L'Irlandais

I must take issue with the bobbowhite review.

As a citizen of Ireland I can safely say that this film is easy to understand and accents should not be adjusted just so that USA folk can follow.

If an English MP can find the film enjoyable and recommend it to her 35,000+ twitter followers, then no-one should complain.

The scenery is superb.

The characters just right for the West of Ireland as I remember it.

The whole scope of the current Irish populace is contained in the film and age old attitudes subtly dealt with.

For everyone who saw and loved In Bruges, have I got the next movie for you…The Guard. This is a fantastic piece of cinema brought to us by John Michael McDonagh, the brother of Martin McDonagh, who was writer/director of In Bruges. This is the first major film directed by John Michael McDonagh and it does not disappoint.

Set in western Ireland, The Guard begins aerial view of a drunk driver cruising down the highway at high speeds. Right from the start it's easy to understand where the humor will come from – Brendan Gleeson, who also played a large role in In Bruges. The car goes out of frame, skids, squeals, and crashes in front of Gleeson's patrol car. Oh, did I mention he's a cop this time? Quite the role reversal. The crash wakes him – slowly – from his day dream and he pulls up to check out the scene. After rummaging through the pockets of one of the people in the car he finds a bag of drugs, which he tosses away from the body, though, not before dropping a tablet of acid for himself. Cut to introductory credits.

If this doesn't get you off, leave the theatre and begin questioning your understanding of what's funny. The rest of the movie is comprised of smartass remarks and brilliant dry humor.

Don Cheadle plays a straight laced, by the books, FBI agent from the States investigating a drug smuggling scheme that's rumored to be happening in the area. These two must work together to find crack an overlapping case (Cheadle's looking for the drug lords, Gleeson's looking for murder suspects – the same people). It's a good buddy-cop narrative between the two and they work really well together.

I don't want to gush too much more over this movie, just go see it. I'll leave you with a quote that should depict a fair picture about the humor in this movie: Gleeson: I'm Irish. Racism is part of my culture.

See this movie. Until next time folks, cheers!

A shipload of cocaine worth $500Million 'Street Value' is coming into Ireland, and the only people who can stop it is Gerry Boyle (Brendan Gleeson) and FBI agent Wendell Everett (Don Cheadle).

Wendell is a straight laced privileged guy on a mission. Gerry is an irreverent drug-doing whore-doing racist-commenting loudmouth cop. So Wendell takes him as an idiot at first. But it's soon obvious to Wendell that Gerry is the smartest guy in the room and he knows all the local players.

Brendan Gleeson has created one of the funniest raunchiest cop character ever. Where else are you going can dialog like this?

"I'm old enough to be your father."

"Well, you can think about that while you're f**king us, if that turns you on."

Something there is that is charming about films set in Ireland with Irish characters speaking in beautiful brogue and THE GUARD fits into that category very comfortably. Written and directed by John Michael McDonagh this is a funny, fast-paced film that manages to poke fun at many points of bigotry (anti-American, racism, the gay lifestyle, etc) in a manner that keeps the comedy rolling. In many ways the film is comparable to the film IN BRUGES, if that helps the reader to categorize in a positive way.

Sergeant Gerry Boyle (Brendan Gleason) is a small-town Irish cop in Western Ireland with a confrontational personality, a subversive sense of humor, a dying mother, a fondness for prostitutes, and absolutely no interest whatsoever in the international cocaine-smuggling ring that has brought straight-laced FBI agent Wendell Everett (Don Cheadle, in a role that allows him to display his comedic gifts) to his door. Boyle's partner, a gay man Aidan McBride (Rory Keenan), the brunt of many of Boyle's jokes, is shot while making a traffic arrest by the drug smuggling gang (Mark Strong, Liam Cunningham, Owen Sharpe, Michael Og Lane) which leaves the cantankerous Boyle to align with the American black FBI agent Everett to solve the case. What begins as a fiction filled alignment ends up as a touching friendship.

McConagh's writing and direction are as fine as they come for films of this sort. It will be necessary for most viewers to turn on the subtitles to understand the brogue (the few Gaelic passages are not translated!). The cast, from the major roles to the minor ones (especially the extraordinarily beautiful Katarina Cas) including Laurence Kinlan and Fionnula Flanagan, is superb. This is a very fine comedy well worth the attention of a very wide audience!

Grady Harp

"The Guard" is definitely a movie to recommend. Its beautiful simplicity, provoking colors and incredibly witty lines simply make this a small masterpiece. I haven't expected a thing, but it does seem that this directorial surname becomes something to be kept close within the radar.

It has somewhat of that Warhal-like touch to it within the play of multiple strong colors and nuances, where it is visually provoking and satisfying, easy to relate and almost as easy to touch. Along with remarkable scenery and those absolutely sets details, the roles are accordingly brilliant.

Brendan is more than expectedly good and from my point of view, this might just be his best role so far (though all are excellent). The easiness and the flow make the movie a cake one swallows easily. Though grim at all times, it puts a big smile on a face from the first moment.

Unpretentious and fresh, it has a tiny nuance of early '90 movies such as "Pulp Fiction", but unlike others, the directing made it look absolutely different. It is unpredictable at all times, yet one keeps waiting for Gleeson's next line. Probably one of my favorites for some time. Will watch again, definitely.

As for the language, I have to agree with the issue - English is not my native language but it was so awful trying to watch it with those unnatural subs in English. It took half of the fun and I simply turned it off and enjoyed it, understanding it easily. Being so lost in translation, it certainly will not be as great as it really is - even one line lost is too much for such a screenplay.

I'm not an Irish, right. Yet I could identify easily with the characters and feel the ease. As for this year's movies I've seen so far, this was the biggest surprise and biggest satisfaction.

With simple soundtrack which turns out fully unexpected towards the very end - much of a "Mexican standout", "The Guard" is truly a rewarding movie and a hope that there are still ways to make fresh ones to enjoy without having to compare or predict.