1920 Bitwa Warszawska

How come, every time I wait for a good polish movie about some episode from Poland's history, I end up being seriously disappointed? Every time. With this movie being notable confirmation of this rule.

Battle of Warsaw. One of the most important events in Europe's or maybe even world's history. A tragic struggle, held on the very extremes of hope, justly called by some "Miracle at the Vistula", won by a thread against all odds. One would think such event would deserve an epic piece of cinematographic art. I thought so too. A movie was made at last. Why I'm not happy? First thing I despise is the lack of focus. Not the optical one – I despise the lack of focus of the story itself. It seems like creators of the picture wanted to show all of the battle breadth and depth, on every possible level: human, psychological, social, national, strategic and tactical. Guess what? It didn't work. It couldn't work. If one wants to emphasize everything, one emphasize nothing. If one wants to show everything at once, one shows nothing. All the potential of this movie was dissolved in different side-plots and micro-episodes, in the end loosing its proper load. This thin solution is spiced up with some cliché, overdone pathos and stupid, contemporary jokes. Humor in the movie lacks the feeling of a "safety valve" for troubled mind. It lacks a hint of underlying sadness, so specific for polish sense of humor in trying times. Generally it's just artificial and thoughtless.

Now a little bit about the story itself (don't worry no spoilers here). To me storyline holds striking resemblance to a bulleted list. Such lists are quite popular in polish schools as a means of putting down most important motives in analyzed literature works. They're also common in cheat-sheets. So it is in the case of this movie. Love motif? Checked! Social view? Checked! Great battle? Check! Enemy's view? Checked! The list goes on. A series of unconnected fragments. The problem is – the movie is contiguous as a story telling mean. Good movies are able to glue seamlessly all bits and pieces of single scenes into one logical, contiguous tale. "Bitwa..." in many places changes topics without warning and reason leaving many things inelegantly untold.

Next thing: photography. Sławomir Idziak is mentioned as director of photography. I say: no way! Take "Gattaca" or "Black Hawk Down". There is no way the same man was responsible for shooting them. There are some (technically) nice takes but they're mostly just copies of "BHD" style of filming. I liked them but yet hoped for something specific to this movie, something more innovative, not just another visual "same ol' thing". And about 3D... More and more often I think of 3D as a hype helper in the way: "We can't make it worthy – let's at least make it 3D". I don't oppose new techniques – they're interesting and have indifferently a potential – but I oppose using new techniques whether it makes sense or not. In this case – I'm not impressed, sorry...

And where does it leave me? I'm still waiting... hoping... and pray my wait is not in vain. In the meantime: 3 stars out of pity :(

The movie plays out like a bad "Winnie The Poo" episode - but with a lot of fireworks.

There are some great performers here; a beautiful woman, handsome hero; and great, colorful costumes, horses, and all the spiel that comes with making a big-budget-movie. However, as it usually is the case with Polish cinema, the movie (as a whole) falls short. It falls short unable to decide whether it wants to be a slapstick comedy or a serious, patriotic war hymn.

The cinematography is great. Natasza Urbanska is beautiful, graceful, and not a bad actress either. But the first half of the movie is very choppy, with the action moving back-and-forth between several threads in a matter which fell short from challenging me to really care about the characters or the story.

Some of the scenes, or rather dialogues, are overtly infantile even for a Winnie The Poo episode - ruining the whole movie.

The 3D effects in some scenes are phenomenal, and in others are extremely poor.

Michael Malak - Polish-American

My starting point for this film was no knowledge of this famous battle (and I imagine a good many people from outside central/eastern Europe know little about it either), which made this film a real cultural education.

If films were like singing, this film would be a rowdy pub singalong rather than a finely nuanced choral mass, but by the end of it, I didn't mind one bit. There are a few functions it should fulfill: to tell the amazing story of this battle (I had to educate myself afterward, and it really is an amazing episode) as well as to say something about Poland's place in the world, and explain something about Polish mentality, particularly with respect to Russia. It more or less succeeds on all fronts, even while lurching from almost slapstick comedy (a beloved art form in Eastern European film) to the horrors of war to the important military strategising scenes.

The nightclub scenes are really well done, with some great stage numbers, which although incidental to the main story, lend authenticity. The two leads - one a soldier, one the night club star singer are warm characters, and the rest of the cast are good too. The war scenes are not only visceral and realistic, but historically fascinating. At the point in time of this battle, the old technologies of canon and horse were competing with machine guns and armoured cars. But in 1920, machine guns often jammed (the downside), but were becoming lighter and nearly portable (the upside), while armoured cars were not much more than a T-model Ford covered in steel sheets, undoubtedly with limited range and speed. This meant that no single technology was decisive: in the end, a Polish cavalry charge is what sends the Bolsheviks fleeing, even though they had greater numbers and more 'new' technology.

