A Better Life

Chris Weitz did a screening of this film at SMC, where I study film, and the reactions of the audience were engaging. The room was filled with a great aura and that was because the screening was filled with people with ethnicities from all over the world and that made the experience a lot more rewarding.

This guy is the same one that brought us American Pie and the second installment of the Twilight series? Yes he is, but let me tell you something, if these paychecks will make him do more movies like this one, then bring another 4 twilight adaptations right now!

The movie is about "Los Mojados", these people who everyday crosses the border from Mexico to the US to look for "A Better Life" like the title implies, trying not to forget their roots, their culture and at the same time struggling to find money to pay the rent, to eat and to survive in the United States without a SSN and without ID. You will wonder why we need to prove we're not from Mars with a visa if God already gave us permission to be here on earth every single second of the movie, absurd and unfair things this world has.

The acting by Demián Bichir, who looks like a younger Vicente Fernández to me, is invisible. You sometimes think you're watching a documentary if it wasn't for the glossy production value of the flick.

This movie needs to be seen by a wider audience, you need to look for it. If you do not feel touch by it, you're surely made out of stone.

The direction by Chris Weitz captures the essence of East LA in a second. There's a scene in the movie where in a matter of 3 minutes you can see how many cultures collide in this side of Los Angeles and how this story can repeat itself in several cultures.

This is also a story about true love between a father and a son, and how you can forget about everything and try every little thing to give your child the things he deserves.

One of the best little movies I have seen this year.

PS: If you like this one, and you're not afraid of B&W cinematography (no, it is not in 3D either) run and rent De Sica's Umberto D., a great masterpiece of Italian neorealism.

A Better Life is a pretty standard story. In fact, it's plot has some contrivances that I wish it didn't, and it doesn't feel as smooth as I wish, but for all of it's writing flaws, it still made me completely empathize for these characters. I connected with them in part because I know too much of the hardships of these kinds of people. My parents have had similar obstacles to overcome as well, and living not too far away from the area shown in this film, I know what it can be like. This is a good film, but then there's Demian Bichir.

This never once feels like acting, and it wasn't until the final scene between Bichir and his son that I realized how effective this film had been. In that final scene, I actually let out tears. For the first time, the writing didn't feel contrived, or the dialogue weak. It all came together for Bichir, and in that final scene you break down with him. It is one of the best acted scenes of the year, and one of the most effective. It isn't until that final scene that you realize how much he has lured you in to his inner feelings, and how much he has made you care. It all sounds cheesy, and many times the film is, but that final scene between father and son is the only scene from 2011 that actually made me weep like a child. Powerful performance by Bichir, and completely deserved his nomination. I also want to mention that Jose Julian is also quite effective.

Greetings from Lithuania.

"Better Life" was a really good movie. It reminded my another good movie about similar life "The Visitor". This is a really inspiring and touching movie about single fathers "journey" to make a better life for his son (or as they say, to find American dream). The way is hard, and sure not everyone can go through it. It's really rare in these days to see such a simple story on a big screen, not overdone in special effects and stuff like that.

If you like simple and quiet but powerful stories, "Better Life" is one not to be missed.

2 Days back, Demián Bichir earned himself an Oscar-Nomination for Best Actor in a Leading Role for 'A Better Life'. And that was it, I saw 'A Better Life' exactly 24-hours later since his nomination was announced.

Demián Bichir delivers a Masterful Performance. A performance, that is so well-done, it come across as an astonishing embodiment. He elevates this film!

'A Better Life' Synopsis: A gardener in East L.A. struggles to keep his son away from gangs and immigration agents while trying to give his son the opportunities he never had.

'A Better Life', even as a film, is worth-seeing, thanks to the the moving screenplay, written by Eric Eason. The relationship between the Father & his Son, is wonderfully handled & written. Chris Weitz Directs this Human-Drama, with bravery. Cinematography is eye-filling. Editing & Art Design, are decent.

On the whole, 'A Better Life' is well-made, but it's Demián Bichir's embodiment, that makes this film unmissable.

A BETTER LIFE is one of the more understated films to come out of Hollywood, a film that has the courage to tell a story that is so politically charged - the immigration debate - that releasing it now is on the one hand asking for negative responses and on the other hand offers to the public the real truths behind our quandary about immigration. This country consists of immigrants - all of us - no matter how far back we have to trace our ancestry: the only people who did not begin their family history as immigrants from every country in the world and the Native Americans, and look how we are treating them! If this film does nothing else than plead the case of human understanding it will have accomplished more than legions of films that touch this subject too lightly.

Carlos Galindo (Demián Bichir, in an extraordinarily fine performance) crossed the border into the US with his new wife, looking for a way to improve his life. Upon arriving his wife gave birth to their son Luis (José Julián) and then promptly left Carlos in search of a better life, leaving Carlos to raise Luis alone. Carlos is an honest, caring man who must live in the shadow of being illegal: he cannot have a driver's license or papers that allow him the benefits of other people. Carlos has a steady job as a gardener with Blasco (Joaquín Cosio) who owns a truck and the two men work hard as gardeners.

When the film opens Carlos is saving is money from working with Blasco, living in a tiny house in the smarmy side of Los Angeles, trying to provide better schooling for his 15 year old Luis. Luis is of the age when he is easily influenced by his peers: his best friend is Ramon (Gabriel Chavarria) who is waiting to be of age to join the gang and forget about school in lieu of making money and living high. Luis is tempted to follow him, but he still attends school despite frequent absences and disinterest in education. Carlos is faced with a dilemma: Blasco wants to leave the business of gardening and suggests Carlos buy his truck and tools and start his own business. While Carlos sees the future in owning his own business (he can provide hope for a better life for Luis) he doesn't have enough money saved to buy the truck. His sister, indebted to Carlos for his protection and help, brings him her savings and Carlos buys the truck. Luis is surprised and then proud of his father's courage, but the happiness is short lived as one of the day laborers Carlos befriended - Santiago (Carlos Linares) - steals the truck, sells it on the black market and sends the money to his family in Mexico. It is this moment that provides an important turn for the relationship between Carlos and Luis. Luis bonds with his father and together they manage to locate the truck and take it back, only to be caught by the police for driving without a windshield. Carlos is jailed, Luis is devastated, but as Carlos is deported Luis pleads with him to 'come back home'. The film's ending tests the credibility a bit but it is heartwarming nevertheless.

The story as written by Eric Eason and Roger L. Simon is genuinely real and never veers toward the maudlin. They have created characters who not only demonstrate the importance of father son understanding and relationships, but they have approached the entire gamut of immigrant challenges and the manner in which this country deals with current immigrants in an honest manner. Without waving banners for or against immigration problems director Chris Weitz offers us the opportunity to see life from a different angle. One of the reasons this movie is so powerful in its impact and message is due to the brilliant performance by Demián Bichir, hopefully a candidate for an Oscar, and his performance is beautifully balanced by that of José Julián as his son. The film is scored by Alexandre Desplat and the music greatly enhances the rhythms of the story. There is such worth in this film that it would be wise for everyone in this country to view it - and remember our individual heritages and histories. Grady Harp