Les trois mousquetaires

Yet another adaptation of the Alexandre Dumas classic Three Muskateers, however this tale came with way too much modernization for my taste. Flying battle ships, automatic cannon launchers, and tricked out vaults were just a few of the technological feats that were only a necessity because the story needed something more to make anyone care long enough to stay in their seat the full running time. I felt that from the trailer there was a desire to make this a larger than life visual extravaganza, with the wide and aerial views of the French and English landscapes, along with the huge explosions the viewer was supposed to be amazed. The only amazing thing that I found was that the only way to remember that we were experiencing a story in Paris, France is that the characters kept mentioning it, otherwise with all the varying accents it was easy to forget where the story was taking place, I don't recall one person speaking with a French accent or even interjecting a bit of French for some authenticity, not once. And don't even get me started on the ridiculously constructed chance meeting of D'artangnan (Logan Lerman) and the Muskateers. I have to admit that I found The Duke of Buckingham (Orlando Bloom) to be delightful, he was a balanced mix of charm and cunning. But what the heck was going on with King Louis the XIII (Freddie Fox), a fashionisto? No one seemed to be immune to the whiles of MiLady de Winter (Milla Jovavich) and you just get the feeling that she is the only woman in the world with an adventurous side, she was everywhere. All I could think of while watching this film was, this is the stupidest Three Muskateers story ever. I love movies, I love action in movies, I love classic tales, and I love fashion in any context, but I did not love this film dare say I did not much like it, it should have stuck with a character driven tale of heroism, side stepping the over the top presentation and preoccupation with fashion. My preference is the classic take on the story, the cleverness and quick wit of the Muskateers, their exceptional fencing ability and their keen sense of loyalty to the thrown as they work to mentor D'artangnan has always been enough. Don't bastardize a classic, make your film and call it Swashbuckling or something else. The story did not require 3-D, and it did not require my presence in the movie theater. I give it a red light.

I've read other reviews lambasting the historical inaccuracies, the deviation from the original book and the technological impossibilities.....get a grip guys it's a fantasy/adventure movie and I loved it. It's beautifully stylised, the 3D works well and the action sequences are extremely well choreographed. I didn't give a "stuff" that there were a combination of accents that bore no relation to the geography, that the dialogue was campy and that it strayed well away from the original novel, which in fairness has been done to death anyway. It was fun, well made and rattling good entertainment. I read a gazillion reviews telling me how good "Drive" was........that really did bore the pants off me!

I actually liked this movie. I've seen many musketeer movies through the years and this one wasn't the best one in my opinion but it was certainly not the worst either. It has a lot of adventure and cool scenes with good special effects.

I did not expect to see Milla Jovovich in a movie like this but she really pulled it off. And it was pretty nice seeing Orlando Bloom playing a villain for a change, I've had the feeling that he always plays the a character with same qualities in almost every movie (Lord of the Rings, Pirates of the Caribbean, Kingdom of Heaven etc).

This movie is much more adventurous and wild than the '93 version and in my opinion these two can't really be compared because they are made for different audiences. All in all this is a great movie to watch together with your friends.

