Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.Aadaptation du livre American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer de Kai Bird et Martin J.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 7 oscars
- 364 victoires et 373 nominations au total
Sommaire
Reviewers say 'Oppenheimer' by Christopher Nolan is a complex biopic delving into J. Robert Oppenheimer's role in atomic bomb development. Themes of moral dilemmas, scientific responsibility, and nuclear impact are prominent. Cillian Murphy's performance, technical aspects, and historical accuracy receive praise. However, some find the pacing slow, narrative disjointed, and runtime excessive. Critics also note a lack of emotional depth and underdeveloped characters. Despite these issues, Nolan's direction, visual style, and thought-provoking nature are widely appreciated.
Avis en vedette
I align with other reviewers here who have found this. Despite the hype surrounding it, Oppenheimer fell short of expectations. The film proved to be tedious and at many times draining to watch.
I liked the cinematography but the beautiful scenes had an overwhelmingly loud background score that drowned out most of the dialogue and made it hard to comprehend what was going on.
The movie also had several disjointed scene transitions which in my opinion, because of lack of character development and loud background music, only added to the confusion, making it hard to follow the plot coherently. Overall, a disappointing experience that failed to live up to its hype.
I liked the cinematography but the beautiful scenes had an overwhelmingly loud background score that drowned out most of the dialogue and made it hard to comprehend what was going on.
The movie also had several disjointed scene transitions which in my opinion, because of lack of character development and loud background music, only added to the confusion, making it hard to follow the plot coherently. Overall, a disappointing experience that failed to live up to its hype.
Oppenheimer was just okay-good. It felt much too rushed at times, much too slow at others, but always forced.
Though the acting was stellar, the movie itself was a long, jerky, scattered bio-pic that tried to do a little too much at the expense of being a great.
I left feeling too many important themes were just glossed and insufficiently explored for a movie of this magnitude.
Sometimes a movie tries to mention everything and ends up saying nothing.
But it's always cool to see physicists, scientists, and math legends (and their famous egos) get screen time. The star studded cast and their incredible performances was the saving grace, but even they could only do so much to save the awkward pacing and complex themes left on the table, barely touched.
Though the acting was stellar, the movie itself was a long, jerky, scattered bio-pic that tried to do a little too much at the expense of being a great.
I left feeling too many important themes were just glossed and insufficiently explored for a movie of this magnitude.
Sometimes a movie tries to mention everything and ends up saying nothing.
But it's always cool to see physicists, scientists, and math legends (and their famous egos) get screen time. The star studded cast and their incredible performances was the saving grace, but even they could only do so much to save the awkward pacing and complex themes left on the table, barely touched.
I'm still collecting my thoughts after experiencing this film, Cillian Murphy might as well start clearing a space on his mantle for the Best Actor Oscar.
This film is a masterclass in weaving narratives and different time periods while exploring the profound depths of a man whose actions altered the world's trajectory forever, for better or worse. Nolan brings us into the complexities of Oppenheimer, and all the moral conflicts stirring within him.
Murphy's portrayal is so riveting that the long run-time became an afterthought. Robert Downey Jr also offers a great performance and Nolan's push and pull with how he uses sound design throughout is the cherry on top.
Some viewers might need a brief refresher on WWII and Cold War history, but any film lover should be happy to willingly lose themselves in this film for hours on end.
This film is a masterclass in weaving narratives and different time periods while exploring the profound depths of a man whose actions altered the world's trajectory forever, for better or worse. Nolan brings us into the complexities of Oppenheimer, and all the moral conflicts stirring within him.
Murphy's portrayal is so riveting that the long run-time became an afterthought. Robert Downey Jr also offers a great performance and Nolan's push and pull with how he uses sound design throughout is the cherry on top.
Some viewers might need a brief refresher on WWII and Cold War history, but any film lover should be happy to willingly lose themselves in this film for hours on end.
I have to admit: Oppenheimer didn't live up to the hype for me. This is not a bad film per se and while it depicts a frightening turning point in history, its style didn't suit me.
