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5,8/10
21 k
MA NOTE
Les choses ne se passent pas comme prévu pour deux malfrats ordinaires, lorsqu'ils enlèvent la femme d'un développeur immobilier corrompu, qui ne souhaite pas payer la rançon d'un million de... Tout lireLes choses ne se passent pas comme prévu pour deux malfrats ordinaires, lorsqu'ils enlèvent la femme d'un développeur immobilier corrompu, qui ne souhaite pas payer la rançon d'un million de dollars pour la récupérer saine et sauver.Les choses ne se passent pas comme prévu pour deux malfrats ordinaires, lorsqu'ils enlèvent la femme d'un développeur immobilier corrompu, qui ne souhaite pas payer la rançon d'un million de dollars pour la récupérer saine et sauver.
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It's an interesting film that's trying to be a dark comedy but it's not as dark as I would have expected, which made the laughs long in-between.
I've seen this type of comedy in which the victim befriends the captives because their life was not as put together as hoped. This one takes a slower dramatic pace.
Their were some pretty top notch actors in the film like Tim Robbins, John Hawkes and even Mos Def. It's interesting that Jennifer Aniston took on such a small picture, but maybe they thought her appearance would put people in seats(which I guess is true).
Thought the story was good but the pace of the movie just puts me to sleep (Maybe I actually missed the really fun parts while snoring). Don't kill your time with this one.
I've seen this type of comedy in which the victim befriends the captives because their life was not as put together as hoped. This one takes a slower dramatic pace.
Their were some pretty top notch actors in the film like Tim Robbins, John Hawkes and even Mos Def. It's interesting that Jennifer Aniston took on such a small picture, but maybe they thought her appearance would put people in seats(which I guess is true).
Thought the story was good but the pace of the movie just puts me to sleep (Maybe I actually missed the really fun parts while snoring). Don't kill your time with this one.
A loose prequel of sorts for the criminal players of Jackie Brown, based on Elmore Leonard's novel The Switch. It's not Jackie, no two ways about it, and it's unfair to compare the two... unfair, but inevitable since they're so spiritually related. The stakes are much lower this time, with a simple kidnapping plot the main point of action and few of the deliciously tangled interwoven story lines of the Tarantino flick. In Leonard's hands that still made for a wildly entertaining read, but on the screen it feels a bit on the shallow side. This translation is missing the charm and finesse of its source material, too, and a little of that spice can really go a long way. John Hawkes manages a really convincing, greasy De Niro impression as the soft-hearted enforcer Louis, while Mos Def's take on mastermind Ordell Robbie (originally played by Samuel L. Jackson) is less indebted to his predecessor. Jennifer Aniston is good as the repressed trophy wife / tennis mom / kidnappee, but the rest of the cast just seems like they're wearing costumes and playing games. They take themselves lightly, so it's tough for me to see the situation as all that serious. It's fine, superficial at worst, but there's little wonder why it slipped under the radar without a whimper when it hit the screens a couple of years ago.
The summary of this described it as a comedy. I didn't find it funny.
"Life of Crime" from 2013 is based on an Elmore Leonard story, "The Switch," which has some of the same characters as "Jackie Brown." Sadly this is not in Jackie Brown's league. I'll give it this - it has a great soundtrack.
Jennifer Aniston stars as Mickey, married to a prize jerk, Frank (Tim Robbins), who is involved in shady real estate deals and tax evasion. Unbeknownst to her, he's channeling money to a secret bank account, and his trips include meeting up with a young girlfriend Melanie (Isla Fisher). He also plans on divorcing Mickey and marrying Melanie.
Louis (John Hawkes) and Ordell (Mos Def) have the idea of kidnapping Mickey and holding her for a million dollars ransom. They figure they know too much about his illegal activities for him to refuse.
It turns out that the only one with any brains is Melanie. When Frank gets the phone call about Mickey, Melanie takes over. She starts taking the phone calls, claiming Frank isn't around. It finally occurs to the kidnappers that Frank doesn't really want Mickey back.
There are two other men in the plot who are potentially trouble, but in different ways. There is the neo-Nazi racist with more guns than the Army (Mark Boone Junior) and a guy (Will Forte) who bonds with Mickey.
This just didn't hang together for me. It certainly isn't up to the standard of Elmore Leonard as filmed by Tarantino. I think the filmmakers were going for a Tarantino/Cohen Brothers type of movie, but they didn't pull it off.
