaint and poignant film is a must-see! 9/10
I went to an awards screening of 'Her' and was pleased to find out that the film was not at all what I was expecting. It has such a distinct style, and Joaquin Phoenix carries the film with tremendous grace as the complicated and sensitive protagonist. The film is mostly Phoenix alone with Johansson's voice (reminiscent of Sandra Bullock in 'Gravity' or Robert Redford in 'All Is Lost' - two other 2013 films mainly revolving around one solitary character), but the audience never feels abandoned by the lack of other characters as we begin to forget that 'Samantha' is just really just a computer.
'Her' is a complex film with a much deeper meaning that lies beneath the surface. A beautifully crafted motion picture, this quirky love story is sure to resonate with you once you've seen it. It is an extremely interesting (and realistic) look at the future - Jonze's quaint and poignant film is a must-see! 9/10
Another movie that i say "i should've watched before". Intense romantic drama. Fascinating portrait of loneliness in a post-digital world. Amazingly original screenplay, concept, musics, especially colors and performance from Joaquin Phoenix. This made me stay with myself after the credits have finished, i found myself reflecting on my own life and relationships.
This film was not at all what I was expecting but in a great way! I'm not a fan of Rom Coms or romances generally, and this film isn't that, although it has romantic elements to a degree. This film is more sci-fi than anything with a really interesting and fascinating twist, but also creepy and unsettling concept of relationships with an artificial intelligence. This film was perfectly cast and I can't think of better individuals to play each role. Joaquin Phoenix and Scarlett Johansson do an incredible job!!!!!!! The film was paced perfectly and didn't drag at all. The film explores the themes of human interaction, emotional ranges of humans, the concept of love, companionship, loneliness, physical touch and so much more. I really enjoyed this film both for it's originality and the ability to make you sit in discomfort but want to explore further. This film makes you reflect on the relationships in your own life, life generally and the world as a whole. This film is beautiful in its cinematography, the musical score and I'm surprised it isn't more renowned. Honestly, a masterpiece in my opinion. HIGHLY RECOMMEND!!!
Le saviez-vous
- AnecdotesSamantha Morton was originally the voice of Samantha. She was present on the set with Joaquin Phoenix every day. After the filming wrapped and Spike Jonze started editing the movie, he felt like something was not right. With Morton's blessing, he decided to recast the role and Scarlett Johansson was brought and replaced Morton, re-recording all the dialogue.
- GaffesWhen Theodore is lying in the couch at Amy's house there is a crew member behind Amy in the shadow.
- Générique farfelu"Leanne Shapton...... Armpit Sex Drawing"
- ConnexionsFeatured in The Tonight Show with Jay Leno: Episode #22.51 (2013)
- Bandes originalesOff You
Written by Kim Deal
Performed by The Breeders
Courtesy of Elektra Entertainment Group and 4AD
By arrangement with Warner Music Group Film & TV Licensing and Beggars Group Media Limited
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Détails
Box-office
- Budget
- 23 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 25 568 251 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 260 382 $ US
- 22 déc. 2013
- Brut – à l'échelle mondiale
- 48 274 727 $ US
- Durée
- 2h 6m(126 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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