ÉVALUATION IMDb
5,7/10
17 k
MA NOTE
Un drame sur un professeur de poésie de Cambridge qui commence à réévaluer sa vie d'excès byronique.Un drame sur un professeur de poésie de Cambridge qui commence à réévaluer sa vie d'excès byronique.Un drame sur un professeur de poésie de Cambridge qui commence à réévaluer sa vie d'excès byronique.
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Now this movie does have its moments of being relatively cheesy, but it wasn't that bad. I found myself becoming more into the movie as it progressed, never mind the beauty of both female leads. I'm not typically a fan of watching movies more than once, but this one definitely goes on my re-watchable list.
A fairly predictable ending but didn't bother my interest in wanting to keep finding out what happens.
Give it a chance, you just might be glad you did.
A fairly predictable ending but didn't bother my interest in wanting to keep finding out what happens.
Give it a chance, you just might be glad you did.
It was a delight to see Brosnan and Hayek together again ten years on from "After the Sunset" (2004) and their chemistry remains intact.
The cinematography is excellent, with picture-postcard imagery of both London and LA, yet there is no saccharine to be found anywhere in the screenplay, which makes for an eye-candy feast that nourishes rather than nauseates.
Essentially a very well-written, grown-up, romantic film with beautiful scenery, attractive actors, solid dialogue, and a feel-good ending that is only a teeny bit contrived, but not enough to annoy.
This would have scored higher with me if not for the unfortunate casting of Malcolm McDowell, who I personally dislike intensely. His overacting and unsubtle characterisation was, as usual for him, only skin deep, and strained my suspension of disbelief to the point of discomfort.
I never get a sense from McDowell that he ever takes his characters any deeper than a two-dimensional caricature, which is what Brosnan was doing in the early days of his career. But unlike the older veteran, Brosnan has noticeably evolved and developed in his craft, and as he gets older and more grizzled, he taps ever more interesting depths.
Overall, though, this was a fab movie, and one that I'd happily watch again.
The cinematography is excellent, with picture-postcard imagery of both London and LA, yet there is no saccharine to be found anywhere in the screenplay, which makes for an eye-candy feast that nourishes rather than nauseates.
Essentially a very well-written, grown-up, romantic film with beautiful scenery, attractive actors, solid dialogue, and a feel-good ending that is only a teeny bit contrived, but not enough to annoy.
This would have scored higher with me if not for the unfortunate casting of Malcolm McDowell, who I personally dislike intensely. His overacting and unsubtle characterisation was, as usual for him, only skin deep, and strained my suspension of disbelief to the point of discomfort.
I never get a sense from McDowell that he ever takes his characters any deeper than a two-dimensional caricature, which is what Brosnan was doing in the early days of his career. But unlike the older veteran, Brosnan has noticeably evolved and developed in his craft, and as he gets older and more grizzled, he taps ever more interesting depths.
Overall, though, this was a fab movie, and one that I'd happily watch again.
I read reviews and expected disaster. In fact it's quite different from what one may expect. It is not a typical romantic comedy, there is a lot of satire on the American way of living, while the whole film should not be taken too seriously. It is a fun, beautiful places, good acting. Just some life reality, although shown from a little bit funny perspective. Just enjoy it, because you can. I am a real fan of Brosnan and think he delivers as usual. Handsome despite his age, keeps just a proper distance to himself and the guy he plays. All leading actors are just fine and convincing. Watch it and you will enjoy it. May by this is not an extremely ambitious and complicated movie, but don't we need some fun from time to time? In addition, the backdrop landscape is just so nice to watch. So why not give it a go.
Hayek, Alba and Brosnan work it out. I didn't have any idea what I was expecting with this movie, but I was pleasantly surprised and pleased. It had some good humor, which is the COM part and it had some intimacy, which is the ROM part. That sums it up for ROMCOM. It is an enjoyable, light-heart-ed movie. It is also a great date flick. Of course, I adore my Latinas! The little boy was excellent in his role as well. The acting was great, especially the father's eye's when he looked at his son (Brosnan) with great intent. I've never seen such a piercing set of eyes with intensity. I rated this a bit higher to see if we can get it to a Solid 6 Stars. I don't care for enjoyable movies being below 6 Stars. If you like ROMCOM's, you will enjoy it as well.
I believe Pierce Brosnan is perfect for the role he had in this film: a university English teacher that is both lecherous and intellectual, romantic and a total ass, a good father and a terrible partner, yet lovable and accessible nonetheless. Such a character has a fantastic potential to create a wonderful story.
However, the story was sub par, the other characters cardboard and so many opportunities were missed out again and again. If I were to rate this film on the characters, I would have to give an 8 or even 9 to Brosnan's, but something close to 3 for Jessica Alba's. Salma Hayek's wasn't a lot better either and Malcolm McDowell, as the father, was 0-dimensional! I understand old actors get fewer jobs, but have you seen any of this guy's films? Can't you see how much better he could have been if given some good material?
Bottom line: it's an American Britspoitation film, based entirely on Pierce Brosnan's charm, with a little bit of McDowell sprinkled in the cast to get old people like me interested. So much story potential and so many talented actors completely wasted by Hollywood accountants.
However, the story was sub par, the other characters cardboard and so many opportunities were missed out again and again. If I were to rate this film on the characters, I would have to give an 8 or even 9 to Brosnan's, but something close to 3 for Jessica Alba's. Salma Hayek's wasn't a lot better either and Malcolm McDowell, as the father, was 0-dimensional! I understand old actors get fewer jobs, but have you seen any of this guy's films? Can't you see how much better he could have been if given some good material?
Bottom line: it's an American Britspoitation film, based entirely on Pierce Brosnan's charm, with a little bit of McDowell sprinkled in the cast to get old people like me interested. So much story potential and so many talented actors completely wasted by Hollywood accountants.
Le saviez-vous
- AnecdotesMalcolm McDowell plays Pierce Brosnan's father, even though McDowell is only ten years older than Brosnan.
- GaffesWhenever Richard has a phone call he holds his cellphone (HTC One) upside down.
- Citations
Gordon: Good God, man. You've fallen for that little slice of American pie.
Richard: Dad...
Gordon: Now you listen to me. This might be the most important bit of advice that I ever give you. American women may be fun and Victoria Secret when you first met them, but as soon as they get their claws into you, they stop fucking and start eating, and the only ass you gonna get is a fat one.
- ConnexionsReferences Remington Steele (1982)
- Bandes originalesWant You Today
Written by Mark Hart (as Mark G Hart) and Steve Dudas (as Stephen Emil Dudas)
Courtesy of: Extreme Production Music
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- How to Make Love Like an Englishman
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 2 446 097 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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