Lavish scenarios , spectacular action , court intrigue and exciting swordplay . Last version based on Alexandre Dumas' classic yarn of intrigue at the 17th century French court . Entertaining and fun version based on the classic Dumas novel with spectacular swordplay in nifty style , this is a modern version of the classic Dumas novel set in 17th Century France . Alexandre Dumas's source for his novel was a book by 19th-century writer Courtils de Sandraz, which was purporting to be D'Artagnan's biography ; the Musketeers were actually real people, not fictional characters created by Dumas . Producer and director Paul W.S. Anderson presents Dumas' exciting story of love and adventure , ¨The three musketeers¨ including a lot of computer especial effects , anachronisms and overwhelming aerial scenes . For this plenty FX rendition is adapted in the greatest splendor , the complete romance , the historical characters, the full novel by Alexandre Dumas though including important changes . It is packed with comedy , derring-do , intrigue , a love story , action , drama and moving swordplay . An awesome casting and big-budgeted production shot in Bavarian Studios and location make for a fairly amusement swashbuckler . This is the recent recounting of the Dumas's novel with a fine cast headed by handsome Logan Lerman as hot-headed D'Artagnan in a brave role as a young and handsome soldier of fortune , a dashing , audacious lover and nimble athlete . They must defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war. At the beginning of the movie, the map of Europe shows several states and kingdoms of that era . This delightful adaptation based on Alexandre Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris to find Mister Treville , chief of Musketeers. But he meets with three two-fisted Musketeers , rollicking adventurers , fighting to live and living to love . DÁrtagnan to be aware they are Musketeers and is invited to unite them in their objective to struggle against guards of Cardinal Richelieu well performed by Christopher Waltz and the astute Milady De Winter who is lovely as a jewel, deadly as a dagger the wickedest woman in all Christendom . Meanwhile, D'Artagnan falls in love with a gorgeous young , Constance , Gabriella Wilde , she is a golden-haired beauty entangled in a web of treachery and intrigue. Furthermore , there is developed an intrigue between Luis XIII : Freddie Fox , Queen Anne of Austria : Juno Temple , dazzling as her gilded palace for her, men dared a thousand perils , and Duke of Buckingham , Orlando Bloom ; and of course the nasty Richelieu , as evil as ever . The musketeers join forces for royal vengeance with the shout : ¨One for all and all for one¨. Then , the musketeers whose friendship has become a legend to stir the hearts of men and shouting their slogan set out to help the Queen . Straightforward as well as gallant D'Artagnan and the three musketeers scheme a plan to save her , clashing against a malicious Richelieu .

It's a nice rendition from the immortal novel with pretty budget and breathtaking scenarios . The picture contains rousing action , intrigue , romantic adventure , romance , treachery , mayhem and a lot of fence . Amusing swashbuckling with lavish production , glamorous gowns and luxurious sets . Furthermore , a vein of humour is evident here , though sometimes falling flat . For this movie itself , though , energetic and frantic are the best adjectives you could think of to describe its attraction . Charming but very young and short Logan Lerman , he bounds and leaps , fights , hits and run . Lerman executes athletic feats , moving sword-play and spectacular acrobatics , Logan performed most of the stunts in his films himself . He is accompanied by a good cast as Matthew MacFadden , Luke Evans , Ray Stevenson , Til Schweiger . Furthermore , special mention to Mads Mikkelsen , playing Rochefort, in this movie he wears an eye-patch over the very same left eye that his Le Chiffre character wept blood in Casino Royale (2006).

Adequate and colorful cinematography by Glen MacPherson stunningly showed on the splendorous images being filmed in Munich and German palaces such as Residenz in Würzburg, Lower Franconia, Bavaria . Thrilling as well as evocative musical score by Paul Haslinger , the dance music near the end is appropriate for the time period . Glamorous production design is well reflected on the luxurious interiors and exteriors stunningly filmed . Impressive sets , though many of them made by computer generator , the so called "Ring of fire" crows nest with its 31 cannons was built as a fully working version out of a mass of wood in only fourteen days by a big German company , it is on display in the Babelsberg movie studio film park. The motion picture was professionally realized by Paul W.S. Anderson . This cool filmmaker provided visual style , comedy , fencing , drama , clangorous action in equal proportions .

This classy story is subsequently remade on several versions ,as the MGM classic version in musical style by George Sidney with Gene Kelly , Paul Lukas , Gig Young , Vincent Price , Frank Morgan and Lana Turner as Milady ; 1973 amusing version by Richard Lester with Michael York, Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland, Oliver Platt and Chris O'Donnell, and 2001 rendition by Peter Hyams with Justin Chambers, Mena Suvari and Tim Roth , among others. ¨The three Musketeers¨ is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be acceptable adaptation with big budget based on the classic

There is a saying that goes by the words "Don't fix it if it ain't broke". While there has been umpteen re-makes of the classic novel by Alexandre Dumas, this latest adaptation is not one that Dumas would be proud of. Rather, this film is a desecration of fine prose and the resting place of Dumas himself. The logic defying script expects the viewer to suspend reality with ships that fire cannons while sailing through the air, Ninja styled breach and entry, a "Mission Impossible" styled heist and exotic weaponry, all within the confines of what was supposed to be the renaissance period of 17th century France.

