Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.Un ancien policier devenu vendeur d'assurances est impliqué dans un complot criminel au cours d'un de ses déplacements quotidiens.
- Prix
- 2 nominations au total
Avis en vedette
There are certain actors in Hollywood that are so one-dimensional, but they play that one-dimension spot on. Liam Neeson is one of those guys. Another example is Jason Statham. Their roles are all the same, scripts slightly tweaked, yet the movie passes of as decent-to-good almost every time (except for the Taken sequels, but that isn't on Liam).
Bottom line is, it's basically the movie non-stop, but on a commute instead of a plane. Liam Neeson plasy his same old self and plays his usual one-dimensional badass role. He did his job once again. This movie will bring in okay-enough numbers, and we will be presented with Liam Neeson's next challenge in about another year.
Same old, decent-enough action movie.
6/10
Bottom line is, it's basically the movie non-stop, but on a commute instead of a plane. Liam Neeson plasy his same old self and plays his usual one-dimensional badass role. He did his job once again. This movie will bring in okay-enough numbers, and we will be presented with Liam Neeson's next challenge in about another year.
Same old, decent-enough action movie.
6/10
I admit that Neeson's films are a bit formulaic, but it can still be a fun time to while away some time. He certainly doesn't break any new ground and his nemesis doesn't break much ground, either.
Perhaps someone can clear something up for me regarding normal MTA -vs- commuter rail. Is it safe to assume that a commuter rail train leaving Penn Station would not be stopping at MTA stops in Manhattan? I'm not even from NYC, but I was fairly certain commuter rail lines wouldn't have their first stop until they were at least out of Manhattan. That really bugged me in this move.
Perhaps someone can clear something up for me regarding normal MTA -vs- commuter rail. Is it safe to assume that a commuter rail train leaving Penn Station would not be stopping at MTA stops in Manhattan? I'm not even from NYC, but I was fairly certain commuter rail lines wouldn't have their first stop until they were at least out of Manhattan. That really bugged me in this move.
Usual comments about Liam Neeson playing Liam Neeson again. Another one of his simple action movies etc etc.
But I disagree. You know why? This man never disappoints. I have yet to see the day when I'm coming out of a cinema (or my living room) saying to myself "nahh, that was bad...".
Because - even when his movies does suck, Neeson himself always brings it to the table and saves the day. Never halfa$$sed day at work. And so sympathetic it always shines through in his characters.
Okay. That being said. This movie has a decent storyline. Everything's not good in it -- far from it -- but he's just bringing us to the finish line one more time and I'm amazed. The guy is 66 or 67, and looks ripped for a 35 year old.
Clapping hands from Sweden!
The first half of this was a gripping, highly entertaining action movie in a similar vein to Neeson's previous "Non-Stop". I really enjoyed that movie and I'm a huge Vera Farmiga fan. In fact, "The Commuter" has a phenomenal cast - it's just a shame their talents aren't put to better use.
At times, it seemed very tongue-in-cheek and self-aware of its stupidity, as jokes and one-liners would randomly appear in scenes where you werne't expecting it. Things just became so unbelievable though that I started to tune-out. It all just seemed to be Liam Neeson pacing up and down a train while random phones rang.
The insanity reached a peak once a major train derailment took place and all the passengers casually started doing a spot of interior decorating like nothing happened.
If you have seen "The Taking of Pelham 123", "Unstoppable" or "Under Siege 2", then you have seen better versions of this.
At times, it seemed very tongue-in-cheek and self-aware of its stupidity, as jokes and one-liners would randomly appear in scenes where you werne't expecting it. Things just became so unbelievable though that I started to tune-out. It all just seemed to be Liam Neeson pacing up and down a train while random phones rang.
The insanity reached a peak once a major train derailment took place and all the passengers casually started doing a spot of interior decorating like nothing happened.
If you have seen "The Taking of Pelham 123", "Unstoppable" or "Under Siege 2", then you have seen better versions of this.
My wife and I watched this movie at home on DVD from our public library. It is the right length, just over 90 minutes, and kept our interest the whole.
Yet this is a throw-away movie, the story is highly contrived to create suspense. For example he is told to look for a passenger "who doesn't belong" yet the people manipulating him know exactly who the passenger is.
My other issue with it are the fights, hand-to-hand combat in a moving train, they are shown to hit each other so hard, sometimes with devices (guitar!) that would kill them yet they recover very quickly. It definitely subtracts from the believability.
Yet overall I found it suitable entertainment because I like Liam Neeson, he is perfect for this type of role. He is Michael MacCauley, an insurance salesman, who commutes by train along the Hudson River and into NYC each day. After 10 years he pretty well knows all the usual commuters. But this day he is laid off, he has two mortgages, his son is about to start college, so when he is tempted with $100,000 cash to perform a task it gives him the motive to accept it. As a former cop he has the investigative instincts.
The DVD extras are interesting, except for brief NYC scenes the whole movie was shot on sets at Pinewood Studios in England. They say 90% of the actors are British but I didn't try to verify that number.
Yet this is a throw-away movie, the story is highly contrived to create suspense. For example he is told to look for a passenger "who doesn't belong" yet the people manipulating him know exactly who the passenger is.
My other issue with it are the fights, hand-to-hand combat in a moving train, they are shown to hit each other so hard, sometimes with devices (guitar!) that would kill them yet they recover very quickly. It definitely subtracts from the believability.
Yet overall I found it suitable entertainment because I like Liam Neeson, he is perfect for this type of role. He is Michael MacCauley, an insurance salesman, who commutes by train along the Hudson River and into NYC each day. After 10 years he pretty well knows all the usual commuters. But this day he is laid off, he has two mortgages, his son is about to start college, so when he is tempted with $100,000 cash to perform a task it gives him the motive to accept it. As a former cop he has the investigative instincts.
The DVD extras are interesting, except for brief NYC scenes the whole movie was shot on sets at Pinewood Studios in England. They say 90% of the actors are British but I didn't try to verify that number.
Le saviez-vous
- AnecdotesNeeson revealed on a talk show that no scenes were filmed on board an actual train. Instead, all of these scenes were shot on a soundstage, with the same single mock-up train cabinet serving as all of them, only slightly redressed, and all the outside scenery added in post production with the help of green screens.
- GaffesNYPD has no authority to leave the city limits and take charge of any crime scene let alone a hostage situation in another county. The Westchester County Police and Metro North Police would handle the stand off.
- Citations
Michael MacCauley: Hey, Goldman Sachs. On behalf of the American middle class, fuck you.
- Générique farfeluThe end credits are done in the style of a train map.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: The Commuter (2018)
- Bandes originalesMelting Pot
Performed by Blue Mink
Written by Roger Greenaway and Roger Cook
Courtesy of Sanctuary Records Group, a BMG Company
Issued under licence from Universal/Dick James Music Ltd
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- How long is The Commuter?Propulsé par Alexa
Détails
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 36 343 858 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 13 701 452 $ US
- 14 janv. 2018
- Brut – à l'échelle mondiale
- 119 942 434 $ US
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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