Roméo et Juliette se sont mariés en secret malgré le mépris juré que leurs familles ont pour l'autre. Cependant, il ne faut pas longtemps avant qu'une chaîne d'événements change à jamais la ... Tout lireRoméo et Juliette se sont mariés en secret malgré le mépris juré que leurs familles ont pour l'autre. Cependant, il ne faut pas longtemps avant qu'une chaîne d'événements change à jamais la vie des deux familles.Roméo et Juliette se sont mariés en secret malgré le mépris juré que leurs familles ont pour l'autre. Cependant, il ne faut pas longtemps avant qu'une chaîne d'événements change à jamais la vie des deux familles.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 2 nominations au total
- Second Capulet Servant
- (as Marcus Cotterell)
Avis en vedette
As a lover of Shakespeare I thoroughly enjoyed the film and feel it's a good introduction for youngsters.
it's a fabulous movie if you love romance and drama and I would thoroughly recommend it.
But let's face it; Elizabethan Theatre is an entirely different writing medium to modern film adaption. There are a number of things that had to happen in those days. Notice they say 'I die' every time someone dies? They talk about their feelings an exceptional amount? And there are other near invisible things that would be entirely different. Shakespeare may have been a genius, but if you pulled up an unknown script of a similar level of genius from this era and made a word for word film, I doubt you could expect a great audience reaction. I've seen kids literally sleep through Polanski's Macbeth and even shrug at Zeffirelli's Romeo and Juliet (except when they were noting the lead's similarities to Zefron), yet be highly engaged by the stage performance of the play.
Visually, this film is utterly gorgeous. Whoever chose the locations deserves a french kiss from the world. From the first shots of Juliet running in her orange dress, the audience is stunned by the use of colour and scenery. The costumes were great (I don't think anyone was complaining when we saw a gorgeous Douglas Booth is an open white shirt chiseling away). The hair was to die for and the acting wasn't so bad as everyone makes out. Fact is, everyone's used to it being acted VERY Shakespearean. Which isn't how films work. If you're asking for that style of acting, you ought to see the play and burn the movie. The actors here took a more naturalistic approach, which seems flat, but that's probably because it's naturalistic and this is Elizabethan theatre in a period adaption for a 21st century audience. Are we seeing where some things are bound to get tangled?
That all said, there are two things that I can't justify:
- Far too much kissing. Like all the time. It felt like too much sometimes. A lot. This is probably where people see the lack of chemistry, because the kisses seem to come out of nowhere, are accompanied with virtually no crescendo musical masterpieces or great camera shots, and are usually cock-blocked by the nurse.
- Unless your students are well versed in the play, this shouldn't be the go to for schools studying Romeo and Juliet. Let's face it; a lot of kids don't exactly read the whole play, might write things in their essays that only happened in the movie if they watch it. The thing that everyone complains about (the adding of lines) is only truly detrimental here. The other versions (Baz's and Zeffirelli's) only omitted things, rather than adding things, and is a lot safer for educational purposes.
If you're not studying it; if you haven't studied it to the point at which added lines would make you feel ill; if you aren't an absurd prat about purist R&J (keep Shakespeare Shakespearean? I don't even...), then this is a good movie. And Booth is delectable. Always.
Romeo and Juliet is such a beautiful tragic love story, I applaud the filmmakers for their choices. I loved the setting for this film, such beautiful and grand locations. Romeo and Juliet is set in Verona and this film captures it beautifully.
The jousting in the opening scene was genius for that was probably taking place at the time. It was more historical accurate and it really showed and felt right for Shakespeare's classic. I loved how Romeo was a sculptor, when he is talking about Rosaline and sculpting her, that was perfect for the time period. Romeo as an artist just makes sense. At first, I had reservations that Bonvelo, (who let's be honest is the real reason why Romeo discovers Juliet's "dead") is played by such a young actor but he made me a believer, when Romeo gives him that final goodbye, it was just heartbreaking. Men were also made at a younger age during that time so we can historically accept that. Also, when Bonvelo gives Romeo the news, Romeo has this moment where he looks up at that beautifully painted Fresco and he has that very Hamletesque moment the "To be or not to be," inner struggle that the filmmakers probably wanted the audience to reference.
