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Les Misérables

  • 2012
  • PG
  • 2h 38m
ÉVALUATION IMDb
7,5/10
356 k
MA NOTE
POPULARITÉ
841
4
Russell Crowe, Anne Hathaway, Sacha Baron Cohen, Hugh Jackman, Amanda Seyfried, and Eddie Redmayne in Les Misérables (2012)
Watch a TV trailer for Les Miserables.
Liretrailer1 min 32 s
42 vidéos
99+ photos
Comédie musicaleDrameRomanceDrame d’époqueÉpique

Dans la France du XIXᵉ siècle, Jean Valjean, poursuivi depuis un méchant temps par l'impitoyable policier Javert, doit s'occuper de la fille d'une ouvrière après avoir violé les conditions d... Tout lireDans la France du XIXᵉ siècle, Jean Valjean, poursuivi depuis un méchant temps par l'impitoyable policier Javert, doit s'occuper de la fille d'une ouvrière après avoir violé les conditions de sa libération, ce qui change leurs vies.Dans la France du XIXᵉ siècle, Jean Valjean, poursuivi depuis un méchant temps par l'impitoyable policier Javert, doit s'occuper de la fille d'une ouvrière après avoir violé les conditions de sa libération, ce qui change leurs vies.

  • Director
    • Tom Hooper
  • Writers
    • William Nicholson
    • Alain Boublil
    • Claude-Michel Schönberg
  • Stars
    • Hugh Jackman
    • Russell Crowe
    • Anne Hathaway
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,5/10
    356 k
    MA NOTE
    POPULARITÉ
    841
    4
    • Director
      • Tom Hooper
    • Writers
      • William Nicholson
      • Alain Boublil
      • Claude-Michel Schönberg
    • Stars
      • Hugh Jackman
      • Russell Crowe
      • Anne Hathaway
    • 1KCommentaires d'utilisateurs
    • 512Commentaires de critiques
    • 63Métascore
  • Voir l’information sur la production à IMDbPro
    • A remporté 3 oscars
      • 85 victoires et 177 nominations au total

    Vidéos42

    Winner: Best Supporting Actress
    Trailer 1:32
    Winner: Best Supporting Actress
    U.S. Version #2
    Trailer 2:34
    U.S. Version #2
    U.S. Version #2
    Trailer 2:34
    U.S. Version #2
    Teaser
    Trailer 1:37
    Teaser
    What Roles Has Hugh Jackman Been Considered For?
    Clip 4:16
    What Roles Has Hugh Jackman Been Considered For?
    Les Miserables: Clip 3 (Spanish)
    Clip 1:08
    Les Miserables: Clip 3 (Spanish)
    Les Miserables: Clip 2 (Spanish)
    Clip 1:22
    Les Miserables: Clip 2 (Spanish)

    Photos599

    Voir l’affiche
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    Voir l’affiche
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    + 592
    Voir l’affiche

    Rôles principaux99+

    Modifier
    Hugh Jackman
    Hugh Jackman
    • Jean Valjean
    Russell Crowe
    Russell Crowe
    • Javert
    Anne Hathaway
    Anne Hathaway
    • Fantine
    Amanda Seyfried
    Amanda Seyfried
    • Cosette
    Sacha Baron Cohen
    Sacha Baron Cohen
    • Thénardier
    Helena Bonham Carter
    Helena Bonham Carter
    • Madame Thénardier
    Eddie Redmayne
    Eddie Redmayne
    • Marius
    Aaron Tveit
    Aaron Tveit
    • Enjolras
    Samantha Barks
    Samantha Barks
    • Éponine
    Daniel Huttlestone
    Daniel Huttlestone
    • Gavroche
    Cavin Cornwall
    Cavin Cornwall
    • Convict 1
    Josef Altin
    Josef Altin
    • Convict 2
    Dave Hawley
    • Convict 3
    • (as David Hawley)
    Adam Jones
    • Convict 4
    John Barr
    • Convict 5
    Tony Rohr
    Tony Rohr
    • Overseer
    Richard Dixon
    Richard Dixon
    • Mairie Officer
    Andy Beckwith
    Andy Beckwith
    • Innkeeper
    • Director
      • Tom Hooper
    • Writers
      • William Nicholson
      • Alain Boublil
      • Claude-Michel Schönberg
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs1K

    7,5356.1K
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    Avis en vedette

    JohnDeSando

    It's a joy.

