The Gates

For a low-budget film, this one delivers superior production value and atmosphere! It's so nice to see a film that allows for the purely supernatural, without trying to explain everything in pseudoscience terms!

Good, also, to see old John Rhys-Davies in a starring role again! The principals all turn in fine performances, although a few of the lesser performers were truly atrocious (especially Lucien's associate!).

Richard Brake was a fine choice for the intensely evil William Colcott; he delivered a truly menacing performance!

All-in-all, if you don't expect too much from this modest-sized project, I think most people who appreciate a good gothic tale will find it surprisingly satisfying!

This one landed in a funny place for me...however, overall I enjoyed it (with the knowledge that I do have a bias for period horror lol). It was decently atmospheric and I saw a lot of potential in what they created.

The Gates was a bit of a roller coaster as I saw it. I continually found myself engaged and invested... and the next second I found myself being pulled out of the moment. I think that this was mainly attributed to the script, the acting and some scenery.

While the script wasn't awful by any means, I felt it a bit hokey and underdeveloped at times and certainly didn't do the actors any favors. The acting was extremely hit or miss here. By far the best of the bunch was the uncle. He carried a lot of the weight of what was successful here on his back. Along with some side characters such as some prisoners, the antagonist and the rogue wife. Unfortunately a lot of the other actors were not as successful. The main paranormal investigator guy and his buddy didn't do the production many favors either. The buddy was stiff as a board with extremely stilted delivery but as a side character, that wasn't as detrimental. The main one really had a lot of responsibility here due to the size and importance of his role... and he just didn't do it for me.

I know that it is super difficult and often times expensive to pull off a period piece so kudos for that. The majority of the time it looked really great and convincing. Unfortunately, occasionally our modern day shown through and I was pulled you out of the moment a bit.

I also think that the plot could've been refined a bit. The foundation definitely felt like it was there, but it lost its way at times and became a little convoluted. There were many subplots and interactions that got thrown to the side and felt unnecessary. I noticed this the most with the niece. By not having anything come to fruition with her mother or her potential gift... It almost made her character unnecessary. The ending also fell off the rails a bit and required a good amount of suspension of disbelief... and a bit of suspension of understanding as well.

Now, while I know this feels overwhelmingly negative... while viewing this, you will find that a lot of these issues don't seem to be super detrimental or particularly deterring (at least for me). Also many of these are pretty common while enjoying an indie horror and can be looked past.

I think they swung really big with this movie and while it wasn't 100% successful, I think they created something that was cool, decently entertaining and a production to generally be proud of. While I would love to round up, for me this gets a 5.5 rounding down to a 5, would recommend.

One known name to head the poster: Check!

Found old prison to serve as the place where to shoot almost the entire movie: Check!

Apart from above everything about this movie is awful. Terribly awful. Oh, apart from the mass murderer, because he was actually kind of cool.

This movie reminds me of a too long and drawn out episode of some campy Sherlock Holmes episode for teenagers. Everything, apart from maybe the first two minutes, is absolutely wrong. Which is quite interesting in a way. Did they use some other director for the first two minutes, I wonder, because the first two minutes were actually dark and bloody. Immediately after that everything turned horribly boring with a horribly boring script and cast.

First, it's a rather long movie for the substance. They really go to lengths to draw things out unnecessarily. The script is painful to listen to. It's very sophomoric, and the over-baked archetypes make the acting pretty cringe. I actually really like. John Rhys-Davies from other movies. Elena Deliia also does a good job with a poor script. However, Michael Yare should seek employment as something other than an actor. It's like watching a junior-high school student attempt acting for the first time. What makes it all worse is, even though there are a few good actors, there is absolutely zero synchronicity between the cast. None of them mesh well together, so it makes it really difficult to try to enjoy what little gems there are to this story. This could have been done a million times better, and they obviously had the budget for it.

I'm honestly not sure what people don't like about this movie.

Because it is pretty damn good!

It's a period piece, that takes place in the late stages of the 19th century.

In a prison that has been cursed- and is haunted- by a satanic serial killer, who was caught, and put to death, prior to bringing his nefarious goals to fruition.

We find ourselves watching as a priest, ghostbusting expert, and two fledgling paranormal investigators, attempt to confront the demon, with hope they can get rid of the dark entity once and for all- using a combination of spiritual and scientific techniques.

So that it can't attach itself to someone, and escape the confines of the prison walls.

The demonic ghost of the killer has a sort of Exorcist meets Evil Dead vibe.

While the film, as a whole, is like a more dramatic version of Ghostbusters.

Either way...I thought that it was both well done, and highly entertaining!

Though, perhaps it's not what some people were looking for, or expecting.

That being said...it does seem to set itself up for a sequel.

So, if you liked it as much as I did.

You have that to look forward to, in the future.

A solid supernatural thriller, all around.

6 out of 10.