I have found this movie mostly disappointing, starting with the totally unnecessary satire in the script. It is one thing to inject a little comedy, but where is the need to make a parody of one the most widely translated works of literature? Played by Logan Lerman, D'Artagnan sets out to become a musketeer and arrives in Paris to find the famed trio Athos (Matthew Macfadyen), Aramis (Luke Evans) and Porthos (Ray Stevenson) disbanded and de-commissioned by Cardinal Richelieu (Christoph Waltz). After a bravado skirmish with the Cardinal's guards, the young but inexperienced King Louis XIII (Freddie Fox) reinstates Athos, Aramis and Porthos to their former rank and even has D'Artagnan join them for good measure. The awesome foursome then discovers the Cardinal's deadly plot to overthrow the King. By employing Athos's former lover the beautiful but deadly assassin M'lady De Winter (Milla Jovovich), the Cardinal fabricates infidelity between the Queen (Juno Temple) and England's Duke of Buckingham (Orlando Bloom). By doing so, the devious cardinal plots to unleash war on the European Continent, and in the process plans to dispose the King and Queen of France, while acquiring the throne of France for himself. It is now up to the (four) musketeers to prevent France and England from plunging into war by stopping M'lady De Winter from executing the Cardinals evil plan.

With a budget of US$ 100 million, Alexandre Dumas' complex plot is simplified for this movie but hugely amplified with visual effects and 3 D. The effects are literally blown out of proportion while 3 D does not appear to have served its purpose. In comparison, the 1993 title still holds its ground with a lowly budget of US$17 million. The very obvious difference is in the screenplay. In adapting for film, both versions have strayed from the book, but there is still a lot of focus on the story in the 1993 version. With this 2011 remake, director and co-producer Paul .W. S. Anderson has unwisely sacrificed an engaging and all time favorite work of fiction for a very expensive piece of cannon fodder. There is a legend behind the story of the three musketeers and it stands for valor and honor, the protection of king and country and the defense of justice by fighting corruption. Sadly, none of this is even remotely brought to light in Anderson's version. Having previously worked with Milla Jovovich on the zombie infested "Resident Evil" franchise, Anderson sticks to his guns with flamboyant action and goes to the extent of throwing in blades, explosives, zeppelins and yes, fancy fencing . To an extent, creativity in adapting for the screen is always appreciated. However, by overdoing it Anderson has paid a very heavy price as he has not only overlooked core elements of the story, he has also not given due detail to any of the characters. Who were the three musketeers? What made them famous? Why have they pledged alliance to a young and weak King? Regrettably, Andrew Davies and Alex Litvak's screenplay does not justify a franchise re-boot by avoiding early origins of the musketeers and the trio's prominence in the French Monarchy.

For a period piece set in the 17th century, costumes, props and sets seem to be convincing. But what do I know; I haven't been alive for the last 400 years. Although Anderson scores in this area, he fails again with the totally uninspired acting. Lerman plays a hot-headed D'Artagnan, but not with the same passion as portrayed by actors before him. As the titled musketeers, I just could not feel that patriotic vibe from Macfadyen, Evans and Stevenson. As Buckingham, Bloom oozes with cool and makes a grand entrance but his screen time is limited, so don't expect too much swashbuckling as his roles in "Pirates of the Caribbean". Jovovich is the same as ever, only here she does not have zombies to kill. My biggest disappointment is the underused Christoph Waltz. We have seen before how fearsome a villain he can be as the conniving and scheming Col. Landa in Tarantino's "Inglorious Basterds". Yet somehow Waltz fails to maintain that same intensity. It becomes all the more disappointing because the Cardinal is supposedly a central yet treacherous character, but in this film he doesn't appear to be so. Perhaps it all boils down to the script again although I was expecting more from Waltz in comparison to the rest of the actors, as he could have actually been the film's saving grace.

At the end of it all, this latest adaptation will not be worth remembering and will go down as a half-baked attempt at remaking a movie that has been made too many times. In my book, the 1993 version still rules!