Yoocheitalja
- 2020
- 1h 48m
ÉVALUATION IMDb
6,2/10
2,3 k
MA NOTE
Un film d'action fantastique qui tourne autour d'un homme.Un film d'action fantastique qui tourne autour d'un homme.Un film d'action fantastique qui tourne autour d'un homme.
- Prix
- 1 victoire et 1 nomination au total
Allen Chan
- Go Joong-sa
- (English version)
- (voice)
Su Ling Chan
- Moon Jin-ah
- (English version)
- (voice)
Woo Kang-min
- Hippo
- (as Woo Kang-Min)
Avis en vedette
Entertaining but far from being perfect. It was a bit confusing at the beginning, later on things got clear gradually, some events and scenes weren't convincing to me, more or less mannered, however I liked the action stuff, the continuous tension which was pleasant, overall, not bad.
Spiritwalker is a South-Korean science-fiction thriller that looks very promising on paper but fails to deliver the goods as a cinematic experience. While the main idea is promising and the cinematography is up to the highest contemporary standards, the movie has a few lengths and the story is overall quite unconvincing.
The movie revolves around a man suffering from amnesia after a car crash who is found by a homeless man who is trying to loot his vehicle. The man gets transported to the nearest hospital where police officers are confused when the victim is unable to recall much of his past. He gets discharged from the hospital and soon seems to find out where he has been living and working. Just as things seem to become clearer, he suddenly has a strange seizure and awakes as a different man who is having lunch with his mother. He storms out of the restaurant and is trying to understand what has been happening to him. However, he soon realizes that he is in danger since members of a shady organization are tracking him down and attempting to arrest and even assassinate him. The stranger is able to ward off his opponents as he comes to the conclusion that he must have been some sort of special agent. As he is switching bodies every twelve hours, the protagonist is trying to find out what relates these different people with the help of the homeless man who found him and a mysterious woman who could have been his professional and personal partner in the past.
This film convinces on several levels. First of all, the main idea of the story is really intriguing and offers dystopian science-fiction at its very best. Up next, the cinematography of this film is excellent with precise camera work, dynamic lighting techniques and spectacular stunts. The martial arts sequences of this movie deserve to be mentioned separately as they stand out with much dynamism.
However, this movie also has several flaws. After an exciting first thirty minutes, the movie fails to progress and the story falls flat. The exchangeable acting performances lack identity as the protagonist is portrayed by numerous different actors throughout the film. The movie's conclusion is filled with great action sequences but the intellectual side suffers quite a lot.
Overall, Spiritwalker doesn't live up to its hype and qualifies as barely above average science-fiction thriller. This movie had the potential to be a true highlight with a cleverer script and better actors. This is why this movie's downfall is particularly disappointing. Here's hope that a movie with a similar plot but a more intellectual twist might one day see the light of day.
The movie revolves around a man suffering from amnesia after a car crash who is found by a homeless man who is trying to loot his vehicle. The man gets transported to the nearest hospital where police officers are confused when the victim is unable to recall much of his past. He gets discharged from the hospital and soon seems to find out where he has been living and working. Just as things seem to become clearer, he suddenly has a strange seizure and awakes as a different man who is having lunch with his mother. He storms out of the restaurant and is trying to understand what has been happening to him. However, he soon realizes that he is in danger since members of a shady organization are tracking him down and attempting to arrest and even assassinate him. The stranger is able to ward off his opponents as he comes to the conclusion that he must have been some sort of special agent. As he is switching bodies every twelve hours, the protagonist is trying to find out what relates these different people with the help of the homeless man who found him and a mysterious woman who could have been his professional and personal partner in the past.
This film convinces on several levels. First of all, the main idea of the story is really intriguing and offers dystopian science-fiction at its very best. Up next, the cinematography of this film is excellent with precise camera work, dynamic lighting techniques and spectacular stunts. The martial arts sequences of this movie deserve to be mentioned separately as they stand out with much dynamism.
However, this movie also has several flaws. After an exciting first thirty minutes, the movie fails to progress and the story falls flat. The exchangeable acting performances lack identity as the protagonist is portrayed by numerous different actors throughout the film. The movie's conclusion is filled with great action sequences but the intellectual side suffers quite a lot.
Overall, Spiritwalker doesn't live up to its hype and qualifies as barely above average science-fiction thriller. This movie had the potential to be a true highlight with a cleverer script and better actors. This is why this movie's downfall is particularly disappointing. Here's hope that a movie with a similar plot but a more intellectual twist might one day see the light of day.
A solid action thriller about a man who wakes up after an accident to find out he's not the person he used to be. To make matters worse, it turns out he'll "transform" into someone else every 12 hours.
The sci-fi gimmick is mostly used for a Bourne-style recipe; for every bit of mystery that the protagonist manages to clarify we get a round of fistfights, chases or shootouts. I wish that the film did more with its concept but it still manages to entertain throughout its runtime. There's almost no need to highlight the film's cinematography as it is as polished as we've come to expect from Korean thrillers. The last action scene is obviously heavily inspired by John Wick, but that doesn't take away from its intensity and well-done choreography.
Recommended for fans of high-concept Korean thrillers; however, they might need to lower their expectations a bit since this isn't really a top-tier pick in the genre.
The sci-fi gimmick is mostly used for a Bourne-style recipe; for every bit of mystery that the protagonist manages to clarify we get a round of fistfights, chases or shootouts. I wish that the film did more with its concept but it still manages to entertain throughout its runtime. There's almost no need to highlight the film's cinematography as it is as polished as we've come to expect from Korean thrillers. The last action scene is obviously heavily inspired by John Wick, but that doesn't take away from its intensity and well-done choreography.
Recommended for fans of high-concept Korean thrillers; however, they might need to lower their expectations a bit since this isn't really a top-tier pick in the genre.
The special effects live up to the intriguing sci-fi premise, but the interpersonal presentation is inconsistently revealed and murkily convoluted. The initial slow pacing causes the setup of the story to drag out. Then the hyper action-packed finale comes in the form of a frenzied resolution without enough satisfaction of the plot complications.
The dubbed dialog mis-coordinates with the subtitles for increased confusion and sometimes results in unintended hilarity.
The bad guys have way too much of the upper hand throughout, and there is nowhere near enough righteous retribution. Even so, it manages to have an upbeat ending and turns out to be worth the watch.
The dubbed dialog mis-coordinates with the subtitles for increased confusion and sometimes results in unintended hilarity.
The bad guys have way too much of the upper hand throughout, and there is nowhere near enough righteous retribution. Even so, it manages to have an upbeat ending and turns out to be worth the watch.
A solid Korean thriller that boasts some commendable action sequences; it seems to me that Korean cinema has moved on from being inspired by the BOURNE films to instead being inspired by the JOHN WICK franchise. And who can blame them? This one's a version of the perennial 'body jump' storyline, and it's as complex and fast-paced as befits that premise, so much so that there's never a dull second, just the plot moving inexorably onwards.
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Détails
Box-office
- Brut – à l'échelle mondiale
- 6 639 805 $ US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 2.41 : 1
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By what name was Yoocheitalja (2020) officially released in Canada in English?
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