Helldriver

Kika -- part machine, part woman-- all zombie slayer!

We've seen zombie slayers with Samurai swords, we've seen zombie slayers with chainsaws! But we've never seen a cyborg zombie slayer with a Samurai chainsaw-sword and pole dancing skills!

In this version of dystopia, the "infected" are people afflicted by a virus that causes antlers to sprout from their brain (much like the real-life Ophiocordyceps unilateralis fungus which invades ants' brains, to eventually erupt from their heads to release spores that will infect other ants).

These antlers cause the afflicted to resemble Japanese melons. The origin of this affliction is extraterrestrial as well as familial-- Mother Dearest is a psycho-bitch from hell (with Kika's heart, literally) and Kika's uncle has a Swastika burned into his forehead (ala Charles Manson).

And kids being kids, can't leave well enough alone, are grinding up the zombie antlers to experience a new form of high.

To keep the infected at bay, a great wall has been erected to separate them from the population. But other nefarious forces are at work, and the wall is breached.

Now on Death Row, Kika and cohorts are presented with a choice: face what will ultimately be an unfair trial, or volunteer to take out the "Zombie Queen"-- Mother Dearest.

What ensues is sheer mayhem, as our group battles its way through the zombie horde. But not just any zombie horde! We see:

Zombie women hurtling zombie babies attached to them with umbilical cords (like Medieval flails)!

• The Zombie Bar - A Female zombie boxer - Zombie people-wranglers - Zombies doing Michael Jackson's Thriller - Samurai Pin-cushion zombie (looking more like a grotesque porcupine than, say, Hellraiser's Pinhead) who duals (wait for it) with a truck! - A flailing mutant zombie thing with small baby arms (holding a knife and fork) growing out of it's face (words alone can not adequately describe this creature) that ultimately (d)evolves into a "General Grievous" (Star Wars)-like fighting machine - A Zombie car made out of zombie parts

Be warned, the gore is very graphic at times. But if you've read this far, I'm sure you aren't taking anything here as a warning. Dismemberment and fire-hose gushers from every body part and orifice are spaced out about every minute or two.

"Hell Driver" has a tremendous amount of style and fountains of blood, guts and brains... lots of corny prosthetics and absolutely zero logic. It is silly to the extreme-- but that is the point. A screwed up cartoon for adults (that are stoned). Full marks for creativity here!

Interesting mix of Zombie and Gore action film, with many references to many modern fantasy and sci-fi movies and Japanese gore taste for fine bleeding fans. With some elements taken from the 'trifids', some post-apocalyptic scenes like Carpenter's Rescue from NY, some characters like Blade Runner's ones, references to I'm Legend and many more, this extra-large mesh-up film can be either disgusting and creative the most of times. Following with the well known Japanese tradition of telling the story with a bunch of flashbacks and flash-forwards, it contains lots of absurdities and null deployed characters, lots of story lines, irregular tempo and several flashes of very very intense action with astounding sound. For these actions it deserve to be watched, but for the others it's a waste of time, unless gore zombie films are your main interest.

"Everything is glorious!"

These kind of ultra-violent, chaotic Japanese movies are very tricky. When they work, they're awesome. An amusing, bemusing, exciting mishmash of craziness that gives new meaning to the word "ridiculous". But Helldriver, like so many of these gonzo films, just doesn't quite pull off what it's aiming for. 

And that's certainly not for lack of trying. This tale of zombies and chainsaw swords throws everything at the viewer possible, and I have to commend the filmmakers for the sheer levels of WTF they came up with. Zombie women using zombie babies attached by zombie umbilical cords as weapon, truck versus zombie sword fights, and a zombie car are just a few of the insane ideas you'll see on display, here. I can't count the number of times I simply had to shake my head and smile at the fact that someone came up with all of this stuff. There's even a battle near the end that's eerily reminiscent of The Battle of Helm's Deep in The Two Towers, except with way fewer humans and WAY more blood. The inventiveness of Helldriver is the best thing it has going for it, by far. 

But amidst all the blood fountains and giant flying zombies made out of smaller zombies, the director and writers forgot to add the entertainment. How a movie can be absolutely insane and so dull at the same time is a mystery, to me.

The plot is non-existent, even for this kind of flick. Our main character has a back-story with an evil mother and uncle that leads to the entire zombie infestation and her transformation into a half-mechanical warrior, but the scenes dealing with that are among the most boring in the entire movie. There are really no likable or interesting characters, either, which would have gone a long way towards making Helldriver easier to enjoy. 

It might be worth checking out for the undeniable strangeness of it all, but I still have to say I was more disappointed than pleased with Helldriver.

I love Asian cinema. I love gore from time to time, but I am not big fan of gory flicks.... but this one is damn entertaining. Fans of the genre will surely love it (as well as gorehounds) but other more mainstream audiences will hate it and get confused most of the time.

"Helldriver" is what could be considered "new wave of Japanese grindhouse" and it has everything good grindhouse needs: little to no story, weird moments, lot of gore, violence and blood. There's not much nudity in this one, but gore and blood splatters go over the top in every possible way.

Plot is rather simple: meteor (!?) falls to Earth, turning nearly all people in Japan into some kind of zombie mutants. Kika (Yumiko Hara) is sent to chop the heck out of them and kill mutant leader. Other folks join her in her mission. Now, first part of the movie is bit awkward (in a good) way, having nice amount of social\ politics\religious satire (but gore and action scenes still happen here) and somewhere around the half of the movie, title shows up (not kidding). After that, the movie "really" begins, which is pretty much hack'n'slash after that.

What makes HELLDRIVER great is that movie doesn't take itself very seriously (I was laughing most of the time, even in bloodiest scenes), gore FX are well done, and what impresses me the most are makeup effects on some "boss" monsters. I swear, at least half of the budget must have gone on makeup and fake blood (and this movie has insane amount of blood, maybe even more then Peter Jackson's "Braindead").

Some really cool villains (and original) and great fight scenes (and hilarious at the same time!) with them. Most of the time you'll keep asking yourself "how the heck they are gonna top the last scene" in terms of (un)logic, visuals and action.

Yumiko Hara is also very pretty and looks like Japanese action heroine. Hope we'll see more of her in future. Eihi Shiina (from Tokyo Gore Police, Audition) plays main villain, and she's wonderful as usual. Her scenes are over the top most of the time, but they fit movie perfectly, since Helldriver itself is way over the top in every possible element.

Turn off your logic and remember "it's just a movie". Enjoy the mayhem that happens on screen, and you'll surely like Helldriver.

The new entry into the "J-sploitation" genre, or what I've lovingly dubbed it "the purposefully hilarious, batshit crazy Asian B-movie" genre, this time from renowned splatter director Yoshihiro Nishimura, the genius behind "Tokyo Gore Police". We're treated to people lap dancing on spinal columns, alien starfish, a scene straight out of Power Rangers featuring zombies using their newborn (umbilical cord an all) as projectiles, an eight armed zombie that sounds like the putty patrol, a zombie seemingly made of weapons fighting an armored car, a car made of zombies, a fight sequence on top of a rocket propelled airplane made of zombies, zombies playing the accordion, zombies getting anally jousted with a chainsaw sword, the title sequence appearing after the hour mark, overall hilarious dialog and much, much more. It may not be as brilliant as its contemporaries but "Helldriver, RoboGeisha, Machine Girl", etc. all prove that nobody makes B-movies like the Asians, not even The Asylum. Also, it's still very strange seeing Eihi Shiina in this crazy villain role after seeing her in "Audition" but she's still amazing.