    Jean Valjean: "I stole a loaf of bread. My sister's child was close to death, and we were starving." Javert: "And you will starve again unless you learn the meaning of the law!"

    Just as I stood at the end of the stage production of Les Miserables, I stood in my home after watching a screener copy. I was, however, concerned that I would have nothing "critical' to say about director Tom Hooper's lush film version, filled with first-rate actors believable crowds, and singing befitting non-opera types in a people's opera.

    Jean Valjean (Hugh Jackman), mayor of Paris in the first part of the 19th century, promises dying prostitute Fantine (Anne Hathaway) to take care of her daughter, Cosette (Amanda Seyfried). He has been eluding the tireless policeman, Javert (Russell Crowe), after breaking parole for the crime of stealing a loaf of bread, for which he served 19 years. It's not so much the melodrama that grabs me as the inspired music that has discernibly distinct and luscious melodies and a book that straightforwardly tells story and reveals character.

    Jackman, Hathaway, and Crowe are competent singers, and the better for not being opera stars, who would have compromised the Everyman feel of the musical. For an almost three hour show, Hooper and writer Claude-Michel Schonberg keep the action moving from Javert and Valjean in a battle of wits and the youths fomenting a revolution right outside the windows.

    For comic relief, Sacha Baron Cohen as Thénardier and Helena Bonham Carter as Madame Thénardier run a comical whore house and do quite well as pickpockets. At times, their antics are so opposite the grand action outside as to be almost irritating. Les Mis was a thrill on stage; it is a joy on screen as the 19th century comes alive with the poor struggling against the rich and the noble, poor or rich, miserable.
    10grtsmarket

    They sung it live...

    I could listen to the sound track all day, everyday. And this is my favorite cinematic production.

    Tom Hooper did a great job as director of a powerful star studded cast and Danny Cohen as cinematographer.

    This production carry's me to Victor Hugo's epic imagination based on the reality of life during his lifetime, imprinted on our extraordinary literary accomplishment-a timeless classic surviving over 150 years... as well all the previous theatrical and cinematic productions since 1984.

    The optics are an enthralling cinematic accomplishment capturing the sung live scenes... and the actors all out effort to make this as true to the emotional turmoil of a horrendous life in early 18th century Paris; all the begotten injustices on the very fabric of humanity's birth right for freedom- known later as The Birth of Enlightenment.

    Anne Hathaway sings "I DREAMED A DREAM" with a definitive voice of a dying woman elevated to divine presence. Kudos!!!

    Jackman and Crowe compliment each other's roles to perfection. Spellbinding.

    Eddie Reymane and Amanda Seyfried as well make it all the more real. They brought me to tears.

    I could go on, but in light of the negative, rather jaded reviews of this production, it goes without my saying that some people just have to be negative about anything that's actually well performed.

    Sad because Hugo's timeless message is lost to them who focus on the actors themselves instead of seeing the Fourth Wall in front them.

    As a theatrical producer, playwright, musical performer and director, the efficacy it takes to bring a production of this genre is in and of itself in a category of an epic artistic ideal to be met.

    I've seen the theatrical production as well. Both revenues are complimentary at best. Neither can be compared as one being better than the other. That's a mistake to be made when reviewing Hugo's legacy. Here we have poetry, drama and prose that rise to the heavenly heights of cinematic theater.
    8Danusha_Goska

    Why We Pay to Watch Others Suffer

    Les Miserables is very old fashioned entertainment. It's a series of crescendo moments with no build-up, no backstory, no pause. It's like eating just the topping of the pecan pie, and not bothering with the crust or filling. We were just ten minutes into the movie when I had to look at my watch and ask, okay, how long can they keep this up? Climax after climax, plot twist after plot twist, tearjerking scene after tearjerking scene. Oceans! Mountains! Punishment! Suffering! Religion! Redemption! Will there be a break for lunch? Will we be able to catch our breath?

    If you can watch this film without crying, I don't want to know you. The woman behind me was on the edge of her seat, not just because I smell good. The audience at the 10:40 a.m. matinée – the theater was packed – applauded at the end, and was very slow to leave the theater, even as the closing credits rolled.

