ÉVALUATION IMDb
4,9/10
7,5 k
MA NOTE
Dix personnes arrivent dans une station de montagne isolée et la trouvent complètement déserte. Sans essence pour le voyage de retour, les visiteurs sont obligés de rester et d'enquêter sur ... Tout lireDix personnes arrivent dans une station de montagne isolée et la trouvent complètement déserte. Sans essence pour le voyage de retour, les visiteurs sont obligés de rester et d'enquêter sur le mystère entourant un logement abandonné.Dix personnes arrivent dans une station de montagne isolée et la trouvent complètement déserte. Sans essence pour le voyage de retour, les visiteurs sont obligés de rester et d'enquêter sur le mystère entourant un logement abandonné.
David de Lautour
- Noah
- (as David De Latour)
Samantha Jacober
- Charlotte
- (as Samantha Jacobs)
Nathan Lorbietzki
- Man in Black #2
- (uncredited)
Avis en vedette
I dont understand what happened in this movie. Theres absolutely no explanation as to why the events in the movie were even happening. Premise is good, has solid ground for a good movie but sadly between the terrible acting, clunky story telling and poor directing it just doesnt work. Not to mention the terrible ending that doesnt really explain anything at all... I wouldnt waste my time watching and if I could go back in time and stop myself from watching I would. This movie is like the director is fresh out of film school, taken a text book check list of whats needed in a movie and mashed it all together in no particular order.
But do bare in mind the fact that it is more scifi than horror, so don't start playing it expecting a roller coaster of spooks, not even your typical jumps, it does provide some nice tension, raises a few questions, but leaves with no real explanation and does kinda make you feel empty.
Why would I recommend it to anyone? Well, it's a nice change of pace, you get to put an eye on something a tad bit different, and exploit new or let's just call them, rarely used subjects. The approach is boldly, the actors are not your typical never seen on screen before faces, the acting tho could have been better, either the budget was not big enough to assure a proper execution, or at one point, sadly the writers felt tired and decided to stop. The potential in this one is better than I have seen in a lot of productions, but like so many before it, it drowns right at shore.
So it is up to you in the end, you can take a chance and see what the little fuss is all about, or decide to pass it, but you might find out someday, maybe not even that far in the future, that others are talking about it and you missed your chance to participate in their discussion. Have it your way!
Cheers!
Why would I recommend it to anyone? Well, it's a nice change of pace, you get to put an eye on something a tad bit different, and exploit new or let's just call them, rarely used subjects. The approach is boldly, the actors are not your typical never seen on screen before faces, the acting tho could have been better, either the budget was not big enough to assure a proper execution, or at one point, sadly the writers felt tired and decided to stop. The potential in this one is better than I have seen in a lot of productions, but like so many before it, it drowns right at shore.
So it is up to you in the end, you can take a chance and see what the little fuss is all about, or decide to pass it, but you might find out someday, maybe not even that far in the future, that others are talking about it and you missed your chance to participate in their discussion. Have it your way!
Cheers!
Seems like 2014's been a great year for horror, at least, between this, Honeymoon, and Coherence. Much like Coherence, the premise of this is absolutely terrifying in a way not many horror films tend to be. The premise for this is simpler, and much more straight-forward, but it's quite effective. Some of the dialogue is a bit cringe-worthy, but right from the start the characters don't act like they've never seen a horror film, a lot more aware than you're used to in this type of film. The performances are also aces. What you don't know is way more frightening than what you do. I strongly recommend this, extremely entertaining and intriguing.
All things considered this isn't a bad film, the acting is good, sets and locations are stunning, cinematography is brilliant and the script has some legitimately hilarious lines in it that will have you (if you're like me) barking out a laugh. The pace is steady, and it's not too complicated or cluttered with superfluous bits and pieces thrown in to bulk it up. I also like the way (however predictable some may be) that they had people disappearing. It was clever, good camera and effects work, subtle and understated but still impressive.
Now to the negative... Despite the build of tension and the myriad of questions the films raises, don't hold out much hope for any answers. You won't get any. Maybe this was a deliberate effort because they're intending a sequel (I would be more than happy to watch that, and I don't often vote for sequels) or maybe this is a Nolan-esque leaving it to your imagination ending. Whatever the answer, it's a rather frustrating to come away empty handed. If this is left open ended in this way for a sequel don't fret, it's not one of those obvious "And we are clearly setting this up for the sequel TAKE THAT SUCKERS!" type deals. Much more subtle than that.
All in all I have to say it was a pretty good film that held my attention in a way a lot of films of late fail to do, and I'd recommend watching it if you're bored or the idea the films posits interests you. But don't get as mad as some reviewers on here if it's not a 10/10 masterpiece of cinema gold. It is what it is, don't expect the most breathtaking piece of cinema known to man that answers all of the questions you have about life, death and why we're here.
