Sound of My Voice

Having seen "Another Earth" and "The East" in which Brit Marling is both the star and a co-author (plus "Arbitrage" where she just has a support part), I wanted to see "Sound Of My Voice" which she co-wrote at the same time as "Another Earth" and again provides her with a leading role. As with "The East", the other co-writer and director is her friend Zal Batmanglij and, as with "Another Earth" and "THe East". she was also a co-producer. Clearly Marling is a bright and ambitious actress who is not going to wait for good roles to be offered to her, but determined to craft them herself.

"Sound Of My Voice" was always going to have a limited appeal, since it is so incredibly low budget and markedly slow, but I found it original and mesmerising as it tells the story of Maggie who is either a visitor from the future with some important insights and messages or a complete fraud who is creating a dangerous cult. Out to expose her are Peter (Christopher Denham) and Lorna (Nicole Vicius) who want to make a revelatory documentary but find that Maggie is harder to read and to expose than they imagined. It is a pleasure to find a plot that is different and thought-provoking and Marling is definitely a woman to watch.

Sound of My Voice was one of the best-crafted feature films at the 2011 Sundance Film Festival. I was fortunate enough to secure a ticket for the screening at The Library theater, and the place was packed.

Sound of My Voice is the story of two amateur documentary filmmakers who decide to infiltrate a secretive cult run by a mysterious woman who calls herself Maggie. They want to expose the cult for reasons that become apparent later in the film. Sound of My Voice is a thriller, so it is hard to describe much without giving away key plot elements, so I will simply say that the acting is superb throughout.

The real standout is double-threat Britt Marling who not only stars as Maggie, but also co-wrote the screenplay with Zal Batmanglij (Marling also co-wrote and starred in Another Earth -- which was also a Sundance standout).

The cinematography, editing, and score lend just the right edgy feel to this film. Even though Sound of My Voice was shot on a micro-budget, it pays off better than most of the indie films one sees at your local art house. In fact, I could easily see this film crossing over to play at some commercial theaters in large cities. You will be on the edge of your seat, desperately trying to discover the truth, and when the lights come up, Sound of My Voice will both satisfy and leave you begging for more.

For starters - I'd say that there were definitely 2 major shortcomings in Sound Of My Voice (SOMV, for sort) that prevented me from giving it more than a 5-star rating.

(1) On a scale of 1-5, Maggie (though very attractive) only scored a disappointing 2, in my books, when it came to the overall magnetism of her charisma. This ripe, young woman clearly lacked the essential character dynamics to convince me (like she was trying to convince her faithful followers in the story) that she actually came even close to coming from the year 2054.

(2) Regardless of SOMV having only a nothing-budget of just $135,000, this didn't, in any way, excuse the sometimes painfully dry quality of its storytelling.

But, of course, with that said - I am not at all disappointed that I stuck with this bizarre, little film to the very end. 'Cause (in spite of its flaws and its questions left unanswered) at the point when Peter finally met privately with Maggie, that's when the intriguing twist in the story began to take on some real shape and turn into something worth paying attention to.

I saw Sound of My Voice at its SXSW following its premiere at Sundance. It is a weird little film about a two documentary filmmakers investigating Maggie - a cult leader who claims to have traveled back from the future. It was made on a shoestring budget which can be seen in some of its sound and editing. While the film is a decent first effort by some talented amateur filmmakers, it feels oddly unfinished. The acting is okay, but nothing spectacular. The script is a classic presentation of the one of the oldest of cinematic and literary conflicts between faith and reason. Do you believe that Maggie is a time traveler or is she a fraud? The journey is perhaps more interesting than where it ultimately ends up. The trip to that end is worthwhile and really quite creepy and disturbing at times. Maggie is a perplexing enigma and the cult's beliefs and rituals are quite mind-boggling.

The cult members seem quite willing to believe anything in the existential quest to give their lives some meaning. They seem to want to be led somewhere and Maggie is very willing to take them. In that sense one can ask what the real difference is between a cult and an established religion. Many scholars would say not that much other than how long they've been around. The final twist is ultimately not all that shocking or truly expected. Still, a good first effort that may allow the filmmakers to move on to bigger and better stuff.

I saw this film at SXSW where it was playing following the film's premiere at Sundance. The film is about 2 documentary filmmakers who are determined to expose a cultleader, played by Brit Marling, as a fraud. The more time they spend with the cult, however, the more the filmmaker's relationship to each other is tested -- one continues to dismiss the cult as a hoax while the other considers the possibility, ever so slight, that the central claim of the cult leader may be true. Unlike many low-budget Indie films, the pacing was superb -- there was never a dull moment that made the film feel slow. This is partly due to the film's well-crafted suspense - we, as an audience, are constantly asking ourselves the same question that the protagonists ask: could the cult leader possibly be telling the truth? This film leaves you guessing until the end and when the answer is finally revealed, you are left with a desire for more. The only weakness is a few confusing scenes - (e.g., an FBI investigator debugs her hotel room without explanation. A young girl behaves strangely in class and its never revealed why.) According to interviews, director Zal Batmanglij is working on a trilogy that will continue the story -- very exciting news. Perhaps most satisfying about this film is that it shows that you can make a compelling story come to life on a shoe-string budget. I think this film would play well to mainstream audiences and it deserves a wider release.