    Typical of big, fat, nineteenth-century novels, there are numerous implausible coincidences that drive the plot. These coincidences took me out of the movie, but that was a good thing. The human suffering on screen was overwhelming: suicide, enslavement, exploitation of living humans' body parts, prostitution, disease, spite, malice, child abuse, starvation, sadism, a dying man escaping through very graphic sewerage. I did have to repeat to myself, "This is only a movie" even as tears streamed down my cheeks.

    Jean Valjean is imprisoned for stealing a loaf of bread to feed his sister's starving children. He slaves for twenty years. He hauls a massive, capsized sailing ship. The scene does look like obviously fake CGI, but that doesn't make it any less gut wrenching. The workers sing, "You'll always be a slave. You are standing in your grave." They are the men we see in Sebastiao Salgado photographs of Third World laborers. They are Ilya Repin's "Barge Haulers on the Volga." Valjean's nemesis is the crazily obsessive policeman, Javert. They spar throughout the film, as Valjean's fate rises and falls and rises and falls and rises … you get the idea.

    A story this big, this broad, and this implausible requires one hundred percent commitment from the performers. Hugh Jackman as Jean Valjean is superb. He believes. He emotes. He is as big as the story itself. Jackman is the heart and soul of "Les Miserables." I loved him. Anne Hathaway, Eddie Redmayne, Samantha Barks, Helena Bonham Carter, Sacha Baron Cohen – they all had me convinced. Russell Crowe was a surprising disappointment. He's a brilliant actor and I kept waiting for him to bring some fire, some ice, some power, some insight to Javert, the obsessive and punitive policeman who mercilessly hounds Jean Valjean. I wanted a memorable moment that would make me feel that Crowe's performance brought Javert to intimate life for me. That moment did not arrive.

    I wondered while watching this movie whether it will be embraced by the political left or the political right. It is a deeply and unashamedly Christian film. A Catholic priest, emulating Jesus, is the catalyst. Valjean spends the rest of the film working to live up to the priest's Biblical example. "Les Miserable" is leftist in that it depicts the poor rising up, but then the poor fail their own putative saviors, and allow them to be massacred, alone. Javert, representing law and order, is a monster. The film's brief glimpse of heaven is like some limousine liberal's fantasy.

    I think "Les Miserables" is as popular as it is for the same reason that Cinderella is so popular. When "Les Miserable" was a stage play, tickets were a very expensive and difficult to acquire luxury. It is ironic that a play about the wretched of the earth would be such a luxury entertainment. Why do we enjoy watching people much poorer and more desperate than we will ever be? Why do we pay for the privilege? Because we all see ourselves in Cinderella, in Jean Valjean, no matter how lucky we are. I'll certainly never stand in cold sea water with iron shackles around my wrists and neck, overseen by a cold sadist like Javert. But, along with millions of others, I saw my own struggles in Valjean, and thanked God that I didn't have it as bad as he. If Jean Valjean can go on, I can, too!

    I wish the songs had been a tad better. There are a couple of good ones, "I dreamed a dream" and "Do you hear the people sing?" All the actors sing very well. Russell Crowe and Hugh Jackman sing especially well.
    rogerdarlington

    Even if you don't like musicals, you really should see this one

    As a massive film fan, my tastes are very wide-ranging, but I do have a problem with musicals. Nevertheless I was happy to take the opportunity of a private viewing of "Les Misérables" at the London office of distributors Universal - the day after the London première and a month before the UK release - because of the outstanding success of the original stage show (a run of 27 years with a total audience of over 60 million) and the surprising and impressive cast list (Russell Crowe, Hugh Jackman, Anne Hathaway, Sacha Baron Cohen, Helena Bonham Carter, Amanda Seyfried and Eddie Redmayne).

    The showing was introduced by producer Eric Fellner of Working Title who underlined the commercial challenge of making a film in which all the dialogue is sung and the themes are so political and praised director Tom Hooper ("The King's Speech") for his insistence that every take was sung live.