Now to the negative... Despite the build of tension and the myriad of questions the films raises, don't hold out much hope for any answers. You won't get any. Maybe this was a deliberate effort because they're intending a sequel (I would be more than happy to watch that, and I don't often vote for sequels) or maybe this is a Nolan-esque leaving it to your imagination ending. Whatever the answer, it's a rather frustrating to come away empty handed. If this is left open ended in this way for a sequel don't fret, it's not one of those obvious "And we are clearly setting this up for the sequel TAKE THAT SUCKERS!" type deals. Much more subtle than that.
All in all I have to say it was a pretty good film that held my attention in a way a lot of films of late fail to do, and I'd recommend watching it if you're bored or the idea the films posits interests you. But don't get as mad as some reviewers on here if it's not a 10/10 masterpiece of cinema gold. It is what it is, don't expect the most breathtaking piece of cinema known to man that answers all of the questions you have about life, death and why we're here.
I enjoy "different" horror movies. I'm not interested in torture porn and gore and people getting chopped up. I want something INTERESTING, whether it's Lovecraft or weird time travel or alternate dimension or thought-created nightmare stalkers - there has got to be a "WHOAH!" for me to enjoy horror movies.
This movie was one of those, with the caveat that, though I won't spoil the ending, if you loathe movies that leave some lingering but relevant questions, you may not cotton to this film.
But like me, if you can separate this "style" of movie-making, which I've seen some just call "lazy", the actual progress of the people and actions in the film were compelling and it is definitely a mystery type horror movie, though not a room-to-room-magnifying-glass type.
If you saw and liked Coherence and I see people are comparing this to Phantoms (I haven't seen that yet, somehow), or if you like the "unknown/invisible", creeping ominous threat movies like Mr. Jones or Resolution, I think you may enjoy this film.
I'm not saying it's perfect - there's a good amount of irritation at a few of the way things go down or people behave, that I felt kept it from being more fluid, and while the acting is by and large at least decent and believable, there are some boneheaded decisions - but not like most horror movies, at least not as frequent - it really doesn't get a chance to build to that level before the horror is in play.
I did like the dialogue for one of the characters, who was a modern sci-fi and horror movie type that was constantly referring to what was going on as something from Stephen King or aliens or zombies or "the spirit of an ancient Indian burial ground", which made me laugh - he seemed the most "real", well, until later, but that's not germane to the point.
Anyway, a lot of people on forums and other sites are giving this a really low rating, and while, for the overall and idea of a complete story, I can kinda see why... I still think what there IS there is good and different and not anything close to "usual horror movie stuff".
I would have given it an 8/10, but I had to stop at 7 because of the unsatisfying or at least not well-enough intimated ending, because I agree with some people that say the "figure out what YOU think it means" is one thing, an artist can't show you a pristine, untouched canvas and say "just IMAGINE the awesome picture YOU want there!".
This movie was one of those, with the caveat that, though I won't spoil the ending, if you loathe movies that leave some lingering but relevant questions, you may not cotton to this film.
But like me, if you can separate this "style" of movie-making, which I've seen some just call "lazy", the actual progress of the people and actions in the film were compelling and it is definitely a mystery type horror movie, though not a room-to-room-magnifying-glass type.
If you saw and liked Coherence and I see people are comparing this to Phantoms (I haven't seen that yet, somehow), or if you like the "unknown/invisible", creeping ominous threat movies like Mr. Jones or Resolution, I think you may enjoy this film.
I'm not saying it's perfect - there's a good amount of irritation at a few of the way things go down or people behave, that I felt kept it from being more fluid, and while the acting is by and large at least decent and believable, there are some boneheaded decisions - but not like most horror movies, at least not as frequent - it really doesn't get a chance to build to that level before the horror is in play.
I did like the dialogue for one of the characters, who was a modern sci-fi and horror movie type that was constantly referring to what was going on as something from Stephen King or aliens or zombies or "the spirit of an ancient Indian burial ground", which made me laugh - he seemed the most "real", well, until later, but that's not germane to the point.
Anyway, a lot of people on forums and other sites are giving this a really low rating, and while, for the overall and idea of a complete story, I can kinda see why... I still think what there IS there is good and different and not anything close to "usual horror movie stuff".
I would have given it an 8/10, but I had to stop at 7 because of the unsatisfying or at least not well-enough intimated ending, because I agree with some people that say the "figure out what YOU think it means" is one thing, an artist can't show you a pristine, untouched canvas and say "just IMAGINE the awesome picture YOU want there!".
Le saviez-vous
- AnecdotesThis is the first film to be directed by Travis Oates who's best known for doing Piglet for Disney's Winnie the Pooh films.
- GaffesAt approximately 16:10 into the movie, shortly after Alex says he's not moving the car away from the pump until he gets gas, a couple people can be seen walking through the woods behind Claire's right shoulder. They could be either crew or some hikers that got caught in the shot.
- ConnexionsReferences Le magicien d'Oz (1939)
- Bandes originalesRocky Mountain High
Written by John Denver and Mike Taylor
Performed By John Denver
Courtesy of Cherry Lane Music
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Box-office
- Brut – à l'échelle mondiale
- 104 549 $ US
- Durée1 heure 32 minutes
- Couleur
- Rapport de forme
- 2.39:1
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