Dorfman

I'd say I wasn't expecting much from this movie, and somewhat conflicting reviews of the movie did not help on the matter either. But eventually I am happy I did watch Dorfman since I enjoyed it tons. The story in the movie is simple and maybe even somewhat of a cliché, but since I do not need my romance and feel-good movie fixes to be overly complicated, this easy to stomach story did work for me quite well. A simple setting of a young gray mouse type of a woman getting her chance to prove to a guy she is secretly in love with for many years that she's the one for him, turns out to be more of a journey to her own self discovery and for once love and being loved in return. Looking for a nice romantic movie for the evening, why not try Dorfman, you might find a little gem here

When Deb Dorfman (Sara Rue) house sits for a friend, her life changes forever. Her dad (Elliot Gould) has tried setting her up, but it doesn't seem to ever work out. Her married brother is a mess, and drags her into it. And now she has to house sit for a friend's cat. And it hates her. Will Deb ever get her own life figured out? Maybe she and her new next door neighbor can help each other. It's fun. Kind of feels like this was someone's own life story. Directed by Brad Leong, who has directed four films to date.... two of those were short films. Story by Wendy Kout,who was also a writer on mork and mindy in the 1980s. That's awesome! Blast from the past.

I found this movie to be very charming. Yes, the script has a bit of a textbook rom-com format. But the performances from the cast elevate the film. Sara Rue and Haaz Sleiman light up the screen when present. I loved seeing Elliott Gould here as well. And Catherine Hicks can do no wrong. The cast is impressive. For whatever reason, I found myself swept up in the story and performances. If you love a good rom-com, you should definitely check out Dorfman in Love.

I fully agree with Salsa Boy from San Francisco. I saw this movie last night through the D.C. Jewish Film Festival. Elliott Gould did the best he could with a script that was one-dimensional at best, and, at worst, rehashed the worst sort of Borscht Belt stereotypes (to wit, "We Jews don't paint, we HIRE painters..."). Through most of the movie, I felt like I was watching cartoon characters (awkward girl with low self-esteem; brother who's an insensitive jerk; father who's super kvetchy), though it did get stronger toward the end. The theme--self-discovery and transformation--was a worthy one, but handled clumsily and in eminently disbelievable ways. Both the writer (Wendy Kout) and the great Gould himself spoke and fielded audience questions. I made the mistake of asking Ms. Kout why the characters seemed at times like caricatures, and I was stunned by her response, which I'll quote in its entirety: "You are SO welcome to your opinion." This movie is redeemed a bit by Gould's vulnerability and charm, but his talent is largely squandered in a script penned by a Hollywood hack.

Such a fun movie!!! Fantastic cast and lots of laughs. An inspiring story told beautifully, with an insider's peek at the coolest places in downtown LA.

If you live in LA or ever intend to visit and haven't seen this movie, you are seriously missing out.

I've lived in LA my whole life and was so excited to learn about hidden gems I never knew about before.

And the chemistry between Elliot Gould and Sara Rue is terrific. Gould is hysterical, as always, and Rue comes out of her shell like never before.

Highly recommend. Good times for all.