Some scenes are set in the halls of the Kremlin and involve the conversations of Lenin, Stalin, and others as they plan the attack, justified by what seems today an absurd concept of a pan-European (and then global) socialist nirvana. It's hard to believe anyone could even think in such abstract terms, with a complete disregard for real human lives and indeed entire countries and cultures, but we know of course that it was only too real.

It would have been easy for this film to be a breast-beating Polish nationalist pride statement, but it absolutely avoids that stance, and in doing so I suspect would make many Polish people proud of what their forebears achieved in this battle, and how they are perceived today. For me, with little knowledge of Polish culture, it was a real eye-opener into issues such as the historical antipathy for Russia, and the insecurity of even being Polish during a century of invasion. The Polish general Jozef Pilsudski is portrayed as a real person, rather than a heroic personification of his erstwhile legend, and in doing so, allows us to reconstruct the legend for ourselves.

One complaint: the 3D is terrible (I didn't realise it was 3D until too late). I really hate 3D, and I found it terribly disturbing when trying to focus, particularly on battle scene long shots. Let's give this 3D mania up now before too much money is spent on it - it adds nothing, and detracts from the great cinematography.

I recommend anyone who doesn't know much about Poland to go and see this film - you will learn a lot. And anyone who likes cinema with real heart and soul should see it as well. As for Polish people reading this, all I can say is that I am glad to see such an important episode in your history finally on the big screen.

I was sent this film (with subtitles) on DVD by a friend in Poland and found it engrossing.

I guess it helped that I had already read a book on the subject, Warsaw 1920 by Adam Zamoyski, so knew what direction the film was going before it started, and that helped my understanding. The love interest and sub-plots enhanced the film, but again some knowledge of 20th Century Eastern European culture and politics helped.

My initial thoughts were that some of the colours were rather vivid and maybe unrealistic but a variety of cinematic styles were used and as they were not used frivolously they worked well in the end. The cabaret scenes showed glamour, style and sensitivity where necessary - all in stark contrast to some, frankly, barbaric and unglamorous battle scenes. I suspect that they were actually quite realistic representations of the fighting. There were some interesting touches that most people would not think about eg the taking of soldiers'/prisoners' boots (sometimes before their wearers were dead) because of their value at the time.

The principal story is true and the outcome of the battle ultimately decided whether Poland enjoyed independence between its partitioning until the end of WW1 and its invasion by the Germans and then the Russians in 1939.

For those with an interest in Eastern European history, it has been said that Stalin's treatment of the Polish Army officers in WW2 (see the superb film Katyn) was determined by the outcome of this battle.

Oh, I really wanted to like this! Unfortunately, I was a bit disappointed.

I have so many issues with this film. I assumed Jan (Borys Szyc) to be the film's hero, but he was absent for such a long time during the movie. I then aimed my attention at his wife, Ola (Natasza Urbanska), who was a far better prospect as the film's protagonist, but a bit unexplored.

Jan went to the war on his wedding day; while his wife was still in her wedding dress. We then follow Jan's journey from soldier to being accused of treason and sentenced to death. Luckily, he is saved by an invasion from the Bolsheviks, and his journey continued.

Ola in the meantime joins the army, as well, when she learns Jan is still alive. The film could have been so much better, but there was so much talk and so little action. The (few) action sequences were well made, but by no means impressive. I've seen many war movies and these battle scenes were not all that special. The film's colour grading also wasn't always great. Some scenes looked like they were entirely computer generated. Some looked like the camera had a filter over the lens. (Maybe this is due to the fact the film was shot for 3D. Apparently they used a Fusion Camera System, which shot in stereoscopic 3D. I suppose it looked much better in 3D, but I watched it in 2D).

One of the biggest issues I had with the film, was the score. Usually epic battle scenes have sweeping music, but with 'Battle of Warsaw' the score was almost too lively - like music you expect at a fair or circus. It completely clashed with the action on screen and made the battle scenes felt comical. Speaking of comical, moments during the attack scenes were actually funny - and I don't think it was intended to be! Tension could have been enhanced with a better score.

Ola was my favourite character, but even she was a bit unexplored. She had the potential to be a far more interesting character - like Rachel from 'Black Book' for instance.

Ultimately, the film fell flat on an emotional level. It simply was not effective enough as the love story they obviously wanted it to be. Note that it is still a reasonably good film one can enjoy, and it does have a feel-good ending.