Dans une petite ville du Texas, un croque-mort affable devient ami avec une veuve riche, mais lorsque ses demandes incessantes ne sont plus contrôlables, il tente désespérément d'échapper à ... Tout lireDans une petite ville du Texas, un croque-mort affable devient ami avec une veuve riche, mais lorsque ses demandes incessantes ne sont plus contrôlables, il tente désespérément d'échapper à son emprise.Dans une petite ville du Texas, un croque-mort affable devient ami avec une veuve riche, mais lorsque ses demandes incessantes ne sont plus contrôlables, il tente désespérément d'échapper à son emprise.
- Prix
- 10 victoires et 19 nominations au total
- Carl
- (as Matthew Greer)
- Townsperson
- (as Sonny Davis)
Avis en vedette
Based on a seriocomic 1998 Texas Monthly article by co-screenwriter Skip Hollandsworth, the plot revolves around the unlikely relationship between Bernie, a relentlessly thoughtful assistant funeral director, and Marjorie Nugent, recently widowed and one of the richest women in Carthage. As Bernie becomes indispensable to the fabric of the community with his acts of charitable kindness, his Broadway-style choir solos, and his gentlemanly way of comforting widows in the throes of their grief, the ever-scowling Marjorie is always ready for battle with not only the townsfolk who impede on her life but even her immediate family who can't stand her. Bernie, however, is able to breakthrough her icy veneer with his cheery persistence, and their relationship evolves into an unhealthy codependence to put it mildly. As Marjorie lavishes Bernie with expensive gifts and luxurious vacations, she grows increasingly manipulative in her need to control his every move to meet her every need.
Even Bernie has his limits about what he is willing to do under her iron fist, and needless to say, consequences ensue. For all the dire consequences, Linklater keeps the mood buoyant with the insertion of intertitles to signal what question the movie will address next and with the brief interviews he includes with both actors and true residents of Carthage, all showing their unqualified support of Bernie through his burgeoning troubles. Much like Warren Beatty did in "Reds", Linklater uses them as a cumulative Greek chorus who on one hand, provide some of the film's biggest laughs, and on the other, illustrate just how myopic and oppressive a small town can be in its rumor mongering ways, so much so that Bernie's trial has to be moved fifty miles away in order to allow the light of objectivity to filter into the proceedings. As Bernie, Black finally has a multi-dimensional role that fits him perfectly, and I would be hard pressed to identify anyone else who could have played the character to the seriocomic depths he achieves here.
Well into her seventh decade of movie stardom, Shirley MacLaine is not particularly challenged in portraying Marjorie's sourpuss nature since she's been playing variations on the same role since her turn as the ornery Ouisa in "Steel Magnolias". However, in one key scene, she lets loose all her insecurities that exposes the impenetrable cage in which she has put the increasingly desperate Bernie. Linklater favorite Matthew McConnaughey ("Dazed and Confused") plays the showboating district attorney Danny Buck with gusto, although I wish he was reined in a bit more to provide more of a contrast to the other two principal actors. The movie is a fascinating meld of the Coen Brothers' "Fargo" and Hal Ashby's "Harold and Maude" with an unexpected dose of Christopher Guest's mockumentaries. While Linklater does not completely avoid making Carthage the object of ridicule, he has made a black comedy with surprising resonance when all is said and done, especially when you see the real Tiede in an archival video clip at the end.
Watch it and see for yourself how people can behave irrational for a split second causing the effects to have ling term implications.
I am sure you will like it and will find the story shocking, thanks to all the supporting casts portrayal of an interesting time.
Bernie arrives in town and lucks upon a job at the local funeral parlor. He takes great care in making the deceased look as good as possible, from trimmed eyelashes to the positioning of the hands and head. Bernie takes his job seriously. He runs the funerals, leading the mourners in song, reading from the Bible, and so on; he comforts the widows and does all he can to ease their pain. He's a true find, right?
One of these old biddies is Mrs. Nugent (Shirley MacLaine), a despised, bitter older woman who has money and no friends whatsoever. All overtures to communicate and bond with Mrs.Nugent by the town are for naught. Except for Bernie, who - as his custom - pays his respects after the funeral to the new widow. After the second visit, she invites him in, and over some time they become friends. The change in Mrs. Nugent is remarkable; she is a nicer person and much happier. She and Bernie go on vacations and other trips together. Finally, she feels, someone who does not hate her.
Mrs. Nugent gets Bernie to quit his job at the funeral home and work for her part time - essentially as a servant. Seems like a sweet deal at first, but eventually she becomes paranoid that he'll leave her at any moment, and he becomes concerned that she's turning into quite the possessive witch. That, as the synopsis might tell you on other sites - this is not a spoiler - induces him to perform a most heinous deed.
The story is told in the framework of a documentary, with on-camera exposition provided by the town's denizens. Most are gossipy, but none of them stand out as mean-spirited - just normal folks, as they might say. About the only two characters who don't open up to the camera are Bernie and Mrs. Nugent themselves. This little trick by director Richard Linklater helps not only move the plot along but also serves us sometimes conflicting information, depending on the source - even when we see things with our own eyes.
The first half of the story is amusing, mostly about how wonderfully generous Bernie is to everyone. And then the crime occurs, and the various citizens react differently. But here's the rub - Bernie is such a magnificent guy, there are some who don't even care if he IS guilty. Star district attorney Danny Buck (Matthew McConaughey) has an open-and- shut case, complete with a confession. All that remains is the trial and the aftermath.
This is more of a character study - of Bernie alone - than anything else. It could have been played for sharp laughs or even as a suspenseful thriller. Linklater plays it more or less straight, essentially saying, "Here's your man, here's what others think of him, what do you think?" And indeed, what are we to think? There are some head-scratching questions by the end. Here's a non-spoiler one: Why was Bernie even in that town? Did he choose it randomly? Did he premeditate the events that unfolded? Okay, three questions, but all valid. None will ruin the movie for you. See it for Black and MacLaine and a realistic look at small-town Texans.
Le saviez-vous
- AnecdotesReal residents of Carthage, Texas who knew the real Bernie Tiede and Marjorie Nugent appear in the film providing commentary on the events.
- GaffesBernie committed the murder in 1996, yet he answers an iPhone nearly right after the murder.
- Citations
Townsperson: [talking about Marjorie Nugent] She would chew your ass out at the drop of a hat. I mean, she'd rip you a brand new, three-bedroom, two-bath, double-wide asshole. No problem.
- Générique farfeluBefore the main credits roll, photos of the real-life Bernie and Marjorie together are shown, along with a brief video of Bernie Teide talking with Jack Black.
- Autres versionsAccording to the Technical specs link for the film, there are two different versions of this movie: one running 1 hr 39 min (99 min), and the other for 1 hr 44 min (104 min) (USA).
- Bandes originalesLove Lifted Me
Written by James Rowe and Howard E. Smith
Performed by The Florida Boys
Courtesy of World Entertainment
By arrangement with Warner Music Group Film & TV Licensing
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Nghi Phạm Bernie
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 9 206 470 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 85 805 $ US
- 29 avr. 2012
- Brut – à l'échelle mondiale
- 10 173 061 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1