Agatha à chaque fois

I am saddened by the people downvoting this show simply because of a character's sexual orientation. It's not even the highlight of the show; it is just referenced.

Anyway, judging by the duel-episode premier, the show is enticing. It's a bit goofy with its humor, but what Marvel project hasn't dipped into that silliness? The vibes of the show are perfect for the Halloween season. I am excited for the continued expansion of magical beings in the MCU.

My only concern would be whether or not the teased surprises in store will actually be surprising, but this is a general worry due to past MCU Disney+ shows. They just don't seem to stick the landing, but--damn--does this one have a promising start.

I am having a good time so far. Hahn, Plaza, and LuPone seem to be enjoying themselves, as well! While it may not be as serious and heavy as Falcon and the Winter Solider, it certainly is miles ahead of She-Hulk's absurdity for the sake of absurdity.

I came in to Agatha All Along with no pre-conceived ideas or having done any looking in to the back story. So, it wasn't until I was deep in and watching Episode 6 (?) that I realized that it had a connection to the Marvel Cinematic Universe - WandaVision in particular. I felt scammed and peeved.

Well, having gotten engaged in Agatha All Along, I paused it and had to watch WandaVission. While WandaVision has some critical element as back story to Agatha All Along, it is pretty tangential (and - IMO - a much lesser show than Agatha All Along).

Well I finished E6, then dove in to E7-E9 and have to really give the show credit. The acting is superb across the board, with Hahn as Agatha being a standout. The sets have an off beat, original perspective as the show moves along. Most of all, the trials the characters go through and their growth is well done. The show keeps an engaging, adult story line, none of the usual sugar coating where everyone ends up ok in the end.

While I don't think the connection to the MCU was necessary, it is what it is. And, it does not detract unduly from the overall show. I would likely watch a season two if in the offing.

First, I find it interesting that people could leave one star reviews on a show that hadn't premiered yet. Looks like some are a bit pre-biased.

Be that as it may, the show is not the be all end all and it's not the meaning of life, but it's fun and it's very interesting and I can't wait to watch the rest of the series. Joe Locke is perfect casting as expected, Kathryn Hahn is amazing as always, and I'm looking forward to meeting the rest of the coven. It has the right notes of spookiness, especially for the Halloween season, and I think using the same exterior for the house in Bewitched from the 60s is an awesome call back. I'll be here every week.

Agatha All Along is a fun addition to the spooky season, but it suffers from some critical shortcomings that keep it from greatness.

I love witches and witchy stories so I was thrilled for another outing into the occult side of the MCU. However, when I started watching the show I found myself somewhat disappointed, though also somewhat entertained as the story progressed with good moments pocked with a few flaws.

The main downsides to the show are its frequently poor dialogue and corny storytelling, nevertheless after one masterful episode and a truly compelling twist I was almost convinced that this was not a mediocre MCU project, it was good maybe even great. Almost. At this point I wanted it to be great, but ultimately the unsatisfying ending dragged it back down from greatness to just being pretty good.

Rooted firmly in what made WandaVision an enticing watch, Agatha All Along delivers a familiar viewing experience, but goes about it in its own way.

The premise is deceptively simple--a down-and-out villain on a quest to restore her power. As the story unfurls, we see it's about much more than that, and even Agatha's seemingly straightforward motivations are reframed by the end. The story takes its time with the plot twists, but once it starts, it doesn't let up until the very last minute of episode 9.

Led by a career-defining performance from Kathryn Hahn, the cast works well separately and best as a group. Locke and Plaza are highly engaging as the mysteries of their respective characters centre and recontextualize the narrative.

This is a thrifty production by Marvel standards, as you can sometimes--not very often--tell. The broom riding sequence is janky, and the final confrontation has to mostly take place offscreen. This has an upside as it more or less forces the narrative to zero in on the emotional aspect and make us empathize with these characters. The finale in particular surprised me with how poignant and small-scale they allowed it to be, respecting the core of the show as it offers a solemn and mature look into Agatha's world not often associated with the superhero genre.

Overall, this has been a quality MCU offering that shows not all superhero tales need expensive fireworks to shine.