"Life of Crime" has good ensemble acting and some funny dialogue, but its pace is off, and it has a low-budget feel to it. It also lacks the layers of films like "Fargo" or "Jackie Brown."
I've never been a fan of Jennifer Aniston's, and this didn't move her up on my list. I consider her just okay. When I think of female stars who can carry a film, she isn't one.
"Life of Crime" from 2013 is based on an Elmore Leonard story, "The Switch," which has some of the same characters as "Jackie Brown." Sadly this is not in Jackie Brown's league. I'll give it this - it has a great soundtrack.
Jennifer Aniston stars as Mickey, married to a prize jerk, Frank (Tim Robbins), who is involved in shady real estate deals and tax evasion. Unbeknownst to her, he's channeling money to a secret bank account, and his trips include meeting up with a young girlfriend Melanie (Isla Fisher). He also plans on divorcing Mickey and marrying Melanie.
Louis (John Hawkes) and Ordell (Mos Def) have the idea of kidnapping Mickey and holding her for a million dollars ransom. They figure they know too much about his illegal activities for him to refuse.
It turns out that the only one with any brains is Melanie. When Frank gets the phone call about Mickey, Melanie takes over. She starts taking the phone calls, claiming Frank isn't around. It finally occurs to the kidnappers that Frank doesn't really want Mickey back.
There are two other men in the plot who are potentially trouble, but in different ways. There is the neo-Nazi racist with more guns than the Army (Mark Boone Junior) and a guy (Will Forte) who bonds with Mickey.
This just didn't hang together for me. It certainly isn't up to the standard of Elmore Leonard as filmed by Tarantino. I think the filmmakers were going for a Tarantino/Cohen Brothers type of movie, but they didn't pull it off.
"Life of Crime" has good ensemble acting and some funny dialogue, but its pace is off, and it has a low-budget feel to it. It also lacks the layers of films like "Fargo" or "Jackie Brown."
I've never been a fan of Jennifer Aniston's, and this didn't move her up on my list. I consider her just okay. When I think of female stars who can carry a film, she isn't one.
"We need to find a way o put him against the wall." Frank Dawson (Robbins) is a businessman with many enemies. When a group of men are looking for revenge on him they decide to take what is most important to him, his wife Mickey (Aniston). They kidnap her and demand a ransom from him. The only downside is that he was going to divorce her and is with his mistress when they call so he's not all that concerned. This puts strain on the kidnappers when plans have to change. This is another movie based off an Elmore Leonard book. If you have seen the other movies from his books (Jackie Brown, 3:10 To Yuma, Get Shorty and most recently Justified) you will know what to expect. The feel of all of them are pretty much alike. This one does have more of a Get Shorty feel to it in the way that it is a very dark comedy and you aren't sure who to root for. The acting is very good and the movie keeps you interested and entertained but I never really got all that into it. I did like all the twists and the events of this but there was just something missing to make me really like it. I also wasn't a big fan of Get Shorty so if you liked that movie you will probably enjoy this much more then I did. Overall, a movie that I thought was OK and worth watching but nothing that really made me think wow, this is good. I give it a B-.
I enjoyed this film a lot. It's not ground breaking or stylish or full of violence. It's nice and easy with funny characters and some laugh out loud moments. A we'll put together, charming film.
Le saviez-vous
- AnecdotesThis film was previously in development at 20th Century Fox in 1986 with Diane Keaton as Mickey Dawson but the project was shelved after being deemed too similar to Y a-t-il quelqu'un pour tuer ma femme? (1986).
- GaffesThe movie opens as Detroit 1978 although the newspaper front pages throughout the movie are from February 1977. The vehicle license plates appeared to be 1979 and not the Bicentennial license plates that were valid from 1976 through 1978.
- Citations
Mickey Dawson: [talking about Melanie] She looks like a million bucks.
- ConnexionsFeatures Sanford and Son: Fred's Treasure Garden (1974)
- Bandes originalesDidn't I
Written by William Daron Pulliam and Joan A Ranner
Performed by Darondo
Courtesy of Sugaroo! o/b/o Ubiquity
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- How long is Life of Crime?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Life of Crime
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 265 452 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 104 300 $ US
- 31 août 2014
- Brut – à l'échelle mondiale
- 1 456 675 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the Japanese language plot outline for Crimes et petits mensonges (2013)?
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