No film production of this play will please everyone, alas I feel in love with it!It was those little details that were added that made me enjoy this adaptation. I cried again for the star crossed lovers, this film has magic for those who give it a chance!
Firstly, the bad:
1) The movie doesn't follow Shakespeare's original text. Sure enough, the most famous lines are all there, but the movie frequently deviates from Shakespeare's text. The simplification of some text insults the intelligence of the audience and does seem a little arrogant on the parts of the screenwriters. It also doesn't help that much of the changes has the feel of modern speech being rewritten in an "old-english-sounding" tongue which clearly stands out from the classic words of the bard. Not even the ending escapes some liberal changes. 2)Hailee Steinfeld is really a bad casting decision for Juliet. She is simply so much younger than Romeo that their on-screen chemistry looks a bit creepy. Her portrayal of Juliet lacks depth and she simply does not possess the beauty to be a Juliet - especially if you pair her with Douglas Booth as Romeo. (Another reviewer complained that Romeo is more beautiful than Juliet in this film and I have to agree that this is true)
Now for the good: 1) Bringing fierceness and intense passion to the role, I thought Douglas Booth was a really good Romeo. 2) Paul Giamatti is excellent as Friar Laurence. He brings some comic relief, lightness and heart to the film. 3) The story is fast-paced, passionate and intense. Enough of Shakespeare's most-loved soliloquies and dialogue appear to retain the timeless beauty of his words. The words still bring layer upon layer of meaning to the story and brings so much depth and emotion to the story of the star-crossed lovers that one can't help but wander at just how Shakespeare was able to get so much emotion into so few lines.
I give this film a score of 7 as I quite enjoyed it despite it's flaws. Don't watch this movie if you have to do a school project on Romeo and Juliet, though!
Le saviez-vous
- AnecdotesLily Collins was the original choice for Juliet but dropped out due to scheduling conflicts. Hailee Steinfeld later replaced Collins.
- GaffesJust before the balcony scene Romeo says "He jests at scars that never felt a wound" which is an original line from the play. However, in the play this line is in reference to a series of jests Mercutio shouts at this time about his love for Rosaline. All the jests were cut from the movie, so having Romeo comment about them doesn't make sense.
- Citations
Romeo: If I profane with my unworthiest hand, This holy shrine: my lips, two blushing pilgrims, ready stand, to smooth that rough touch with a tender kiss.
Juliet: Good pilgrim, you do wrong your hand too much. Which mannerly devotion shows in this, for saints have hands do touch. Palm to palm is holy palmers' kiss.
Romeo: Have not saints lips and holy palmers too?
Juliet: Ay, pilgrim, lips that they must use in prayer.
Romeo: O, then, dear saint, let lips do what hands do. They pray, grant thou, lest faith turn to despair.
Juliet: But, Saints do not move their palms for prayers' sake.
Romeo: Then move not. While my prayer's effect I take.
[kiss]
Romeo: Thus from my lips, by yours, my sin is purged.
Juliet: Then have my lips the sin that they have took.
Romeo: Sin from thy lips? O trespass sweetly urged! Give me my sin again.
[kiss]
- ConnexionsFeatured in Weekend Sunrise: Episode dated 8 February 2014 (2014)
- Bandes originalesL'Amor Dona Ch'Io Te Porto
Anonymous, late 15th Century
Performed by Ensemble La Rossignol
P 2003 Tactus Records - Licensed by
Machiavelli Music Publishing
Meilleurs choix
- How long is Romeo & Juliet?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Romeo and Juliet
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 1 162 635 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 520 116 $ US
- 13 oct. 2013
- Brut – à l'échelle mondiale
- 2 966 268 $ US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1