Overall I think it's too densely packed and there isn't a payoff for the 3-hour runtime. I didn't feel emotionally connected to any of the characters because they are underdeveloped. There are different timelines, subjects and characters that get introduced and are gone before we get to known or care for them. Plus, the movie is overly dialogue-heavy and politically oriented for its own good. I enjoy engaging conversations but it's filled with technical dialogue, hearings and bureaucracy, which doesn't work for me. I might as well read a book or a Wikipedia page.
I will, however, praise the acting of the entire cast and the immersive score and sound design. I wish I could say the same about the visual effects but I found what we were presented underwhelming.
Overall I think it's too densely packed and there isn't a payoff for the 3-hour runtime. I didn't feel emotionally connected to any of the characters because they are underdeveloped. There are different timelines, subjects and characters that get introduced and are gone before we get to known or care for them. Plus, the movie is overly dialogue-heavy and politically oriented for its own good. I enjoy engaging conversations but it's filled with technical dialogue, hearings and bureaucracy, which doesn't work for me. I might as well read a book or a Wikipedia page.
I will, however, praise the acting of the entire cast and the immersive score and sound design. I wish I could say the same about the visual effects but I found what we were presented underwhelming.
I'm a big fan of Nolan's work so was really looking forward to this. I understood there would be some flipping in timelines and I'd need to concentrate. I didn't find this to be a problem at all and the storytelling was beautifully done. The acting was universally excellent. I saw a review saying Emily Blunt was rather OTT but I didn't find that at all.
I think my biggest gripe with the film may mean that I'm just getting old. I found the direction quite jarring with jump cuts galore. While it did keep things moving along apace, it was all rather exhausting. I also found the music and sound very very loud to the point of intrusion. Much like other Nolan films as it goes: Interstellar that I love, also had *very* loud music.
All in all this is a quality watch. It just left me longing for the days when so called 'cerebral' biopics, were a little more tranquil.
I think my biggest gripe with the film may mean that I'm just getting old. I found the direction quite jarring with jump cuts galore. While it did keep things moving along apace, it was all rather exhausting. I also found the music and sound very very loud to the point of intrusion. Much like other Nolan films as it goes: Interstellar that I love, also had *very* loud music.
All in all this is a quality watch. It just left me longing for the days when so called 'cerebral' biopics, were a little more tranquil.
Engineering 'Oppenheimer'
Engineering 'Oppenheimer'
Cillian Murphy and the cast of Oppenheimer discuss what it's like to work with a singular director like Christopher Nolan.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesIn order for the black and white sections of the movie to be shot in the same quality as the rest of the film, Kodak produced a limited supply of its Double-X black and white film stock in 70mm. This film stock was chosen specifically for its heritage - it was originally sold to photographers as Super-XX during World War II and was very popular with photojournalists of the era.
- GaffesThe stop signs are yellow in the film, which is accurate. The United States used yellow stop signs until 1954.
- Citations
J. Robert Oppenheimer: Albert? When I came to you with those calculations, we thought we might start a chain reaction that would destroy the entire world...
Albert Einstein: I remember it well. What of it?
J. Robert Oppenheimer: I believe we did.
- Autres versionsTo get a U/A rating certification in India, the movie was edited to remove or censor all nudity using CGI. For example, the scene where Tatlock and Oppenheimer have a conversation and the former character was topless, the nudity was censored with a CGI black dress. Many Middle Eastern countries use this exact same censored version for release.
- ConnexionsFeatured in Louder with Crowder: Going Out with a Bang! (2022)
- Bandes originalesHoliday in Big Band Land
(uncredited)
Written by Gerhard Narholz
Performed by Les Brown and His Band of Renown
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Oppengeymer
- Lieux de tournage
- Los Alamos, New Mexico, ÉTATS-UNIS(only interiors, Los Alamos facilities interiors, including Oppenheimer's house, Fuller Lodge Interior and Exterior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 330 078 895 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 82 455 420 $ US
- 23 juill. 2023
- Brut – à l'échelle mondiale
- 975 811 333 $ US
- Durée
- 3h(180 min)
- Couleur
- Mixage
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