    The two main characters are presented in the opening seconds of a sweeping introductory sequence: the police inspector Javert (Crowe) and the prisoner 24601 Jean Valjean (Jackman) in post-revolutionary France. There follows over two and half hours with barely a spoken word which will not appeal to all cinema-goers, but the production is a triumph with Cameron Mackintosh's musical opened up by dramatic shooting on Pinewood's brand new Richard Attenborough stage and some historic English locations.

    If Crowe and especially Jackman are excellent, Hathaway - who lost 25 pounds and most of her hair for the role - is outstanding as the destitute Fantine and Cohen and Carter almost steal the show as the comical Thénardier innkeepers.

    I'm not sure how long it will take for "Les Misérables" to recoup its investment cash- wise, but it's going to win award after award and rightly so.
    10Kaite927

    Magnificent Adaptation

    This film is amazing. Absolutely incredible. I don't understand what people are saying about pacing issues, I thought it flowed beautifully. The changes made worked very well. And I didn't think there was any weak link in the cast. I honestly loved Russell as Javert. He wasn't traditional by any means, but what he did worked.

    The cgi was not the best, but it kind of created this fantastical other world while still being realistic and grounded.

    So many of the acting choices were brilliant and subtle. For example Jackman ever so slightly altered his voice with his characters aging, which I thought was brilliant.

    There is no negative thing to say about this movie. However, I do see why a critic may not like it. It's not a critic movie. There isn't a lot of impressive violence, crazy camera shots, etc. the things critics seem to love. It's more grounded in the performances and the story, which it tells extremely well.

    The only thing I can point out (because I saw it with my boyfriend who knows nothing about the story) there are two or three slightly confusing plots for those who aren't familiar with Les Mis. But they are either explained later on or not important enough to dwell on.

    Anyways, that's my rant. Needless to say I will be seeing it many many times and cannot wait for the DVD so I can own it and watch it even more.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Fantine's assault by a rejected customer is based on an actual incident from Victor Hugo's life that resulted in Fantine's creation: he was on his way to his editor's office when he encountered a young man harassing a prostitute. When she rejected his advances, he shoved a handful of snow down her dress and shoved her to the ground. When she defended herself with her fists, he immediately called the police to arrest his "assailant". Hugo was a minor celebrity at the time, and spoke up on the woman's behalf when the police arrived, and was able to have her set free. Hugo said he was horrified by the unfairness of the woman's situation, and began to imagine that she might have children depending on her, and thus Fantine appeared in his mind.
    • Gaffes
      The calf seen wandering in the barricades scene is a whitefaced Hereford poll. That breed did not exist before the 1880, and did not reach France until the 20th century.
    • Citations

      Jean Valjean: To love another person is to see the face of God.

    • Générique farfelu
      The film opens without any opening credits. The title of the film is stated just before the closing credits.
    • Autres versions
      On the 2023 4K Blu-ray release of the film, the centennial version of the 2012 Universal Pictures logo is replaced with the regular 2013 version of it without the "100th anniversary" tagline.
    • Connexions
      Featured in Chelsea Lately: Episode #6.189 (2012)
    • Bandes originales
      Look Down
      Written by Herbert Kretzmer, Claude-Michel Schönberg, and Alain Boublil

      Performed by Daniel Huttlestone, Eddie Redmayne, Killian Donnelly, Fra Fee, Aaron Tveit & Chorus

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    FAQ

    • How long is Les Misérables?
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    • What is the poster girl's name? (Actress)
    • What is "Les Misérables" about?
    • Is "Les Misérables" based on a book?

    Détails

    Modifier
    • Date de sortie
      • 25 décembre 2012 (Canada)
    • Pays d’origine
      • United Kingdom
      • United States
    • Sites officiels
      • Official Facebook
      • Official YouTube
    • Langue
      • English
    • Aussi connu sous le nom de
      • Los miserables
    • Lieux de tournage
      • Old Royal Naval College, Greenwich, Londres, Angleterre, Royaume-Uni
    • sociétés de production
      • Universal Pictures
      • Working Title Films
      • Cameron Mackintosh Ltd.
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 61 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 149 260 140 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 27 281 735 $ US
      • 30 déc. 2012
    • Brut – à l'échelle mondiale
      • 442 757 529 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 38 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • Datasat
      • SDDS
      • Dolby Surround 7.1
      • Dolby Atmos
    • Rapport de forme
      • 1.85 : 1

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