Natchathiram Nagargirathu
- 2022
- 2h 50m
ÉVALUATION IMDb
6,8/10
1,8 k
MA NOTE
Ajouter une intrigue dans votre langueIniyan, Rene, Arjun and Madeleine are trying to find themselves and understand their deep-rooted prejudices in life.Iniyan, Rene, Arjun and Madeleine are trying to find themselves and understand their deep-rooted prejudices in life.Iniyan, Rene, Arjun and Madeleine are trying to find themselves and understand their deep-rooted prejudices in life.
- Prix
- 1 victoire et 1 nomination au total
Avis en vedette
RATED 9/10
Language: Tamil
Source: Nil
RECOMMENDED
From the beginning to end the movie is not deviated from the core subject. No extra scenes, sentiments and comedies. These are are very much positive points to the movie at the same time sidelines the movie into artistic one rather than entertaining one.
This is pure Art-Cult-Brave movie and must watch for every cinema lovers. The first half looks filled with more conversations and bit over done, might be I got this feeling because of all scenes shot in single location. The second half is bit breezy. The Movie is point blank at the same time it was funny in places.
The biggest strength of this movie is the dialogs. There is some hidden gem shots like "door with light rays on Buddha painting and the person sitting near the wild cat in climax" The climax fight is bit hurried wind-up but I liked this one. The "beach meet" after climax fight is cherry on top scene.
Must watch for everyone, especially who want to self analyse the love life...
From the beginning to end the movie is not deviated from the core subject. No extra scenes, sentiments and comedies. These are are very much positive points to the movie at the same time sidelines the movie into artistic one rather than entertaining one.
This is pure Art-Cult-Brave movie and must watch for every cinema lovers. The first half looks filled with more conversations and bit over done, might be I got this feeling because of all scenes shot in single location. The second half is bit breezy. The Movie is point blank at the same time it was funny in places.
The biggest strength of this movie is the dialogs. There is some hidden gem shots like "door with light rays on Buddha painting and the person sitting near the wild cat in climax" The climax fight is bit hurried wind-up but I liked this one. The "beach meet" after climax fight is cherry on top scene.
Must watch for everyone, especially who want to self analyse the love life...
Politics of Love . Natchathiram Nagargiradhu was beautiful movie . Well written and very well executed . Asusual Pa. Ranjith didn't fail to give equal scope for all characters in the movie , each and every character were well designed . Movie tells about love and it's politics , actually this kinda topic was really intresting and thought provoking , it was deep rooted into the topic . Dialogues were back bone of the movie , it was hard hitting and strong . This time making was bit different from Pa Ranjith , surreal type of making was good ( Dope vro ) . My favorite part was Village portion , actually they didn't try to make us laugh but it was totally hilarious . Music and songs were good from Tenma . Technically cinematography was awesome and good editing . Overall a must watch movie .
Pa. Ranjith's new movie feels a personal statement to "Naataka Kaadhal" but that is not the movie is all about. The story revolving around a drama troupe at Pondicherry, a group full of people with varied opinions (political or otherwise). As they try to prepare for a play on love, the clash of ideals brings out the differences and the eventual impact on the individuals. If one thinks this is all there is, the third act throws in a terrific surprise elevating the movie.
Rene aka Tamizh being the central character, one of the many characters that are written to mirror the society's harsh reality, is the best written one. The character of Arjun is the one with a better arc as he stands for everything wrong in prejudiced upper caste male with no understanding of political correctness. The narrative that is mostly conversational is effectively merged into the on screen play which stands out for the set design and make up along with the performances, firmly aided by those songs.
I am surprised how i didn't feel the runtime at all and that is solely due to the surprise character entry in the third act, as mysterious the character is, it directly felt like an interaction beyond the screen. The rebels vs the self proclaimed protector for the society, a top notch touch towards the end. To point out the shortcomings, though thr story dwells into genderless love as well, the same sex love stories and the trans couple story gets reduced to dialogues.
Rene aka Tamizh being the central character, one of the many characters that are written to mirror the society's harsh reality, is the best written one. The character of Arjun is the one with a better arc as he stands for everything wrong in prejudiced upper caste male with no understanding of political correctness. The narrative that is mostly conversational is effectively merged into the on screen play which stands out for the set design and make up along with the performances, firmly aided by those songs.
I am surprised how i didn't feel the runtime at all and that is solely due to the surprise character entry in the third act, as mysterious the character is, it directly felt like an interaction beyond the screen. The rebels vs the self proclaimed protector for the society, a top notch touch towards the end. To point out the shortcomings, though thr story dwells into genderless love as well, the same sex love stories and the trans couple story gets reduced to dialogues.
Pa. Ranjith's films are always a matter of some political dimensions to discuss. Every film either he directed or produced deals with issues related to Dalit politics and casteism. NN is also about that political spectrum. The subject is something we had already discussed and talked but the execution of the film stands different. The initial scene of the movie projects the entire concept, ie, Love and Caste. The film is built in a new-gen format which means there comes a lot of characters which is alien to the so-called normal society. We can see queer people, a transwoman, and a lesbian couple in the movie which is something a progressive thought. I feel like the theatre group simply symbolizes the future world that everyone intends to come. The theatre group is all set to execute a new play and the master of the group selects love as the subject for the play. Love that connects with the current social scenario. The movie also talks about the issue of honor killing which is so prevalent in society. While the master put forward this subject to everybody in the group all come up with their own views about the subject. That comments from them resemble the attitude of people toward this issue. We can see many types of dimensions that flavored a strong backup to the movie. The film is something a good attempt but not to be considered a brilliant one from Pa. Ranjith.
There are two types of movies - one where things seem normal until the caste angle comes into the picture (eg., Kaadhal, Vazhakku en) and the 2nd is Pa Ranjith, Maari Selvaraj movies where everything revolves around characters oppressed by caste. The problem with the 2nd type of movies - the makers care more about the ideology rather than the drama (or) the screenplay making it a preachy documentary rather than a entertaining movie.
Thats the main reason this movie is not for everyone. However if you are an ideological person and one who criticizes society, this movie and it's world is for you.
Thats the main reason this movie is not for everyone. However if you are an ideological person and one who criticizes society, this movie and it's world is for you.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Natchathiram Nagargiradhu
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 285 254 $ US
- Durée2 heures 50 minutes
- Couleur
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