Intouchables

This movie surprised us. We checked on IMDb and saw 8/10 for a french movie, without hesitation we went to the movie theatre to watch the movie.

The subject is hard but the movie is really funny. In a few seconds you are fully projected within the film from the beginning to the end. There is no special effet but the actors are playing very well and the movie is based on a real story.

If you are skeptical for French movie don't be for this one ... it is a must see movie.

Enjoy the movie.

Do not look at this through the prism of "Foreign Films". You'd be wasting your time and miss something far too important.

Hollywood does scale like nobody else, leaving the competition gasping in its wake. France does intimacy, and brutality. Nothing is sacred. And rather than try to revive the New Wave or emulate Hollywood like most widely seen French films of late, "Intouchables" harnesses its core strengths - ease with intimacy, willingness to ridicule anything and brutal honesty - and delivers one of the funniest, most honest and touching films I have ever seen.

Sy is a failed robber, going through the motions and playing the stereotypical jobless émigré. Cluzet is a romantic and melancholy mind trapped in a useless body. The circumstances that bring them together are too funny to spoil here, but meet they do, and an awkward relationship quickly blossoms as they bring out the best in each other.

The film's simplicity is delightfully misleading: the script is a masterpiece of comedy writing, and however good the rest of the cast is, the central duo is magical. Sy's comic timing will have you in stitches, but it is his honesty and vulnerability that make you fall in love with the character. Cluzet isn't your typical sad-sack, instead, much of the finest pleasures in the film consist in watching him use his keen mind to mess with the world around him (a subplot about an abstract painting really takes the biscuit, you'll know it when you see it).

This is one of the most unique, beautiful and honest friendships ever committed to film. It will make you laugh, it will make you cry... a delightful celebration of everything in life that makes it worthwhile.

Being french and a film maker myself, I have high standards for ratings, and this one definitely deserves in 10/10. I've not seen a film showing our world with such humour in a long time. The jokes are absurd and possibly, with a touch of British humour to them. The directing is beautiful, the acting is incredible, the shots are somehow truthful, if I can say that about a shot. It may be Omar Sy's first time in a leading role, for a major production, but he really delivered, and not just in the funny parts, the delivery of emotions was just spotless. Francois Cluzet was also just as brilliant, as he usually is. I will be recommending this film to everyone, and seriously hoping it will be released in the UK soon enough for me to see it again! Only negative aspect... the Americans are thinking of doing a remake... why do they always have to? I mean would you reconsider remaking the "Joconde" or the Sixtine Chapel to American standards? Film is an art like any other, it travels the world as it is... no need for remakes...

I have seen this movie tonight at a preview session as the official french national release is set on 2011, November 2nd. Eric Toledano and Olivier Nakashe, accompanied by the lead actor Omar Sy were meeting the audience and cheerfully answering questions.

The movie is very well written. Although opening on a flash-forward, it is fairly classic comedy about the meeting of two opposite people who were very unlikely to meet. The first one is a paraplegic white middle aged very rich and lonely man, the other one is a young black, poor, unemployed, coming from poor suburbs and a very large family.

What makes the quality of the film, beside the humour present in every scene in which Omar Sy appears (actually most of the film), is the emotion you can feel, through increasingly attaching characters.

The story is based upon a true story, and real characters.

If you want to watch and enjoyable comedy, with very touching moments, this is a must go.

There are interesting insights about arts as well (paintings, classical music, and funk music). What is art? What is its use?

It has been 9 weeks now since Intoucblaes has come to the movie theaters. I did not give it much thought at first, but the universal acclaim I have heard convinced me to go see it. I don't over-stating the universality of the acclaim, people of various races, classes, colors & countries told me it was a must see. I had no expectations, and I was floored.

Intouchables, directed by Eric Toledano and Olivier Nakache, starring Francois Cluzet and Omar Sy is possibly the best French movie of the year. This is not because of a lack of worthy contenders, but truly because Intouchables is that profound. It touches on themes of presumptions, social class difference, health, and as naïve as it may sound, the universality of humanity.

The story is not as important as is the relationship that is displayed between the two protagonists. Philippe (played by Cluzet) a rich aristocrat that loves adrenaline rushes finds himself a paraplegic after a paragliding incident. Driss (played by Sy) is, in appearance a typical hoodlum from the ghetto. The two are brought together and wonders happen.

The audience then sees how the men affect one another as they engage in a truly honest relationship. Driss is charismatic, lighthearted and funny, helping make Philippe's life enjoyable again. In the process the traditionally cold French aristocracy around Philippe warms up and lightens. He is like a hot knife through cold butter.

Again, it is not so much the story that is important as is the social commentary. The commentary is not judgmental and is very subtle, revealed only in the contrasts the director chose in the story and its contexts. His method reminded me of a sort of Zen approach to comedy. One example you can catch from the trailer alone is the contrast between the able bodied black Driss and t the crippled white man, etc.

The audience is also given wonderful sights of Paris and France as we go through the Pyrenees, Cabourg and the various streets of Paris.

On paper the review does not make the movie justice. It is hilarious in a way that is true, honest and by which anyone can relate to. Most importantly it is revealing and comforting in its reminder of the essential in life : love. It's approach is simple, pure and honest and that makes it worthy of the title of "best movie of the year".

I cannot say more; the film must be experienced. My friends tried, they failed, so I trusted them and I saw it. It floored me. Go and be floored.

PS - I heard American studios have purchased the rights for the film. They will need a brilliant director, screenwriters and perfect actors to make the original justice in the way "The Departed" did for "Infernal Affairs".